The Press 800 is very nice, from what I've seen, at being non-embarrassing for a lot of conditions. Has a texture all its own that it best rolled with.
I can't say I really 'believe' in hyperfocal ranges as a substitute for getting focus, ..just a margin of error and a way to manipulate *how* fuzzy things are without actually getting focus. I suggest learning to do other than try and use it for 'set and forget.' Just be aware of it.
Speed is good. F8 is generally very good, if you can have it.
As a color film goes, try to see this as your palette, ...it has properties, moods, and responses, but the object isn't to make the film go away. It's to know it and produce an image *on* the film, *with* that film, not try to make it go away, as though the 'grain' is 'noise' and a badness to be corrected away. It's your canvas and paints.
(Of course, it's why I stopped doing colour film, unless someone needed it, cause they kept changing the stuff. Also, at the time, the world was kind of full of brightly-colored visual clutter, whatever the mood was supposed to be, there was aways a frickin' bright red Coke can you didn't see while shooting.
)
Actually, it kind of took coming to the South to remember how people used to just throw trash around. It was *everywhere.* Couldn't frame a shot without it, and I guess I was young enough to think I should try. Kind of thought that was long since over.
Put me off color, though, all the primary colors would show up stark and nasty in any subtlety you could find.
Guess you can Photoshop it out now, though.
You could even take that Fuji out when f2 or f4 is more comfy.
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