[tuco]

Some scenes from a Memorial Day Parade this morning.
GSW690III, HP5

---

Last edited by tuco; 05-29-2018 at 06:21 PM. Reason: Link

[Eyewanders]

MX | A 35/2 | TMax 100 (expired)

[tuco]

That foggy coast conditions is all too familiar, Kevin.

[Eyewanders]

That foggy coast conditions is all too familiar, Kevin.

Another from a Memorial Day Parade.
HP5+, Yellow filter.

It's our bones, eh? Did you grow up in WA?
Love the servicemen shot above. I had a close friend from High school who went to Annapolis with the Corps and eventually served on the Honor Guard, among many things to follow. Can't imagine our paths being much more different since the early days.

[tuco]

It's our bones, eh? Did you grow up in WA?
Love the servicemen shot above. I had a close friend from High school who went to Annapolis with the Corps and eventually served on the Honor Guard, among many things to follow. Can't imagine our paths being much more different since the early days.

Thanks. I mostly grew up in the Pacific NW but have memories of a couple of other states we lived in. I went to the coast a lot growing up.

[twilhelm]

Ilford Pan F+
Spotmatic w/ Super Takumar 150 f/4
PaRodinal

[gofour3]

First time I've used Retro 400S, seems OK. (P67ii & 35/4.5 fisheye using red filter)



Phil.

[tuco]

First time I've used Retro 400S, seems OK. (P67ii & 35/4.5 fisheye using red filter)

Phil.

It looks good. I've shot some 400S and Superpan 200 last summer. I'm still establishing a working development time with one of my developers. I liked the 400S results better than the Superpan 200 so far.

[Jonathan Mac]

Rome
MX with Ilford Delta 400 and scanned on V500


Italy MX Delta 400 046a by Jonathan MacDonald, on Flickr


Italy MX Delta 400 050a by Jonathan MacDonald, on Flickr


Italy MX Delta 400 049a by Jonathan MacDonald, on Flickr

[gofour3]

It looks good. I've shot some 400S and Superpan 200 last summer. I'm still establishing a working development time with one of my developers. I liked the 400S results better than the Superpan 200 so far.

Thanks!

I did try Retro 80S once in 135, but will have to try it in 120 as well to compare the two films.

Phil.

[tuco]

Rome
MX with Ilford Delta 400 and scanned on V500

Some nice street scenes. How is the exposure of your film? I ask because the unexposed areas of the film common to the sprockets is showing other than the film's deepest black. That area is the density of the film's base plus fog and the deepest black the film can produce and well call it zone 0. It's being reproduced around zone 1. You can use that as a guide when adjusting the contrast curve of the scan. And it also can indicate if the scene is under exposed in general.

[edom31]

Flurries in the Bronx (self scanned) HP5 Plus

[dsmithhfx]

Some nice street scenes. How is the exposure of your film? I ask because the unexposed areas of the film common to the sprockets is showing other than the film's deepest black. That area is the density of the film's base plus fog and the deepest black the film can produce and well call it zone 0. It's being reproduced around zone 1. You can use that as a guide when adjusting the contrast curve of the scan. And it also can indicate if the scene is under exposed in general.

(TBH, the sprockets add zilch to the pictures)

[Eyewanders]

(TBH, the sprockets add zilch to the pictures)

I like them. It's just an aesthetic thing. But I was thinking what @tuco mentioned when I saw them. But it doesn't really matter.
What I do find rather funny is the many instafiltermatic-azizers that *add* sprocket holes to frame a shot. Pop up in pic feeds everywhere (though less often it seems lately) and I always giggle at seeing the same sprocket holes and "film code" in the same position for a each and every shot someone posts. It's "retro".

[Swift1]

Asahi Pentax MX
SMC PENTAX 50/1.4
Expired (1995) Kodak TMAX 100
Epson V750-M Pro