No offense taken over here. I've always heard that the CanoScans do a great job and I've seen enough scans from the higher end models to believe it. In fact, if I could have found the top model Canon made (discontinued now), the 9990, I believe it is, I would have bought one instead of my Epson 4990. But as for me, I have no intention of getting rid of my 4990. It may not be the best for 35mm (and it is, in fact, as good as any other flat bed scanner for 35mm), but it is outstanding for medium format and one of the best scanners around for large format.
And speaking of medium format, here are a few more. This first one was taken on a hazy day at Long Beach Harbor. That's the Queen Mary, which had been turned into a Hilton Hotel. In the distance, you can see a dome. At that time -- sometime during the mid-1980s -- it housed Howard Hughes' Spruce Goose. I know the plywood albatross got moved, but I dunno if that dome's still there anymore.
Next is a shot of my Friend, Ted, who's playing around with my 35mm rig. Note the excellent saturation and sharpness. Scanned at 2400 ppi, pretty much at the Epson defaults and not a whole lot was done in post.
This is a shot of some small watercraft in LA Harbor. Shot with my Zeiss Super Ikonta B with Tessar lens in a Synchro Compur shutter -- called it my "pocket Hasselblad" because I could fold it up and drop it into a jacket pocket. Again, note the saturation and detail:
And finally, a life guard station at one of the Los Angeles area beaches. Don't remember which one now. Again with the Yashica Mat, same Fujichrome film.
All four of the above images were recorded on 120 Fujichrome 100 and scanned on my Epson 4990 scanner at 2400 ppi. I pretty much let my Epson scan at the defaults. The Epson Scan software is really pretty decent. Rarely do I find the need to tweak anything, especially if the images were exposed properly. As a result, typically only very light work is needed in post.
Okay, one more, but just for continuity's sake, more or less. Almost looks as if I took this following shot the same day, but it was a different day, different beach. Still the sunset afterglow looks so similar that that's what I mean by continuity, more or less. Canon F-1, 19mm FL lens. Kodachrome 64 at EI 80.