Modern was my favorite as well.
I was thinking yesterday, back in '75 I was shooting for the yearbook, a senior in high school, and using a Pen FT. Had a little darkroom in the basement.
Supposing it had occurred to me I needed a full size slr? What would I have bought? And I've come to the conclusion: OM1 or a KONICA
Why? I read the photo mags. I absorbed their biases, perhaps less vehemently expressed than on the net these days, but there nontheless.
I'd rule out Nikon and Canon as too expensive and too obvious. the German cameras, still being referenced as top of the heap, way too expensive. At the moment, Minolta was a bit old fashioned with the SRT. And Pentax, with the SPF, the ES II, and the SP1000... screw mount, old fashioned, man.
So you see, my two favorite cameras I'd have passed right by.
So why OM1? First, the lens mount etc is very familiar to someone used to the Pen FT. Second, it was the 'it' camera of the moment, the smallest, Olympus wrote great ads... photo schools (including my college) used OM1's to teach with. The OM1 was a bit Whole Earth, you know?
So why Konica? It's those damn magazines. The way they insinuate a pecking order, nothing too explicit, only the asides and examples they'd throw in, you know, casually. I note that Leica, Contax... and Konica were mentioned as the 'in the know', cognoscenti, sort of way. The mags were selling Konica as the insider camera. (I think this was left over excitement over their pioneering the EE system. I have a Konica now: amazingly the 'leather' hasn't shrunken, and it's a shutter priority camera. ugh.)
10 years later I came to the same conclusion: I bought the OM2s, considered the Minolta, didn't even look at Pentax. Now of course the OM2s is still the most feature rich of my cameras, and works great... only the vf is still a bit dim even with a brighter screen, and it eats batteries. The Program Plus from the same era simply works.
Goes to show something...