[nickthetasmaniac]

Inspecting the durian | Kuala Lumpur

Leica M2, Voigtlander 28/f2 and Tmax100

[TwoUptons]

Inspecting the durian | Kuala Lumpur

Leica M2, Voigtlander 28/f2 and Tmax100

“This stuff smells terrible!”
“Um, yes... that means it’s good...”

-Eric

[AgentL]

I have a weakness for sailing ships, and that looks so cool in b&w.

Thanks, I totally do too!

---------- Post added 12-22-20 at 08:44 AM ----------

What casued the totally deep shadows, the backlit or the process or a combination of?

I think part of it is the alternative processing, another part might be scanning C41 film as a B&W file? All I know is when I was adjusting the levels in the scan preview, the shadows were just faded until I brought them down to this level. There wasn't a ton of information in the highlights either.

[LesDMess]

More from a series of shots I took of Kentucky barns on Kodak Techpan @ ISO25 processed in Kodak Technidol . . .

I wasn't sure which would be more effective perspective on this particular barn so I shot it in portrait and landscape mode and made traditional prints with each. What do you think?

[stevebrot]

A16/2.8 Fish-eye & Delta 400:



Phil.

Cool! I like!


Steve

[dsmithhfx]

More from a series of shots I took of Kentucky barns on Kodak Techpan @ ISO25 processed in Kodak Technidol . . .

I wasn't sure which would be more effective perspective on this particular barn so I shot it in portrait and landscape mode and made traditional prints with each. What do you think?

Both shots are well-framed, I'm partial to the portrait.

[ismaelg]

X-posted

Testing a Spotmatic with it's original kit's 50mm f1.4 I got from the original owner, who purchased it in 1967-68.
You can see the story here: A one owner Spotmatic and its story - PentaxForums.com

Kodak BW400CN




Keeping the horizon straight is harder than you think with older cameras.

Thanks,

[officiousbystander]

I wasn't sure which would be more effective perspective on this particular barn so I shot it in portrait and landscape mode and made traditional prints with each. What do you think?

Landscape for me. More of the scene establishes the context and the barn palings create leadings lines which lead somewhere.

[Huss]

More from a series of shots I took of Kentucky barns on Kodak Techpan @ ISO25 processed in Kodak Technidol . . .

I wasn't sure which would be more effective perspective on this particular barn so I shot it in portrait and landscape mode and made traditional prints with each. What do you think?

I like the portrait more as the additional foliage on the top gives the barn more of a sense of being hidden/abandoned/lost to the wilds.

---------- Post added 12-23-20 at 03:54 PM ----------

Pentax LX, Tamron SP 35-80, Kodak Tri-X, Cinestill DF96 Monobath

[LesDMess]

Both shots are well-framed, I'm partial to the portrait.

Landscape for me. More of the scene establishes the context and the barn palings create leadings lines which lead somewhere.

I like the portrait more as the additional foliage on the top gives the barn more of a sense of being hidden/abandoned/lost to the wilds.

Thanks!

I made sepia toned traditional prints with these and I think that gives it that much older look.

[Huss]

Forget that 18mm Super Elmar Asph, I'm using a pancake made from recycled Fuji Quicksnap disposable cameras!



Gizmon Wtulens 17mm f16 + Leica M7 + Kodak Tri-X @ 800 + messed up push developing in DF96

These are the complete images to the edge of the film, no cropping/adjusting/levelling etc.

[ismaelg]

Kodak BW400CN
Spotmatic / SuperTakumar 50 f1.4
Home Scanned

[Huss]

Pentax SuperA, SMC-A 50mm f2

[g026r]

Topcon R III.
Unknown lens.
Ilford FP4+.

[officiousbystander]

A photo which matches the seasonal holiday.

Mamiya M645 1000s, 80mm 2.8, Neopan Acros 100 (I have about four rolls left), Ilford LC29, Epson V550. This would have been 1/250 f4 with a yellow filter.



The sculpture is in the grounds of this church. 1/250, f8, no filter.