Originally posted by Jonson PL Thanks for your review, good info. Didn’t think how the FAJ lenses could be used on it, how does the on-body control of aperture work on the MZ-7 ? And how do you change aperture on *Ist DL, with only one wheel ? Is it just in Aperture Priority ? (since likely no Hyper-manual program, where it is possible to change both shutter and aperture)
Full manual control works the same way on the MZ-7 and the *ist DL, but the controls are placed a little differently.
The *ist DL has the single wheel on the back. The MZ-7 has the rocker switch around the trigger. (On the MZ-5 and the MZ-M, that rocker switch is the on/off. On the MZ-7, it behaves like the control wheel. You click the rocker in either direction.)
The default behaviour in Manual mode is for the wheel/rocker to control shutter speed. To control aperture, you hold down the "AV+/-" exposure compensation button, and move the wheel/rocker.
In Aperture Priority mode, the wheel/rocker defaults to aperture control.
In Shutter Priority (the cumbersomely named TV mode), the wheel/rocker defaults to shutter control.
I actually find this layout quite intuitive, and it negates most of the need for two buttons. (Yes, I've used a dual-wheel camera before -- my F80 had a nice dual-wheel setup that I enjoyed.)
Originally posted by Jonson PL And thanks for the info on "night portrait" being slow- sync; I noticed the upcoming K-m has the same icon.
Didn’t know the FAJ 18-35/4-5.6 AL was the kit lens for the original *Ist D.
Regarding the MZ-D, Pentax wasn’t satisfied with the sensor output, and didn’t bring it to the market. And good thing, the identical camera released from Contax made the company sink out of business.
How is the balance with big zoom and flash ? (you need the grip I guess)
Last question, do you generally prefer black manual focus film SLR bodies, to chrome ?
You definitely want the grip with a big zoom. That Sigma is HEAVY. On the bare MZ-7 it feels unsteady because the camera body is so small. The battery grip pushes the camera body squarely into my palm, making the camera feel stable with any size lens and flash.
With the FAJ 18-35, or the F 35-70, or the FA 28-90, I prefer the camera without the grip. It's nice and sleek with a small lens.
Lastly, yes, I do love black SLR bodies, for manual focus, auto focus and digital. Unfortunately the MZ-7 is scarce in black. Also, my *ist DL was ordered used from a dealer. I was surprised to find it was a chrome body, not black. But the body was mint with only a few exposures on it, and the price was great, so I decided not to quibble about the colour! So now my DL and MZ-7 match nicely. But I do wish they were both black. I have a beautiful black Spotmatic F, and my Program Plus is black. I think my ultimate SLR would be a black MZ-S...