I've retrived a couple of rolls of Ferrania 100 from the lab.
I love this particular film, it is very forgiving and it has lush colors.
But I've also had many problems with it, when the metering for contrasted scenes tricked me to underexpose, with the result that I ruined many shots.
I find that I can salvage much of the highlights, so that a sky that looked white after the scan was instead fully captured with its correct tones! But instead the dark areas are almost always pitch black.
This, with the fact that the metering of my spotmatic tends to be off when measuring a scene with a back lighted figure, is something I have to remember for the future.
Two really nice surprises to me were instead the two night pictures I got with the Xmas light in the street: those were done free hand at 1.4 of aperture, and with short exposure times, but still I expexted them to be either completely dark or very blurred, they were spot on (to me, at least) with no pp except for a lens vertical correction in the first night shot .
So some pictures from a winter trip to Torino.
They're all Spotmatic F, Super Takumar 1:1.4/50 - 8 elements, with the same roll of Ferrania 100.
A crop. I love the grain, the Sixties feeling.