Originally posted by Lhorn I remember well rationing shots because film and developing seemed pricy at the time.
Huss, are you those home developed and scanned or do you take them somewhere?
I’m pretty chintzy with my 110 shooting (see above) so I’ve been mainly shooting cut down 35mm kentmere and between home developing (water spots on the negatives etc) and difficulty scanning, my results have not been near what yours have been. I ought to pick up some more Tiger. It’s pretty good stuff.
I get them developed at my local shop (I only develop 35mm and 120/220 B&W myself), then scan it with my digicam on a copystand, with the film held in a Lomo Digitiliza filmholder placed on top of an LED light pad ($20 on Amazon).
Then I convert the RAW images to positives using negativelabpro.com.
fyi Lomo 110 film has one weird flaw - the backing paper they use is too thin so often there will be light leaks through it resulting in small red orbs randomly appearing. A few times I have seen a general pinkish 'glow' in the center area of the image. I'm not sure why after literally all these years they haven't fixed it! You can tape up the back of the camera, but I like to see the exposure count.
It doesn't actually bother me as this is 110 film that I am having fun with, and the randomness of those orbs can be interesting.
---------- Post added 04-04-21 at 10:16 PM ----------
Rollei A110, Fukkatsu 400