I shoot film exclusively. I've gone through several stages of "justification" for my choice. When I started photography (last year, my Spottie was a with me a year in March) I found a Spotmatic for 55$ shipped, with a Super-Tak and strap. (as an aside I nearly ended up with an Exakta, and a Canon rangefinder tempted me mightily) I initially felt that I could shoot quite a good deal of film with this before it would even come near the cost of a dSLR, and I was right. Once the cost of all of my lenses and film passed that point, however, I started looking for other reasons. "Film is full frame, it gives me more resolution" or "De-saturated digital can't match a darkroom gelatin print" (it can't) and this lasted for a while.
Fed up with the impact of photo costs on my student's budget my family eventually offered to put up a substantial amount of money to buy me a dSLR. I then realized that I shoot on a SPOTMATIC, a classic, manual camera, rather than an auto-focusing, auto-exposing chunk of plastic. What I wanted was a classic, something manual from an older time, and, rather than choosing between film and digital, I was choosing between an Exakta, a Canon 7, a Spotmatic, a Nikon F, or a D700, a K100D, an EOS Mark-something, and the medium of capture was incidental, barely relevant. It would be NICE if I didn't have to put 3$ of Fomapan or 5$ worth of Efke into my Spottie every time I go out to shoot, but then I wouldn't be using my Spottie, I wouldn't opening the ever-ready case and bringing my image into focus on the fresnel ring (Without the fresnel using my rikenon 1.4 would be masochistic) and then changing the shutter speed and the aperture to line the needle up. Shuffling through a series of menus to make an LED go on just wouldn't be the same, and the idea of letting the camera do it for me is vaguely disquieting, how could it know precisely what I want to focus on, where the DOF should lay, or if I want to expose for the shadow or the highlights?
While the film vs. digital debate will drag on, I feel like it's often a choice between two very different sorts of camera than two different mediums of capture, why else are K1000s and SVs worth what they are while PZ10s and *ist film camera can hardly be given away?
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