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07-15-2009, 10:05 PM   #1051
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from a recent wedding where i was unofficial photographer hehe
leica m6 with 35mm summicron
fuji neopan 400 developed in parodinal



07-16-2009, 12:16 PM   #1052
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BW400CN, S-M-C Takumar 1.8 / 55mm, ES-II
07-16-2009, 04:44 PM   #1053
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A few more from the MacArthur was memorial.
That 99 cents film is ok. If anyone would like me to pick some up and send it your way, let me know. be happy to. They just got a boat load in with an 0ct 2010 exp date





07-16-2009, 04:45 PM   #1054
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07-16-2009, 06:57 PM   #1055
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Fantastic quality of light in this one. Nice portrait.
07-16-2009, 07:04 PM   #1056
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QuoteOriginally posted by geauxpez Quote


Fantastic quality of light in this one. Nice portrait.
Thank you. I am not happy with the scanning on this one though. It seems to have some artifacts in it..But all in all. it was one of my favs
07-16-2009, 07:05 PM   #1057
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A few more of my 99 cents film shots..




07-17-2009, 06:38 AM   #1058
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Fuji 400H, less contrast and saturation, good skin tone





Fuji Superia 400, high contrast and saturation, reds





all shot with Nikon FE, Nikkor Ai f/2 35mm

07-19-2009, 11:34 PM   #1059
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Thanks to Steve and his EKTAR 100 testing, I got much better results this time... While I still find the reds a little much, atleast they are under control. Aside from cropping for composition, no PP done. ME SUPER, TOKINA 28MM and EKTAR 100 +1/3 ev...The grain is almost none existent..The processing was done at Target.











For more of these in a larger size click on link.
jgredline : photos : 0lvera St, Los Angeles, 7 18 09
07-20-2009, 06:19 AM   #1060
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I finally restarted b&w developing after 30 years - first a 35mm film, but immediately 120. Neopan Acros has a long tonal range and therefore seems less contrasty, perhaps the T-max develper has a hand in it. I decided to accentuate this in the scan, then add a bit of contrast in photoshop. Ricoh Diacord G - released in 1958, 80mm f3.5 Rikenon. The G has 10 aperture blades vs. 5 in the Diacord L.
07-20-2009, 09:53 AM   #1061
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QuoteOriginally posted by jgredline Quote
Thanks to Steve and his EKTAR 100 testing, I got much better results this time... While I still find the reds a little much, atleast they are under control. Aside from cropping for composition, no PP done. ME SUPER, TOKINA 28MM and EKTAR 100 +1/3 ev...The grain is almost none existent..The processing was done at Target.
You are very welcome! The reds are definitely there, but at least they are not day-glow! The doorpost in the last shot and the clown's pants are the real tests. Great saturation and good preservation of detail.

Steve
07-20-2009, 06:59 PM   #1062
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For kicks and grins I bought a 100' of expired (1970's) Eastman 5224 movie film on Ebay (OLD EXPIRED EASTMAN B & W 5224 NEGATIVE FILM 100 FEET - eBay (item 290328482488 end time Jul-09-09 07:49:31 PDT)).

I spooled a short 10 shot roll to shoot and see if it was even any good. I proceeded to chase the S.O. and the cats around the house with the SP1000. The S.O. assumed control of her shots (underware photo ban) - but here is a cat shot off the very end of the roll. Shot at what it was rated - 500asa, with the 55mm 1:2 Takumar. I actually like the look of the grain and the look of the film degradation. Plan to experiment with it a bit more this week.

07-20-2009, 08:23 PM   #1063
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My first Velvia roll! <3
07-21-2009, 05:57 AM   #1064
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QuoteOriginally posted by Andi Lo Quote
My first Velvia roll! <3

Are you hooked yet?


More Velvia...







The "less" saturated Velvia 100F
07-21-2009, 02:54 PM   #1065
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Wonderful Velvia !

645N with Arsat 30mm and Astia 100. Scanned with Epson V500.
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