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07-31-2020, 03:58 PM - 6 Likes   #9301
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From a couple years ago, a snowstorm in Omaha.
Pentax MV1, Gemini 28mm f/2.8 MC Auto, expired Plus-X.




07-31-2020, 05:26 PM   #9302
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QuoteOriginally posted by cobbu2 Quote
From a couple years ago, a snowstorm in Omaha.
Pentax MV1, Gemini 28mm f/2.8 MC Auto, expired Plus-X.

Great shot, and colour film would not be much different in this BW scene. I love Plus X back in the early days, its contrast made the pictures pop more than Panatomic. Of course commercial processing would have a big influence in this. I never developed my own.
07-31-2020, 06:22 PM   #9303
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QuoteOriginally posted by arnold Quote
Great shot, and colour film would not be much different in this BW scene. I love Plus X back in the early days, its contrast made the pictures pop more than Panatomic. Of course commercial processing would have a big influence in this. I never developed my own.
Many thanks Arnold! This was from the last batch of my beloved 35mm PX and I was never able to obtain any since then; out of necessity I made the switch to TMax 100. I still have a fair amount of Plus-X Pro (the exact same emulsion) in 220 and a little in 120, that should last a while.

That day was really cold... I was glad to be using the MV1, I didn't have to worry about fiddling with exposure settings with my gloves on!
08-01-2020, 09:44 AM   #9304
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QuoteOriginally posted by gofour3 Quote
Took one of the 6x7 heavy weights out for my annual freighter shoot out, the distance to the freighter is about 3.5KM. Could not get all the DOF I wanted, as I was down to 1/30 shutter speed already do to the TC & red filter light loss.

6x7 & 400/4 & 2x TC & red filter, shooting Tri-x 400:
Phil.
I'd rather carry around that combo than that 600mm I got. You get two focal lengths too. When I picked up my 300mm EDIF, I got 2X converter too. But typical Fleabay people just can't be honest. The converter had mold and it caused flare.

I don't see what the red filter did for you at the expense of the DOF you wanted on this scene. I usually place my middle gray up a stop more than metered with a red filter. Shadows end up much deeper (cuts the blue light out) and the dark green conifer trees can end up pretty black too (red darkens green). That's all good for a theatrical effect.

08-01-2020, 11:28 AM   #9305
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QuoteOriginally posted by tuco Quote
I'd rather carry around that combo than that 600mm I got. You get two focal lengths too. When I picked up my 300mm EDIF, I got 2X converter too. But typical Fleabay people just can't be honest. The converter had mold and it caused flare.

I don't see what the red filter did for you at the expense of the DOF you wanted on this scene. I usually place my middle gray up a stop more than metered with a red filter. Shadows end up much deeper (cuts the blue light out) and the dark green conifer trees can end up pretty black too (red darkens green). That's all good for a theatrical effect.
Yeah I only take out my 600/4 if I find a spot close to the car so I don't have to carry it very far. The 600/4 metal trunk adds a lot of weight, as well as all the tripod/support stuff. I also have a small cart I use for the lens trunk, but I have to go through some sand and that bogs everything down. The 135 format K1000/8 is twice as bad and a bit too long to get an entire freighter in the picture. The 6x7 400/4& TC is way more manageable with just a hard leather case with strap.

I've found a red filter is the best to battle haze in the summer months, when shooting over water, with mountains in the distance. I usually use an orange filter, other times of the year.

Because of the subject distance (2KM to 4KM) I gave up shooting colour film, as the haze is too hard to control.

Phil.
08-01-2020, 07:31 PM - 5 Likes   #9306
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Strolling around town until we can't anymore..
08-03-2020, 04:40 PM - 7 Likes   #9307
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Bush after fire
MX M50 F4 Macro - wicked sharp T-Max 100

08-05-2020, 02:12 AM - 10 Likes   #9308
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circa 1942 GMC




500C/M, CB 60mm, 400TMY, D-23
08-06-2020, 01:34 AM - 7 Likes   #9309
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Trying out new lens and a little front tilt this camera can do.

Crown Graphic, Rodenstock APO Sironar 135mm N, FP4+, D-23


08-06-2020, 11:44 AM - 5 Likes   #9310
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More field testing of this lens. This is a more modern 1990's era lens allowing some front tilt; whereas, the Xenar 135mm that came with the camera goes way back and does not have a sufficient image circle to do any front movement.




Crown Graphic, APO Sirnoar N 135mm, FP4+, D-23
08-07-2020, 07:36 AM - 2 Likes   #9311
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500C/M, CB 60mm, 400TMY, D-23


08-08-2020, 08:49 AM - 8 Likes   #9312
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6x7 & 105/2.4, shooting Tri-x 400:



Phil.
08-08-2020, 08:52 AM - 1 Like   #9313
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QuoteOriginally posted by gofour3 Quote
6x7 & 105/2.4, shooting Tri-x 400:

Phil.
Now that one made me laugh. Great shot. K.
08-08-2020, 10:23 AM   #9314
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QuoteOriginally posted by gofour3 Quote
6x7 & 105/2.4, shooting Tri-x 400:

Phil.
LOL.
Art work for the people taking public transportation?
Red filter?
08-08-2020, 02:57 PM   #9315
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QuoteOriginally posted by womble Quote
Now that one made me laugh. Great shot. K.
QuoteOriginally posted by tuco Quote
LOL.
Art work for the people taking public transportation?
Red filter?
Thanks!

It's called the "Trans AM Totem" and was put up 5 years ago as a city art installation. It's also right beside the skytrain line.

Trans Am Totem - Vancouver Biennale

Yes red filter for this shot

Phil.
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