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10-24-2015, 01:28 PM - 2 Likes   #12211
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45 Mike's Avatar

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A couple from my P3n, on Ultrafine 100 Dektol process
Used a Sears 135mm f2.8 portrait lens.





AND a shot from same camera on Ultrafine 400 and Caffenol-C process



For my next trick, I plan on using D-76. I am looking to find a less grainy inexpensive film/dev combo.
Ultrafine seems to be the least expensive film option, I just want to find a better dev option.

10-24-2015, 05:56 PM - 2 Likes   #12212
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Rebel Ti, Tamron 28-80/3.5-5.6, superia 800@400, epson 1660



---------- Post added 10-24-15 at 06:15 PM ----------

New stuff (shot earlier this month) from old[er] cameras: Spotmatic, STL-1000, Supertak 50/1.4, Elicar 35/2.8, Adaptall 24/2.5, superia 400, lab scans


























Last edited by dsmithhfx; 10-24-2015 at 06:17 PM.
10-24-2015, 08:14 PM - 4 Likes   #12213
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Contax G2
Carl Zeiss Planar T* 35/2
Kodak Ektar 100
Epson V750-M Pro
10-24-2015, 09:04 PM   #12214
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Hasselblad 500 c/m, Ilford FP4+ in DD-X, Epson V600.




https://c1.staticflickr.com/1/690/22291036525_326a05b404_b.jpg

10-25-2015, 06:12 PM - 3 Likes   #12215
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Some lab scans of Portra 160 taken with the DA40XS at a local amusement park.









Hmm, I feel now that I should have cropped the coaster out of the background in the swing picture. And I know the sky color is different in all of them...went with what felt right at the time, I guess. More of a seat-of-the-pants type PP approach. Often envious of those who have a more considered method, but hey, this is just for my enjoyment! (And hopefully some of your enjoyment as well...)
10-25-2015, 09:34 PM - 1 Like   #12216
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Just a run of the mill... really good point and shoot. Olympus Stylus. TMAX 100.
Attached Images
 
10-26-2015, 06:32 AM - 2 Likes   #12217
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Two shoots from the first test roll of the Bronica ETRsi:





Portra 160 and PE 75mm f2.8.
10-26-2015, 06:59 AM - 1 Like   #12218
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That first one. Wow.

10-26-2015, 08:56 AM - 1 Like   #12219
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Ditto that... Wow. I feel like my retinas got a tune up from looking at that.
10-26-2015, 06:35 PM   #12220
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QuoteOriginally posted by Swift1 Quote


Rolleiflex 2.8C
Carl Zeiss Planar 80/2.8
Kodak Ektar 100
Epson V500
You are really on a roll with the steps. Good work!


Steve
10-26-2015, 07:04 PM - 1 Like   #12221
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QuoteOriginally posted by Zav Quote
Another one with the Neopan 400.



Still don't like the film.
I had good luck with Neopan 400 while it was still available. All of the below were processed in Edwal FG7* (1+15) and exposed at EI 800.









All with the Kiev 4A and Kiev Helios-103 53/1.8.


Steve

* sadly no longer available wonderful developer...
10-26-2015, 07:26 PM - 3 Likes   #12222
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Some more from the mountains.

M2 and Portra 400







10-26-2015, 07:33 PM   #12223
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QuoteOriginally posted by 45 Mike Quote
A couple from my P3n, on Ultrafine 100 Dektol process
Used a Sears 135mm f2.8 portrait lens.
I had one of those for a long while - not sure what I did with it. Was a fun one to break out now and then.
Dang good looking images for as cheap as the thing was.

---------- Post added 10-26-15 at 07:36 PM ----------

Found a bunch of shots I'd forgotten about from a Vancouver Island trip a couple years ago. This was with MX and 31m I think... on Portra 160 but I desaturated it in LR - thought it nicer in monochrome.



---------- Post added 10-26-15 at 07:47 PM ----------

and also some ducks.



I have all of these marked as Portra 160 but they really look like Superia to me. I should dig out the negs and check.
10-26-2015, 08:13 PM   #12224
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That grain definitely looks more Superia than Portra, at least to my untrained eye.
10-26-2015, 08:30 PM   #12225
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QuoteOriginally posted by chickentender Quote
I have all of these marked as Portra 160 but they really look like Superia to me. I should dig out the negs and check.
The first looks like desaturated Portra (to me), not sure about the second one - looks underexposed with a lot of digital noise-reduction in the scanning process?
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