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09-13-2016, 10:43 PM - 5 Likes   #5446
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Some shots of the Sagrada Familia in Barcelona. These were taken on an Olymous Mju compact with Kodak T-Max 400 film.


Barcelona, Mju, T-Max 400 035a
by Jonathan MacDonald, on Flickr


Barcelona, Mju, T-Max 400 027a
by Jonathan MacDonald, on Flickr


Barcelona, Mju, T-Max 400 025a
by Jonathan MacDonald, on Flickr

09-14-2016, 11:38 AM   #5447
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QuoteOriginally posted by drmoss_ca Quote
F6, 105/2.8, Tri-X, HC-110, X1 scans:













Chris
Very nice, love the first one, particularly.
09-14-2016, 05:04 PM - 1 Like   #5448
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Thanks! One more Tri-X:








Chris
09-14-2016, 07:36 PM - 1 Like   #5449
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Local shop got this in, and I've been looking for a good replacement for Neopan 400. Since I often pushed the latter, I decided to take this with me to the museum and shoot it there. Unfortunately a combination of a lens that appears to have metered poorly with the camera [Adaptall-2 28/2.5] and some less than perfect push processing I don't think the lab had pushed this before I dropped off a roll resulted in a very underexposed roll.

Ah well. Still two more rolls I've been shooting at box speed to see how it performs.





Pentax K2.
smc Pentax-A 50mm f1.4. (Probably, anyway. Since they required only some adjustment in post.)
JCH Streepan 400 pushed to 1600.



Last edited by g026r; 09-14-2016 at 08:58 PM.
09-14-2016, 08:17 PM - 2 Likes   #5450
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I ran a few sheets of 4x5 Arista 400 through a home made box camera with a 65mm Angulon lens on it. I had some poor development, due to light leaks and possibly a slow shutter, but I like this photo quite a bit regardless. I've taken steps to address most of the light leaks, really looking forward to the next batch!



RJYPhoto box camera v1.0
Super Angulon 65mm
Arista 400 EDU Ultra with Rodinal 1:50 for 11 minutes at 20C

Last edited by bobbotron; 09-14-2016 at 08:26 PM.
09-15-2016, 07:18 AM - 1 Like   #5451
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Pentax MX/ M28mm/2.8 Kodachrome 1981
1981 RX7

Last edited by arnold; 09-15-2016 at 07:09 PM.
09-15-2016, 07:47 AM   #5452
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QuoteOriginally posted by arnold Quote

Pentax MX/M50/1.7 Kodachrome 1981
1981 RX7
Looks like a 28 or wider...
09-15-2016, 07:08 PM   #5453
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QuoteOriginally posted by dsmithhfx Quote
Looks like a 28 or wider...
Well spotted. All the others were with 50mm, So I missed the swap to M28mm/2.8 (Will alter accordingly)

09-15-2016, 09:46 PM - 1 Like   #5454
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Yashica Electro AX with Yashinon DS-M 50/1.4 and Fuji Acros


Yashica Electro AX, Fuji Acros, Summer 018a
by Jonathan MacDonald, on Flickr


Yashica Electro AX, Fuji Acros, Summer 023a
by Jonathan MacDonald, on Flickr


Yashica Electro AX, Fuji Acros, Summer 021a
by Jonathan MacDonald, on Flickr


Yashica Electro AX, Fuji Acros, Summer 036a
by Jonathan MacDonald, on Flickr
09-16-2016, 04:20 AM - 2 Likes   #5455
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One more Tri-X, this one was not a great favorite of mine but Flickr put it on their Explore page:



Chris
09-16-2016, 08:10 AM - 2 Likes   #5456
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Underside of Cut River Bridge along US-2 on the North Shore of Lake Michigan.
ZX-7 HP-4+
Attached Images
 
09-16-2016, 04:58 PM - 3 Likes   #5457
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New guy working the counter at the local spot when I dropped this roll off. He actually took a photo of the cannister, since it was the first time he'd seen a roll of Neopan 400. Unfortunately, this is almost my final roll of it.







Spotmatic II.
Tamron Adaptall-2 70-210mm f3.8-4.
Fuji Neopan 400 (expired).


Last edited by g026r; 09-16-2016 at 07:03 PM.
09-17-2016, 05:46 AM   #5458
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Acros, sp, st 50/1.4, lab dev & scan (TIW).




This is my first foray into b+w film in many a moon (like, since 1990!). I shot the one roll of acros 100 in Hamilton during 'supercrawl' prep (regrettably not staying for the actual event) a week ago, and have two hp5+ in reserve. The guy behind the counter at TIW reckoned it was overexposed by "4 or 5 stops", which I find a bit hard to believe, though the negs are pretty dense, and (I gather) acros has tremendous latitude.

I've had some problems with my hand-held meter, it is often unresponsive until I whack it, but I dialed exposure back a couple of stops from my usual 250/f8 for fast color film in bright sunlight, and gave it an extra half-stop for shadow detail (superia can get very very nasty in underexposed shadows), for the extremely contrasty afternoon (so exposed the acros @ 125/5.6+/-, the meter concurred). I'll likely be posting a few more from the roll here or in the 'show us your film shots' thread.
09-17-2016, 06:08 AM   #5459
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Same as previous except: adaptall 24/2.5

09-17-2016, 06:25 AM   #5460
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QuoteOriginally posted by g026r Quote
New guy working the counter at the local spot when I dropped this roll off. He actually took a photo of the cannister, since it was the first time he'd seen a roll of Neopan 400. Unfortunately, this is almost my final roll of it. [/B]
I'm also sad to see Neopan 400 go. Have you found a replacement for it?
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