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01-07-2019, 02:25 PM - 9 Likes   #7861
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Voigtländer Bessa I with Color-Skopar 105mm at f/9.5, orange filter, Fomapan 100 film in ID-11 1+3 developer.
Negative copied using Pentax K-1 with VST VS-L12056-05/V 120mm f/5.6 0.5x lens.





01-08-2019, 02:59 PM - 7 Likes   #7862
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A rescan and workflow update of a 2009 picture.
Pentax 6x7, 45/4, Orange Filter, 320TXP

The Astoria Column is patterned after the Trajan's Column in Rome, Italy



Last edited by tuco; 01-10-2019 at 02:11 PM. Reason: Link
01-08-2019, 05:12 PM - 7 Likes   #7863
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CineStill Double X:



Phil.
01-08-2019, 09:52 PM - 7 Likes   #7864
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Kuala Lumpur

MX, SMC-K 50/f1.4 and TMax100









01-09-2019, 07:18 AM - 1 Like   #7865
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QuoteOriginally posted by nickthetasmaniac Quote
Kuala Lumpur

MX, SMC-K 50/f1.4 and TMax100






The system won't let me do multiple likes for the same post. I would have done so. Great pictures. Great series.
01-09-2019, 08:01 PM - 10 Likes   #7866
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Local shop got in some of the new ReraPan 400 and I was more than willing to give it a shot. A few thoughts:
  • It's generally assumed that it's not a new film stock, but rather an already existing one that's being recut & spooled for 127. That said, I've got no idea what it might. Dev times at 68F/20C are 8:00 for D-76 stock & 16:30 for Rodinal 1:50, which don't match up with anything I've spotted on the massive dev chart.
  • If you were previously shooting Bluefire Murano, don't use the spools from them for take-up. ReraPan is just a tiny bit wider than Bluefire and it won't fit onto their spools. Thankfully I had a few old Kodak ones kicking around.
  • The backing paper on ReraPan is much better than Bluefire's plastic backing. No light leaks around the edges of the frame on this, which was something I had on all of my Bluefire shots
It needed a bit more DoF in this shot, but it gives a good idea of what to expect from the film when dev'd in Rodinal.




Yashica-44.
Yashikor 60mm f3.5.
ReraPan 400.

---------- Post added 2019-01-09 at 22:02 ----------



Konica Rapid-Omega 200.
Konica Super-Omegon 90mm f3.5.
Kodak T-Max 400.

Last edited by g026r; 01-10-2019 at 03:14 PM.
01-10-2019, 03:25 PM - 4 Likes   #7867
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Another 2009 workflow update. I don't keep up with gaming these days but I remember how exciting it was when Doom came out. But today, 10-years after the picture, I don't think the scene would look much different. Consoles are still common using the same controller interface. But go back 10-years from the picture and it was much different.

500C/M, 80/2.8, 320TXP


01-10-2019, 10:50 PM - 5 Likes   #7868
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Rollei RPX 25 in Xtol, shot with Bronica ETRSi and the PE 75mm ƒ2.8 for the first shot and the PE 60mm ƒ2.8 for the second (x-post from the film shooter challenge group):





01-12-2019, 03:37 AM - 8 Likes   #7869
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It doesn’t look like it but this was taken on an early December day. It comes from the second roll of film I put through my new 6x9 Bessa.


Voigtländer Bessa I with Color-Skopar 105mm at f/16, orange filter. Fomapan 100 film developed in ID-11 1+3. Negative copied using Pentax K-1 with VST VS-L12056-05/V 120mm f/5.6 0.5x lens.


01-13-2019, 04:53 PM - 5 Likes   #7870
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Balda Mess-Baldix, Baltar f4.5 75mm lens, f11 1/50 sec; Fomapan Action 400 done in ID-11 1+3, 19C for 24.5 mins. Neg copied with Sony RX-100 II Raw mode manual focus.

01-19-2019, 10:58 AM - 5 Likes   #7871
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Assif n-Wirghan, Assif Melloul region, central High Atlas mountains, Morocco. Photo taken in July 1982, Pentax MX with smc Pentax-M 1:2.8 100mm, Ilford HP5 film developed in ID-11 1+3. Negative copied using Pentax K-1 with Schneider-Kreuznach Xenon-Zirconia 2.8/89-0001.


01-19-2019, 11:09 PM - 2 Likes   #7872
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Some more CineStill Double X (K2DMD & A135/1.8)



Phil.
01-22-2019, 12:56 AM - 7 Likes   #7873
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Umbrella | Sydney

MX, SMC-K 50/f1.2 and TMax100

01-22-2019, 06:49 AM - 6 Likes   #7874
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Hammersmith flyover, London.
ME Super, K35 f/3.5, FP4+ in Rodinal.

01-22-2019, 08:17 AM - 1 Like   #7875
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QuoteOriginally posted by nickthetasmaniac Quote
Umbrella | Sydney

MX, SMC-K 50/f1.2 and TMax100
This is fantastic!
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