Originally posted by tuco The thing is film compresses highlights. Digital clips them.
Bingo. All film has a "response curve" that compresses (tone maps) highlights and shadows into the
DR the film is capable of reproducing. This is where the idea of HDR and tonemapping came from - early digital sensors were pretty poor in DR and nearly linear in response, so combining different digital exposures and applying your own "tonemapper" could replicate the look of film. Modern sensors are getting much better at this, but just like their film counterparts, you need to know what you're doing in the processing (or ship it to someone who knows, based on your film, how to process it).
Now then, everyone who shoots film, feel free to mock and deride those people who shoot HDRs with their digicams. Aside from the "acid trip" images, we just want to get what you've already got.