Originally posted by UncleVanya The point about not having a Matt for focus of the A series doesn't hold up in my opinion. I focused my A* 85 f1.4 on my PZ-1... Younger eyes helped, but so did film vs high pixel count digital. The focusing screens of the PZ-1 could be replaced as well. The mz-m screen fits and has the split prism design you want.
split prism focusing screen for Z-1p / PZ-1p - PentaxForums.com Shame on me, thank you for the correction, Uncle Vanya! Somehow I confused my problems getting a split prism screen for my digital with pentax autofocus cameras in general.
---------- Post added 01-28-19 at 09:01 AM ----------
Originally posted by pres589 I can only speak for myself, and not the OP, but I cannot image being locked into DX coding only for ISO selection. That limitation would drive me crazy.
I just got a Chinon CE-5 over the weekend and that thing seems very nice. The top deck is obviously plastic, and mine is cracked, so there is that issue. I may try to pull mine, re-enforce and close up the cracks from the backside, and repaint it myself. Just loaded my first roll of film in it last night and really looking forward to using this thing.
Nice coincidence. My first camera was a Chion CE-4s and beside the fact I always shot the Ektachrome 64 on ASA 80, I only used the ISO setting once in 10 years when I used an Ektachrome 160 on 400 ASA. The Chinons and the P30 have an exposure memory button, which is sufficient in most cases. Just point the camera to a "middle grey" illuminated as your main subject, push the button, take picture, goal achieved.
Of course I loved my old Chinon (RIP) more, then I like the P30, which I like because it's operation resembles that of the Chinon as if they were twins. Except for the auto Iso setting of course.
And of course I have other film cameras to shoot XP2 film or black and white on other ISO settings.