Originally posted by LesDMess Please excuse the quick b&w conversion although I think even a straightforward desaturation would have worked just as well as I think the tonality is perfect for b&w - going from highlight to deep dark.
I thought this was a setup commercial type shot actually but of course there are two conflicting brands. Perhaps a backlit figure reflected in the sunglasses could have added another element of intrigue.
IMO the texture, tonality and tight composition makes this in better b&w not that I thought the color was vulgar and restrictive.
Clearly this benefited from directional window lighting.
Mmm interesting...in my F2AS there is a roll of C41 Neopan and perhaps I should re-shoot this shot in B&W, and ironically I shoot it in colour because I like that jacket and the pre-washed denim that in reality is more yellowed (not so white)...I would have also like to use a pair of gilded aviators with green lenses but at the time I shoot that pic I just had the black ones with me.
I was inspired by an old commercial from the 80s that showed a denim shirt even if the product had nothing do with jeans or any clothes at all.
So I thought it would have been a good idea for a sort of commercial pic for the two brands should they work together (sometimes they do that, I remember a limited edition digital Leica that was sold with a brand of clothes or something like that) so that would be how I would make it.
I haven't seen Colton's pic in B&W by the way..
---------- Post added 12-19-14 at 06:41 PM ----------
Originally posted by Swift1 Actually, you would be appalled at what the light was like when I took my photo
If I remember right, it was very flat dull daylight near the end of the day. I think it was 1/30s @f/4. The original scan was somewhat flat. I added contrast by adjusting the tone curve, which also helped the colors. Ektar scans (in my experience) handle tone curve adjustment better than most other color films that I've used.
Ahahaha! I also shot that pic at 1/30s and f4, with a Micro Nikkor I was surprised to get a decent shot after all.
So...you admit you post-process your shots? Then we have found the secret of your vivid colours!
Mine is straight from the negative, I also shot the denim jacket with Ektar (but without glasses):
But I prefer Portra for this particular kind of shots...still both film failed to record the "aged" look of the acid washed denim but I assume the problem was the light.