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11-28-2015, 04:09 AM - 6 Likes   #4411
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Pentax MZ-S + K 135/2.5 + Ilford PAN400.
Developer: Kodak D-76 1+1; 13 minutes @ 20 ºC.
DSLR digitized.

Cheers

11-30-2015, 09:04 AM - 1 Like   #4412
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Spotmatic II.
Helios-44-2.
Kentmere 100.

This is, without a doubt, the grainiest film I have tried.
11-30-2015, 09:55 AM - 3 Likes   #4413
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First go with my new-to-me Shen Hao 617:



FP4+ in DD-X, v700 scan
11-30-2015, 10:16 AM   #4414
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QuoteOriginally posted by baro-nite Quote
First go with my new-to-me Shen Hao 617:



FP4+ in DD-X, v700 scan
Glad I clicked through to your flickr feed. Some fantastic MF work there!

11-30-2015, 11:42 AM   #4415
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QuoteOriginally posted by dsmithhfx Quote
Glad I clicked through to your flickr feed. Some fantastic MF work there!
Thanks for the kind words!
11-30-2015, 11:49 AM   #4416
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QuoteOriginally posted by vrolok Quote
Pentax MZ-S + K 135/2.5 + Ilford PAN400. Developer: Kodak D-76 1+1; 13 minutes @ 20 ºC. DSLR digitized. Cheers
great composition ! also the focusing seems to be spot on - not an easy task with that lens and camera combo well done !
11-30-2015, 11:54 AM   #4417
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QuoteOriginally posted by vrolok Quote
Pentax MZ-S + K 135/2.5 + Ilford PAN400.
Developer: Kodak D-76 1+1; 13 minutes @ 20 ºC.
DSLR digitized.
Agreed! This is an excellent image! Would you share some details on your DSLR capture process, particularly the hardware you use?

11-30-2015, 12:35 PM - 3 Likes   #4418
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Some Rollei IR from the 645.

Lac Bernard


Poutine fest in Ottawa
11-30-2015, 12:49 PM   #4419
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QuoteOriginally posted by graeme83 Quote
Shot a roll of Kentmere 400 last week on my P30n and Helios 44m, developed in Ilfosol (not the best choice for this film, seems very grainy)
And you have a bad case of what looks like uneven development. Make sure you have good separation between wraps on the spool and your agitation profile is being shaken enough and/or is vigorous enough. That usually fixes that problem. If you end up shaking it a lot more to cure the problem, you may also need to shorten the development time a little too because it speeds up your film.
11-30-2015, 02:15 PM   #4420
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QuoteOriginally posted by tuco Quote
And you have a bad case of what looks like uneven development. Make sure you have good separation between wraps on the spool and your agitation profile is being shaken enough and/or is vigorous enough. That usually fixes that problem. If you end up shaking it a lot more to cure the problem, you may also need to shorten the development time a little too because it speeds up your film.
Yea I noticed that, particularly evident on the tree, my thinking was the spool lifted up from the bottom at some point, the little clip thats meant to hold it down is missing. But that was only my second go at developing, the first was much better, all a learning experience though and I will be sure to take your advice on the next roll.
11-30-2015, 02:39 PM   #4421
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QuoteOriginally posted by g026r Quote


Spotmatic II.
Helios-44-2.
Kentmere 100.

This is, without a doubt, the grainiest film I have tried.
What did you develop it with? I find it's grainy... but the overall tones in some images I've gotten back from K100 is just great. If you shoot it with tones and textures, not sharpness in mind, I think you will appreciate it a lot more.
11-30-2015, 03:21 PM   #4422
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QuoteOriginally posted by bobbotron Quote
What did you develop it with? I find it's grainy... but the overall tones in some images I've gotten back from K100 is just great. If you shoot it with tones and textures, not sharpness in mind, I think you will appreciate it a lot more.
No idea; it was lab developed.

I was mainly shooting it to to confirm the SP2 worked, so price of the film was more important to me than anything else. Now I at least know what to expect.
11-30-2015, 04:04 PM - 5 Likes   #4423
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The Pentax SV's exposure meter, shot by the SV with a 50mm 1:4 Takumar macro. 1/50' at f4.



Again shot with the SV, this time with a 35mm 1:2.8 Carl Zeiss Flektogon zebra (and a wonderful piece of glass it is to). 1/8' at f2.8.



The SV and Flektogon again. 1/250' at f4.5.

All shot on Tri-X developed in HC-110 (dilution b) for 6m30s at 20C, agitated for first minute, then for 5s every 30s
11-30-2015, 04:32 PM   #4424
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QuoteOriginally posted by gma Quote

The Pentax SV's exposure meter, shot by the SV with a 50mm 1:4 Takumar macro. 1/50' at f4.
Again shot with the SV, this time with a 35mm 1:2.8 Carl Zeiss Flektogon zebra (and a wonderful piece of glass it is to). 1/8' at f2.8.
The SV and Flektogon again. 1/250' at f4.5.
All shot on Tri-X developed in HC-110 (dilution b) for 6m30s at 20C, agitated for first minute, then for 5s every 30s
nice shots - especially last two, very minimalistic , I like the composition of these two a lot
11-30-2015, 07:06 PM   #4425
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Out for a walk with a roll of Acros 100. Pentax K2, M 50/1.7 with a green filter.
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