Originally posted by Jellygeist I'm back with a rarity for me, a straight portrait:
I'm actually thinking of selling my 6x7 for an RB67. The slow flash sync on the Pentax doesn't jive well with what I plan to do with medium format. That lens will be hard to give up, but you gotta do what you gotta do.
I really like my rb67, it's a joy to use. I enjoy this thoughtful deliberate process of taking photos with it. Having said that, here is a bit from a review of rb67 :
"And there was the*Pentax 6x7, which deserves its own paragraph. The body was physically clumsier - it was a giant pumped-up Pentax Spotmatic, along the lines of the Soviet*Kiev 60*- but had a sierra hotel range of Takumar lenses. Including the standard 105mm f/2.4, which was almost all the lens you needed. Top shutter sync was only 1/30, which was problematic for the very photographers most likely to use it - wedding and portrait shooters, with their standard backlit sunlight / fill-flash shots. But 105mm f/2.4 in 6x7 format, cor.*Diane Arbus used one*towards the end of her life and the Pentax 67 has always had an artier, more tasteful reputation than the relatively agricultural RB67. Walk into a camera club meeting with a Pentax 67 and you'll be treated like a God. Men will respect you, women will disrobe for you. The clouds will part for you. Your clothes will fit you. Nothing stands in your way, when you have a Pentax 67."
Women and Dreams: Mamiya RB67: Heavy Plasma