Originally posted by rob1234 Nice shot, great focus, and remarkably grain free for 35mm ASA400! Do you use any NR software?
Rob, I don't even have an idea of what an "NR software" is, I already exposed my shooting philosophy in a heated discussion on this thread, if I remember correctly: I do film photography because I want to be in control of every aspect of the shot, that means composition, exposure, focusing, what I do is to shoot, then I go to the lab (usually Boots because it's cheap even if they ruined some films), I ask for C-41 development, printing on 7x5 and scan on CD. Then I come back home I upload the pics on a website to share them here or on other place.
This is what I do...this is all I do.
The definition of these pictures are merit of the fabulous (for me) BW400CN, my favourite film, sadly discontinued by Kodak, that kepts its promise of being the best B&W grain on the market (Delta 400 is the second one, but that's a true B&W), now I am forced to use Ilford Xp2 but IMO it's mediocre in comparison, especially because it looks "washed out" to me, if you appreciate the definition of this picture I have a small gallery of BW400CN here for you:
Took these two shots with a £20 Zenit 12XP, pratically NOS, Helios 44 and a yellow filter, the detail of the wall of London bridge are astonishing, my then landlord lobbied me for having picture 1 and another one enlarged as much as the lab could and he framed them, now they are in his dining room and always says all his friends are surprised to see how good these pics are. The young fellow of the lab the day I retired the enlargement asked me "how many pixels" my camera had...nuff said.
https://www.pentaxforums.com/forums/41-photo-critique/245699-architecture-mak...volutions.html
Link to the first pic I posted in the critique area, taken with my K1000...I enlarged and framed it and now it's in my bedroom, probably the first shoot I became proud of and made me think I could be a "serious" photographer, today probably I would use a yellow filter too but still it's nice IMO.
Shot with my Leica M4-P at nightime after the rain...I like the young couple walking out.
Royal Albert hall from the Prince Albert Monument: I just had the 55 mm and I couldn't frame the entire building, sorry, but I was against the gate of the monument...still the details are very good.
Trivial test shot of an industrial machine with my Leningrad, just to test the complicated soviet rangefinder was working, still very sharp.
Not the sharpest of the bunch but in Northern Italy in wintertime there's always some haze (sometimes thick fog), this is the Old Bridge of Verona taken with my Leica M5...bridges are hard to shoot to me because they are long and generally low, but I like the atmosphere of this shot.
Peacock showing the butt to the tourists...same series as the archery training. Already posted I think
This is the definition you can expect from a 1940 German camera (Leica IIIb) and a 1962 Soviet Lens (I-61 first generation, all chrome).
Same camera but collapsible I-50...I don't like how it was developed because it has a sort of greenish hue, but still the definition is pretty good.
Not very far there is a shop where they sell miniatures for strategy games like Warhammer and the sci-fi equivalent (I don't remember the name), one night I passed there with my F2AS loaded with BW400CN, I remained fascinated by the details of these models the kids paint and decided to take two shots: in the first unfortunately one part of the starship has been blurred because f2.0 didn't offer enough DOF but I was afraid it wouldn't have come out, in the second I bokeh'd the first miniature and focused on the one in the foreground, even it was from the rear, but the film captured ALL the tiny details at 1/30s...I like these shots.
Ok that's the end of this little "BW00CN Eulogy", this is the state of the art of films today, do we really need digital cameras with 1 megamilions of megapixels and sharpening software?
However...you will be missed, old friend!