If you're coming from digi back to film, one thing to keep in mind is that most all color negatives and b&w film have near endless overexposure latitude specially compared to digi - even RAW.
As you can see from these results, Kodak Portra 400 can be overexposed by 10 stops and still recoverable with simple post work of white balance and levels while RAW digi cannot even achieve +3.
I didn't expect Kodak Ektar 100 to go as far since it is a more contrasty film but I was wrong.
Knowing this, I came upon this scene that my camera suggested a 1/60 shutter speed but I figure I needed 2 seconds in order to achieve a smoother water flow. Knowing the Fuji 100 can handle this much overexposure, I shot it at 2 seconds confident I can use the results with no problems. Normal processing at box speed.
Although the film may have captured a very wide latitude scene, you may need to apply some post work to bring out the detail. For instance in this scene using Kodak Ektar 100, I had to use the Shadows tool to bring out the details hidden in the shadows due to a noon sun.