1984 Olympus OM-4, OM-2n with Zuiko lenses (300mm Auto-T F4.5, 135mm Auto-T F3.5, 50mm Macro F3.5).
- Excellent performance and consistency with TTL off-the-film-plane ambient and flash metering.
- Highly advanced quick and powerfully flexible multi-spot averaging metering system for zone-system-like analysis & control (OM-4).
Cokin creative filter system.
1986 Hasselblad 500 CM with prism view finder and most common trio of Zeiss lenses (150mm, 80mm, 60/50mm).
- Access to unique Zeiss 30mm fisheye lens having a front element measuring 90mm in diameter.
- Unique means of metering ambient light by using OM-4 with multi-spot averaging and mounted light weight 135mm lens.
- Enabled zone-system-like analysis & control, and proved very useful for limited range media such as E6 or Kodachrome film.
- Minolta Flashmeter IV
Norman 200B portable flash system
Fujinon enlarger for 35mm & Medium format (Schneider APO enlarging lenses).
- Custom designed and built computer speech system for automated exposure control and timing of chemical processing based on temperature monitoring.
- Cibachrome using uncommon tray processing.
1988 Sinar P 4x5 with Fresnel lens, Copal shutter system (Schneider 210mm APO Symmar, 90mm Super Angulon).
- Rear lens element gelatin filter mounting system
- Sinar Booster-1 film-plane spot meter for Minolta Flashmeter IV.
- Minolta Color Meter with ambient and flash adapters
Venca 2433 Watt 3-Channel independent step-less variable flash head power control.
- Venca white reflectors, Balcar silver reflectors and grids, Plume Wafer banks lights, Wescott white umbrella light modifiers.
I included some extra details surrounding the camera systems for the benefit of old film era fans that understand and appreciate certain aspects- prior to the existence of chimping and the creation of special effects in post processing
Last edited by One3rdEV; 11-01-2015 at 12:53 PM.
Reason: Added a couple of key attributes