Originally posted by B Grace The premise of this thread is interesting in that it points back to Leica-style photography from 50 years ago. There are times when I want to take high quality photographs in environments where my SLR gear isn't really welcome and when I'm traveling on vacation, especially when flying to/from a destination. For that matter there are limits on the amount of camera gear I can pack in our car when we drive to our vacation destinations. A compact camera and a couple of compact lenses are ideal and the age-old Leica approach was a 35 and a 50. For a person interested in prints up to 11x14 or so and shots taken in the range available with 35 and 50 primes a small kit of such is liberating when out shooting in crowds or in remote areas.
If I were starting from scratch with such a camera kit I'd pick one of the Oly Pen digital cameras and a couple of the nice prime lenses which go with them. For film, I'm very tempted by the mint M3 Leicas which seem pretty common these days as well as the simple 35 and 50 primes. Cameras don't get much more compact than that. I've always found interesting the little Leica M Lens Carrier device which shows up in the catalogs. The idea of a bracket for holding an extra lens under the M rangefinder camera attached to the camera body by the tripod mount screw is fascinating.
I've also believed in the idea of lens families or lens companions although my concern may be more about aesthetics than technical capabilities. If I were to choose a K35 Pentax prime I would pair it with a K-series 50 thinking they would offer similar color rendition. It's true of course that Pentax updated its coating processes over time and during the production of multiple series of lenses so a person could shoot a K lens with an A-series lens with little concern for image quality variation. I know it's silly but there is a sense of completeness with a camera kit consisting of 2 or 3 lenses of matched vintage, as if the kit's capabilities are consistent.
However you look at it, the goal is to have a camera at hand when you want to shoot.
This the boat I'm in trying to put a three lens kit together. I have a K28/3.5 and a K55/1.8 and I'd like to get mg hands on a K85/1.8. At some point, the K50/1.4 or 1.2 would be great, but I already have an A50/1.4 and an F50/1.7.
All of those manual lenses work well on my LX, ME Super, and KM. I find myself leaning toward putting different film in each body for changing conditions/subjects, but maybe that's the luxury of having multiple bodies.
I have a strong feeling my daughter is going to want to work with one of these when she's older. She'll be three in March (yeah, plenty of time until she runs a manual camera), but she has a blast taking shots with a tired digital point and shoot. It's hysterical look at what a 2-year old thinks are interesting subjects to photograph.
We went out for a session with the two kids yesterday and I had a hard time picking why I wanted to shoot with. We brought the K-5 for some larger prints and to catch something for a Christmas card, but I love shooting film and carrying a small bag with the K-5, F50, 18-55 kit lens, along with the ME Super, LX and two K lenses was easy when two cameras were in the bag and one was out for use. But with two kids, I would prefer to carry less.