Originally posted by photographyguy74 I picked up included five rolls of 35mm Kodak T-Max P3200 black-and-white film. I only paid a dollar for each roll because the sign at the camera store said that they are outdated. I wonder if they really meant outdated or they actually meant out of date since the date on one of the boxes said December 2008. I was wondering if anyone had any thoughts on this kind of film.
T-Max 3200 was one of the very first films I ever processed on my own, and what a fun film it is! Like you, I picked up a few rolls that were a few years out-of-date. As I recall, the actual ISO is either 1000 or 1250, but the recommended processing times to achieve 3200 results in a push-processed final product. I understand you're not processing the film yourself, although as you noted, you just might catch the bug and take up doing it on your own. You can expect lots of late nights in the basement or converted bathroom!
I never worried (very much, anyway) about processing out-dated B&W film; it doesn't seem to lose its fidelity the way dyes deteriorate in C-41 color film. I think at worst you see a loss of contrast, depending on how out-of-date the film is. P3200 is grainy, though 8x10s are remarkably smooth unless you had to work a lot to coax an image out of a poorly exposed frame. If the lab/store you are using for processing offers push-processing you might want to set a roll or two aside and try shooting at ISO 6400 or even 12,500. The results are interesting, to say the least. Those negatives are grainier still and higher in contrast, but somehow quite attractive. I often used both the T-Max 400 and 3200 films pushed two or even three stops just for the sake of getting the look I knew I could expect.
You mentioned the possibility of getting filters, and I agree with fuent104, you don't necessarily "need" them. Especially with the P3200 or Ilford's Delta 3200. When one is using such fast film it's usually because the light demands it. Adding a yellow or orange filter is only going to cut down on the available light. That being said, I went filter crazy, buying every last color in what seemed like all subtleties ever made. Yellow #8, yellow #11, yellow #15, light red, dark red... it got expensive. All I can say about that is a medium or dark yellow is probably the most handy and most used, probably followed by a regular red #25 or a polarizer. Greens and blues can give you rather startling looks when used in certain situations, but those situations don't come up regularly unless you're dedicating yourself to a certain kind of subject.