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02-11-2014, 02:13 PM   #9271
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QuoteOriginally posted by stevebrot Quote
A little more Google work and I figured that out.


Steve
Google is your friend...and Chevre is delicious

02-11-2014, 02:14 PM   #9272
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QuoteOriginally posted by Mr Bassie Quote
Was wondering if anyone would catch that reference. You win!
Thanks, but now I can’t get the song out of my head!

There's a "Weird Al Yankovic" project idea here with goat pictures to boot!

Phil.
02-11-2014, 05:11 PM - 2 Likes   #9273
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Using Lomography 100 film and the newly acquired Soligor 500mm f8 mirror lens.

First the setup. Since it is a T mount lens, I did try it on a as many of my bodies as I have of each. The LX's large and bright viewfinder selection - as well as screens, can be advantageous to use on such a dark lens especially if the light isn't ideal.




This next one is a combination of three shots to show out of focus in front and back of the target.




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02-12-2014, 12:07 AM   #9274
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QuoteOriginally posted by Dartmoor Dave Quote
We had a light dusting of snow here last week, which made a pleasant change from the relentless rain we've been having so far this winter. These are with my K1000 with the Pentax M24-35mm and Velvia 100F. That M24-35mm is a seriously under-rated lens.
Wonderful!

02-12-2014, 01:55 AM - 3 Likes   #9275
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I could not find any goats among my film shots but what about sheep?

Both shots taken in 1995 in Morocco with the Z-1P; the first comes from the only film I ever did with its panorama function (Fuji Reala), the second is Ektachrome Elite 100.



02-12-2014, 03:14 AM - 2 Likes   #9276
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I also couldn't find any goats in my library – but I shot some deer last year in November





Both with MX and M 50/1.7


And from the same Roll with three of my most favourite Lenses (first the K 135/2.5 then the Revuenon 55/1.2 and Tokina 17/3.5):







---------- Post added 02-12-14 at 11:37 AM ----------

... and I shot two Rolls of FUJI Acros 100 with my MX. Self developed in Cafenol – "scanned" with Canon 5D + 100/2.8

K 135/2.5








M 28/3.5




and that lovely Tokina 17/3.5





02-12-2014, 07:36 AM   #9277
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QuoteOriginally posted by wkraus Quote
I could not find any goats among my film shots but what about sheep?

Both shots taken in 1995 in Morocco with the Z-1P; the first comes from the only film I ever did with its panorama function (Fuji Reala), the second is Ektachrome Elite 100.
Love the striking light in that second image!

02-12-2014, 07:47 AM   #9278
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Nice series @nild...your Acros came out looking great!
02-12-2014, 07:54 AM   #9279
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QuoteOriginally posted by nild Quote
I also couldn't find any goats in my library – but I shot some deer last year in November

Both with MX and M 50/1.7
The friendly sort as you had to be pretty close to make those shots!
02-12-2014, 11:29 AM   #9280
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QuoteOriginally posted by nild Quote
I also couldn't find any goats in my library – but I shot some deer last year in November

Love the second to last image.
02-12-2014, 11:33 AM - 1 Like   #9281
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Kodak Retina IIIs, Schneider Xenon 50mm f/1.9, Hema 200iso film (Fuji), Remains of the Atlantikwall WWII German coastal defenses.



Kodak Retina IIIs, Schneider Curtagon 35mm f/2.8, Hema 200iso (Fuji). Remains of the Atlantikwall WWII German coastal defenses.



Kodak Retina IIa, Schneider Xenon 50mm f/2, Hema 200 Iso (Fuji). Overexposed by one stop to get the detail in the bulls' coats.

02-12-2014, 11:46 AM   #9282
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QuoteOriginally posted by Agnostic Quote
Kodak Retina IIIs, Schneider Xenon 50mm f/1.9, Hema 200iso film (Fuji), Remains of the Atlantikwall WWII German coastal defenses.



Kodak Retina IIIs, Schneider Curtagon 35mm f/2.8, Hema 200iso (Fuji). Remains of the Atlantikwall WWII German coastal defenses.



Kodak Retina IIa, Schneider Xenon 50mm f/2, Hema 200 Iso (Fuji). Overexposed by one stop to get the detail in the bulls' coats.
You have a IIIs!
I'm jealous.
02-12-2014, 12:10 PM   #9283
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QuoteOriginally posted by Swift1 Quote
You have a IIIs!
I'm jealous.
It is a very nice camera to use, big bright viewfinder, clear pop-up frame lines, automatic paralax correction. The rangefinder spot is a little bit harder to focus than the Retina IIa I have though.

I finally took it out for some shooting after cleaning the rangefinder/viewfinder and finding a Schneider Xenon 50/1.9 and a Curtagon 35/2.8 for it to add to the 135/4 Tele Xenar and 50/2.8 Xenar it came with.
02-12-2014, 12:21 PM   #9284
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QuoteOriginally posted by Agnostic Quote
It is a very nice camera to use, big bright viewfinder, clear pop-up frame lines, automatic paralax correction. The rangefinder spot is a little bit harder to focus than the Retina IIa I have though.

I finally took it out for some shooting after cleaning the rangefinder/viewfinder and finding a Schneider Xenon 50/1.9 and a Curtagon 35/2.8 for it to add to the 135/4 Tele Xenar and 50/2.8 Xenar it came with.
Did you post a photo of the IIIs?

Have you tried the trick where you put a little dot of tape one front center of the finder window?
Apparently it can make the patch easier to see.
02-12-2014, 01:34 PM   #9285
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Yes I posted photos of it in the gearporn thread but only with the two Xenars. Only got the other two lenses recently.

I didn't try the tape trick yet but I will give it a try one of these days.
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