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07-07-2020, 08:13 AM - 2 Likes   #20971
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QuoteOriginally posted by mattdavis2412 Quote
Ah, it's difficult to pic up sarcasm whilst reading. No tone of voice or body language to pic up on! Thanks for the kind words on the pic, it's much appreciated.

Matt
Not that it should matter to you or anyone else, but your picture works for me 'as is' -- thanks for posting.

07-07-2020, 08:37 AM - 1 Like   #20972
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QuoteOriginally posted by mattdavis2412 Quote
Since when does art have rules that must be obeyed?
Welcome to the forum!

No rules here in the film section, other than the shots were taken with a film camera. Pretty simple, any film camera brand, any film type, any film format works. So post away!

Phil.
07-07-2020, 08:53 AM   #20973
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QuoteOriginally posted by richard0170 Quote
Film is flat. Focus with magnified live view. The problem is not the focusing, the problem's are inconsistent white balance which is often way off and not redeemable in post ( I might try putting a 80A warn up filter between the light source and slide to correct this) , blur on pictures I know to be super sharp (it is almost as if the camera lens de-focuses itself after pressing the shutter), I also sometimes get a ring of light around the outer thirds of the image on occasion. As I said the real problem is the inconsistency. The camera is tripod mounted and flat, as are the slides. I know that if both are not 100% flat that could account for the blur, but not the inconsistency. I use a remote and self timer to eliminate shake. I will try again using a different lens - a 50mm or 90mm macro to see if this cures the problems, if it does I will invest in a copy stand as trying to get slide and camera totally parallel is a PIA otherwise
Strange, my setup is basically quite similar. I use a 50m macro at F8, camera in AV mode, ISO 100. Light source is a Kaiser lightpad with 5000 K (camera set to this) and I dont have such issues. Oh, I use electronic shutter to prevent the mirror coming down and up again when taken the picture. This could introduce blur, I guess.
07-07-2020, 09:04 AM   #20974
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QuoteOriginally posted by dsmithhfx Quote
Not that it should matter to you or anyone else, but your picture works for me 'as is' -- thanks for posting.
Much appreciated

---------- Post added 07-07-20 at 09:05 AM ----------

QuoteOriginally posted by gofour3 Quote
Welcome to the forum!

No rules here in the film section, other than the shots were taken with a film camera. Pretty simple, any film camera brand, any film type, any film format works. So post away!

Phil.
Many thanks Phil!

07-07-2020, 09:16 AM - 9 Likes   #20975
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A shot from Ausewell Wood on my Spotmatic F with the 55mm f2 on HP5+ @1600.
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07-07-2020, 10:32 AM   #20976
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QuoteOriginally posted by dsmithhfx Quote
Which part of RULE of Thirds don't you understand?
The rule is a little like the Pirate Code...more like an advisory of sorts.


Steve
07-07-2020, 11:13 AM   #20977
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QuoteOriginally posted by stevebrot Quote
The rule is a little like the Pirate Code...more like an advisory of sorts.


Steve
Arghh!

07-07-2020, 11:31 AM - 7 Likes   #20978
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Minolta Maxxum XTsi
Maxxum AF 50/1.7 RS
Kodak Gold 200
Epson V500
07-07-2020, 01:35 PM - 3 Likes   #20979
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QuoteOriginally posted by stevebrot Quote
The rule is a little like the Pirate Code...more like an advisory of sorts.
As the Pirate Code says, (or should say),... "To err is human. To arr is Pirate"
07-08-2020, 03:45 AM - 6 Likes   #20980
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Tmax 400
07-08-2020, 07:29 AM - 4 Likes   #20981
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Kodak Gold 200 in low light

Two friends of mine on Gold 200, both at f2 15th. Pentax ME Super, M50mm f2.

It would be hard to get colour this rich on digital.
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07-08-2020, 12:01 PM - 12 Likes   #20982
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Pentax 67ii | Provia 100 (RDPII)
(ode to pirate's rule...)
07-08-2020, 01:03 PM - 1 Like   #20983
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QuoteOriginally posted by Eyewanders Quote


Pentax 67ii | Provia 100 (RDPII)
(ode to pirate's rule...)
Gorgeous!


Steve
07-08-2020, 08:07 PM - 5 Likes   #20984
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Bronica ETRS.
Zenzanon E 150mm f4.
Kodak Portra 160.

Last edited by g026r; 07-16-2020 at 07:26 PM.
07-08-2020, 09:03 PM - 9 Likes   #20985
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P67ii & 100/4 Macro, shooting E100:

Phil.
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