I'm always concerned with the longevity of digital. Accidents can happen to film archives, (I know I am lucky to have just a briefcase full of everything I have for negs, out of all these years,) but the fact is, some can survive, to be found and recognized later.
Digital requires a ton of highly sophisticated and fragile and invisible stuff to be continually-maintained (and not, ever, necessarily obsoleted,) ...without interruption, and all that goes into an energy-intensive form of civilization to keep *that* going. ....or the most-photographed time in human history could end up becoming a 'digital dark age.' So the stakes are higher for massive losses, even if you can back up your images all over the place.
A single negative can survive all on its own, even if forgotten for lifetimes. And often, what people want to see later, isn't what folks thought was important at the time, so I consider it almost a duty to keep shooting film, if it comes to talking this way.
Digital's good for a lot of what I used to have some useful skills in film which are now kind of obsolete: getting the shot, getting it done fast, even just being quicker on the reload than anyone I knew is now just an occasional curiosity when the arthritis permits.
Still don't go out without a film camera, just on general principle, even if it's just the ME Super tucked in with a minimal digital kit. It's a big reason it had to be Pentax for digital with me.