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10-22-2016, 04:32 PM - 2 Likes   #14266
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For anyone watching the new Exorcist TV show on Fox: The "Exorcist" stairs taken in Washington DC in 1990.

(KX & K55/1.8 shooting Kodak Gold 100)



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10-23-2016, 01:03 AM - 6 Likes   #14267
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10-23-2016, 05:56 AM   #14268
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Very nice light...
10-23-2016, 09:53 AM - 1 Like   #14269
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Half of the biggest shlock in the world.

Oly MjuII 35mmf2.8 on Superia 400.
Reflections on the window came back to the lens. It was a snapshot out of a high fair wheel on inauguration day. Similar problems as shooting through a plane's window I guess. Yellow strike could be a dev problem. C41 snaps get a cheap dev, only 4,5euro/roll. You can't expect HQ for that. Are the minilabs becoming worn out machines? Or is the chemist/operator reducing costs by extending dev lifetime? Who knows.



10-23-2016, 11:06 AM   #14270
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QuoteOriginally posted by rhmimac Quote
Oly MjuII 35mmf2.8 on Superia 400.
Reflections on the window came back to the lens. It was a snapshot out of a high fair wheel on inauguration day. Similar problems as shooting through a plane's window I guess. Yellow strike could be a dev problem. C41 snaps get a cheap dev, only 4,5euro/roll. You can't expect HQ for that. Are the minilabs becoming worn out machines? Or is the chemist/operator reducing costs by extending dev lifetime? Who knows.
Shooting through glass with back reflections is always problematic. It is what it is. I think it's quite an interesting shot regardless. And you might be able to improve it with some pp.
10-23-2016, 11:24 PM - 1 Like   #14271
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10-24-2016, 06:36 PM - 2 Likes   #14272
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Widelux F7
Expired Mitsubishi MXIII 100
Epson V750-M Pro
10-24-2016, 06:48 PM - 2 Likes   #14273
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Fuji Superia 400




10-25-2016, 01:24 AM - 1 Like   #14274
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10-25-2016, 05:07 AM - 6 Likes   #14275
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... yet another multi-exposure with the Pentax 645N. The P645N is great for multi-exposure, as it has a special multi-exposure switch that halts the film transport. Makes things very easy. This is a combined multi- and double-exposure:


Camera: Pentax 645N
Lens: smc Pentax-FA 645 45mm F/2.8
Exposure: multi and combined exposures
Film: Fomapan 100 Classic homedev. in Kodak XTOL 1+1
10-25-2016, 09:58 AM   #14276
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QuoteOriginally posted by Swift1 Quote


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Talking about mirroring back into a window. Great shot, I love your pano's. I'll be trying my 35mm pano setup in my LOMO Lubitel 166+ soon. It'll be approx.like the xpan exposing 56x24mm of film surface, not with a great 30mm or 90mm lens though, it's fixed 75mm lofi glass.
10-25-2016, 11:20 AM   #14277
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QuoteOriginally posted by LaHo Quote
... yet another multi-exposure with the Pentax 645N. The P645N is great for multi-exposure, as it has a special multi-exposure switch that halts the film transport. Makes things very easy. This is a combined multi- and double-exposure:


Camera: Pentax 645N
Lens: smc Pentax-FA 645 45mm F/2.8
Exposure: multi and combined exposures
Film: Fomapan 100 Classic homedev. in Kodak XTOL 1+1
Looks great! I really like your multi-exposure photos. What do you mean by multi and double exposure?
10-25-2016, 11:20 AM   #14278
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QuoteOriginally posted by rhmimac Quote
Talking about mirroring back into a window. Great shot, I love your pano's. I'll be trying my 35mm pano setup in my LOMO Lubitel 166+ soon. It'll be approx.like the xpan exposing 56x24mm of film surface, not with a great 30mm or 90mm lens though, it's fixed 75mm lofi glass.
That will be vertical, with a waist level finder? Sounds fun.
Is the Lubitel a red window camera?
10-25-2016, 11:30 AM - 2 Likes   #14279
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MZ-S with a Tamron 70-300, mix of Rollei CN200, Lomo 800, and Natura 1600.


Natura


Natura


CN200


Lomo 800
10-25-2016, 11:38 AM   #14280
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QuoteOriginally posted by K David Quote
MZ-S with a Tamron 70-300, mix of Rollei CN200, Lomo 800, and Natura 1600.


Natura


Natura


CN200


Lomo 800
Those are some great butterfly shots. I really like that first and second one. I would be afraid of burning through too much film trying to capture something like a butterfly. I know how many digital images I take when I attempt this subject.
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