Lots of interesting thoughts here, and lots of LX, MX, and KX.
Originally posted by nickthetasmaniac Out of the stuff I actually own...
M2, VM 28/f2 and TMax400.
If it were a 'dreamworld' scenario, I'd swap the Voigtlander for a 28mm Summicron and the M2 for a MA (if only for the reliability of a new body).
Why Because my favourite type of photography tells a story, and I think 28mm works very well as a storytelling lens. There's no where to hide with a wide-angle
I've heard that said of wide angle many times. And I can see it in the shots people get with them, I just can't seem to think any wider than about 40-50mm
Originally posted by Tony Belding Pentax ZX-5n with Sigma 28-105mm F3.8-5.6 UC-III lens, possibly with the AA battery grip too.
It's the plastic fantastic system with absolutely nothing in the way of nostalgic charm, but it's a hero in terms of actually getting the shots. (In daylight, at least.)
Nothing wrong with plastic cameras if they get the shot.
Originally posted by Karénine Upon the Pentax cameras I know well and love, that would be one of my black KX. Regarding the lens, the K 28mm 3.5 for sure, it has always been my most consistent lens to deliver outstanding pictures (even though I like the K 50mm 1.4 a lot too).
One of the most recent with this setup and Ektar 100 (Bretagne, France)
That's a good looking shot! And a black KX is certainly on my wishlist, though I have a KX I need to send in to Eric.
Originally posted by bertwert I've never used either of these cameras (or film full stop) but I'd probably choose an LX and A 50/1.2 or an MX with the M40/2.8 pancake.
That MX with M40/2.8 would certainly be compact!
Originally posted by LoneWolf ME Super with out any doubt!
Had one for years. It was my most used body before I got my first (Pentax) Digital Camera.
While the controls are a bit clumsy, I find myself loving the ME Super. Just a nice solid little camera.
Originally posted by microlight Out of the stuff that I own...
K2 + SMC 50mm/f1.2
K2 is an interesting choice. Don't see them much.
Originally posted by sarge For film it would be a Hasselblad 501CM with an 80mm F2.8.
If it had to be 35mm film I would say an LX with a 50mm F1.2
Both good choices, and I gotta say, the Hasselblad is gorgeous.
Originally posted by kmurphy220 All I need is the brown leather SE K1000, and most definitely my Takumar 50mm f1.4 with M42 adapter. I could shoot Tri-X for days and days and still be okay. Can't go wrong with a fast fifty and one of the best Pentaxes ever.
The K1000 SE is a nice looking camera. And of course very capable.
Originally posted by gofour3 If asked this question 20 years ago, when I only had a small kit of a KX, K28/3.5, K55/1.8 & K135/3.5, I would have answered the KX & K55/1.8.
Too much gear now and too hard to narrow it down, so I'll stick with the above choice.
Phil.
Having a KX and K55/1.8, I'd say that'd still not be a bad choice.
Originally posted by TomB_tx My M4, and either my 50 or 35 Summicron. I've had all since 1969, and despite all additions since, I keep reaching for these, and they get the most use,and give the most enjoyment.
I like Leica, but my wallet could never justify it
Originally posted by Canada_Rockies For scenery, I used a KX and M 28/3.5. Hard to fault a camera that showed the shutter speed setting on a blue needle with a black needle from the meter to match exposure and a periscope that showed the f/stop. Others no doubt prefer the MX, but I didn't like it the few times that I tried it. The exposure metering light bulbs just weren't my cup of tea. And the KX works perfectly without a battery in the meter; you just have to use the little piece of paper that comes with the film (Sunny 16).
The KX is certainly easy to read. I'd imagine the MX system would work very similarly to the other M series cameras, in which case, it works, but it's not the most pleasing to use.