Originally posted by asaru The thing is, however, that digital special effects retain a particular edge of unreality -- the normal human eye under natural light just responds to photo-stimuli differently -- that successive generations of ever more naturalistic films never even tried to achieve.
I wonder about that, though.
I think as a two dimensional reductive representation we tend to try to compensate - thus the various fashions such as narrow DOF/Bokeh, the extra-human levels of resolution, the WOW colors, and the eye-extending and widening lenses. Or, we seek to deny the representation and accentuate the graphic art bits...
I keep coming back to the audio analogy - back in the 70s my brain was... erm... entrained to the sound of stereos and LP records. Time went by... my audio habits got fancier and more refined, and I got used to digital sound. Then I found a big old Yamaha Natural Sound receiver at a yard sale - you know, the kind with the rosewood case and silver front plate... I put it in the system, cued up a LP, and
instantly was back in the 70s. There are other things that have done this- e.g. the Phllly sound echo thing, the first time I shot with a 35/2 Nikkor... and I can recall also how I had to get used to digital sound and its artifacts. The artifacts may be less now, but also our ears have wrapped themselves around these... to where we are more able to hear - to startle - the sound of vinyl.
I hope I don't offend anyone by using the term 'hipster' - but I think in part there's that esthetic of getting back to the Philly sound... ears and eyes that are modern find a newness and a cool factor in old tech. Film startles, whether or not it is more realistic. (One of the things art does is startle, which is a spur to growth, the theorists tell us)
For us geezers - and I hope nobody is offended by that term either - there's something tried and true, a feeling of comfort, with film, that some of us don't want to give up, and some of us return to, like I returned to the Yamaha receiver, to find a charge of memories.
This photo isn't all that great - but to me it illustrates a certain look that's easy to get with film, but that a digital camera probably would see very differently:
There's grain, there's noise, there's color shift, and there's the sense of seeing deeper than all that... and for me, a whiff of the 70s.