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11-13-2009, 08:52 PM   #1681
mer
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easytiger the first one is really nice

Pentax ME Super , Porst 55/1.2 wide open , Fuji Velvia 50




Last edited by mer; 11-13-2009 at 08:58 PM.
11-14-2009, 01:53 AM   #1682
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Here's one from my other thread:

11-14-2009, 07:29 AM   #1683
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A few Tri-X. Middle shot with a 19mm vivitar with much vignetting due to a polarizer. Here, though, I don't mind. Again, poor scans.





11-14-2009, 09:15 AM   #1684
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QuoteOriginally posted by unkabin Quote
A few Tri-X. Middle shot with a 19mm vivitar with much vignetting due to a polarizer. Here, though, I don't mind. Again, poor scans.





I don't know what it is about these, but I really like them! ''allot''

11-14-2009, 10:54 AM   #1685
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QuoteOriginally posted by jgredline Quote
I don't know what it is about these, but I really like them! ''allot''
Thanks! I took them at the Shaolin temple and bird sanctuary in China. This is where Buddhism took hold in China, and, almost as importantly, kung fu. They were developed at a little lab in Jeonju, Korea, where I was living. This lab always gave me the best prints. I typically like high contrast b/w, and they seemed to read my mind.
11-15-2009, 11:13 AM   #1686
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4x5s

I tried large format 4x5 today and got these.



11-15-2009, 12:19 PM   #1687
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Good composition, but look like they are a full stop dark to me.
11-16-2009, 04:32 AM   #1688
mer
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Pentax ME Super + Porst 55/1.2 wide open + Fuji Velvia 50 converted to B/W



11-16-2009, 07:50 AM   #1689
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QuoteOriginally posted by mer Quote
Pentax ME Super + Porst 55/1.2 wide open + Fuji Velvia 50 converted to B/W

This is one of your better ones. I love this photo!
11-16-2009, 11:18 PM   #1690
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My first try at using a slide copier to copy a negative. I got an excellent condition Auto Bellows M from B&H last week and a near mint slide copier from ebay that arrived today. I figured that I'd save money over getting crappy scans done at by whichever processing place I used, and prefer it over a scanner.

This was the only negative on a roll of Fuji Superia 400, I believe, that actually came out. It was probably taken about 5 years ago with a ZX10 and Tamron 28-300mm, and not processed until about a month ago. It's not the best picture but I just wanted to show of the fruit of my labor. Plus, I'm pretty excited about my new setup.

The negative was copied using a K-7, Auto Bellows M, Slide Copier K, and M 50mm 1.4 at f8. Imported into Lightroom, exported as a non-compressed TIFF, imported into GIMP where the orange cast was removed and the color was inverted, and auto white balance applied. The AWB worked very well I think.

Anyway, considering how much I just wrote the photo should probably be better, but here it is anyway.
11-18-2009, 03:17 AM   #1691
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few from great closuring night of No Jazz Festival in Zagreb, on November 16th. ISIS from Boston.


Pentax MZ-S, SuperTak 50/1.4, Neopan 1600@3200, stock ID11, Canonscan 8400F













11-18-2009, 03:50 AM   #1692
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QuoteOriginally posted by mehanikaloptikal Quote
few from great closuring night of No Jazz Festival in Zagreb, on November 16th. ISIS from Boston.


Pentax MZ-S, SuperTak 50/1.4, Neopan 1600@3200, stock ID11, Canonscan 8400F
Wow, very nice. ISIS is one of my favorite bands
11-18-2009, 04:29 AM   #1693
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thnx, they're my favorite too. the gig was fantastic, my ears are still ringing as I had to stand in front of the big speakers in order to get those photos. felt every bass drum kick in my chest
11-18-2009, 06:16 AM   #1694
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An OLD shot, circa 1979 (approx) Moon over Cades Cove - Pentax MX with (I believe) a Sigma 28mm f2.8 on Ilford HP5...



Mike
11-18-2009, 08:05 AM   #1695
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QuoteOriginally posted by mehanikaloptikal Quote
few from great closuring night of No Jazz Festival in Zagreb, on November 16th. ISIS from Boston.


Pentax MZ-S, SuperTak 50/1.4, Neopan 1600@3200, stock ID11, Canonscan 8400F
I love this series. Well done!
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