Originally posted by Dartmoor Dave In late December I started using my 33-year-old K1000 again after a few years of shooting almost entirely digitally. When I finally picked up my DSLR after a six week break, I found it unbearable to use. The DSLR puts far too many technological barriers between me and the photo that I can see in my mind’s eye. Every shot, even with fully manual focus and exposure, feels like a battle against the camera’s electronics. The K1000 hasn’t got any electronics, and so it imposes no barriers at all between me and the photo I want to take. It does exactly what a camera needs to do, and not one damn thing more.
So now the DSLR is relegated to wet weather point-and-shoot, and the K1000 is my main camera again. It feels like having a lost limb reattached.
Well said!
My first camera was a Mamiya DTL 1000 because I made a buck ten an hour and couldn't afford a Pentax! That Mamiya is long gone but I have the second I ever bought a Canon A-1 from the Army PX in Germany (Federal Republic of) in 1979. Over the years I put a lot of film through that Canon and towards the mid-2000's I switched to digital with a Canon Powershot. It wasn't until I realized how crummy those P&S cameras were that I started looking for a DSLR. Having gotten away from photography except for snapshots it took me a while to decide on which camera and I finally went with a Nikon D50 (I felt more confortable learning on a camera that had a minimum of whiz-bang-new-hottest features) followed shortly thereafter by a Pentax K100D. The same day I bought that D50 a Mamiya 500TL and Pentax K1000SE followed me home ! Next thing you know I have drawers of lenses and film cameras, Pentax, Canon and of course Nikon. Each is special in their own way and I've managed to find my way back to photography as a hobby rather than just snapshots.
I have some film auto-focus cameras and like their big sister DSLR's that can be quite handy when a 'snap shot' avails itself. But nothing compares to using one of my film cameras, manual everything where every part of the shot must be evaluated before the shutter goes and nothing is as satisfying as taking that shot and seeing it come out as intended. I'm not a bracket type of fellow, take three of something hoping one comes out right nor am I a post-process guy. I try to get it right in the camera first time and I've discovered the journey is as much (more) fun and satisfying than the destination!
---------- Post added 08-02-14 at 09:19 AM ----------
Originally posted by stevebrot Surely you jest! You underestimate the desire to collect!
As for only the best and most exclusive 1964 cameras being worth collecting, my FED-2 (ca. 1964) is blushing. Yes, people collect FEDs, but I never considered that might be an indication they are exceptional cameras.
I am just making fun, of course.
It is one of my opinions (and have many opinions) that the only digital cameras of today that will be collectible in the future will be those that have escaped the landfill.
Steve
---------- Post added 08-02-14 at 08:40 AM ----------
It is my understanding that despite a much higher production volume relative to the A-1, relatively few AE-1 survive today due to quality issues and fatal failure. (See landfill hypothesis above.) I had the pleasure of shooting an A-1 several months ago. It is a nice camera.
Steve
On some auction sites AE-1's and AE-1 Programs are really common. I've seen camera/ lens combos go for anywhere from $20 to near $100. (Some of the people bidding are, put nicely, a bit cracked for the prices they are willing to pay) A-1's seem less common but still easily obtainable. Perhaps people really did find the LED viewfinder obnoxious. I happen to like it though the FE/FE2 match needle is still my second favorite next to the K1000 style needle. The AE-1/P takes some getting used to; it's not a meter really, it just shows what aperture the camera suggests/wants to use. The negative for me is there is no shutter speed in the viewfinder and with the Program, set on P you have no idea what shutter speed the camera is using. Me no likee. However, I still have six (I know I got a few more around here, lol) and I enjoy using them.
Like any mechanical device the AE series (including the A-1) has some quirks and weak spots. Shutter flywheel squeak to name one and some of mine were good to go even (apparently) sitting in a closet for 20+ years after some light TLC. Others needed a little more and my favorites go to my camera guys for a CLA like all my others. (Someday I'll send that Super Program I have sitting here to Eric...been meaning to do that) and why would I spend $100+ on a 20 dollar camera? Same reason I spent probably three times what I paid for my 1985 Ford repairing it over the almost 30 years I owned it!