Originally posted by Nesster I love the GE-PR1 lightmeter...before I got my Soligor spotmeter, it was my main dedicated light meter unit. I now have it, the Soligor, and a Weston Master II, and of course my iPhone with multiple Lightmeter apps.
Originally posted by Paleo Pete Wonder why I never spotted this thread...
I started with SLR photography with a KX, when the film advance lever locked up I looked around and got a K 1000, so I could keep using the Tokina 70-210 lens I had bought, then had two 50mm lenses since it also had one. Later I went to a ME then ME Super, (and collected a couple more 50mm lenses) had 3 or 4 of those and a A3000 with the series A 50mm, and picked up a 28mm along the way too. The ME Super is the one I would use now if I wanted to do any 35mm stuff, and probably with the M42 adapter and Vivitar 200.
I haven't shot any 35mm in several years, developing is hard to find and film is almost nonexistent, so I stick with digital these days. But a friend and I have discussed it, we're seriously thinking about finding some film and doing one last 35mm day in the field before film disappears completely. Kodak stopped making film a couple of years ago, developing is fading away, I don't have the knowledge or supplies to do my own, my friend can but developed a chemical intolerance a few years ago, he'll get incredibly sick if he gets close enough to smell the chemicals, so within a couple of years overseas will be the only source for film and no place to develop it, so we're planning to do one more 35mm outing then hang up the film cameras. If we do I might take the Minolta too. (SRT 101) It's my only non Pentax camera other than a couple of digital point and shoots.
Lots of people went away from 35mm and never looked back, but film is still alive and well. Hasselblad, Mamiya, Leica, Fuji, Voightlander, Zeiss, Vivitar, Nikon and even Canon still make new film cameras, not to mention the Large Format camera makers still in business: Horseman, Linhof, Cambo, Chamonix, Walker, Wisner, Wista, Tachihara, Shen-hao, Toyo, and a few others. Then you look at the people still making film: Fuji, Ilford, Efke, Adox, Fomapan, Impossible, and of course Kodak (lots of people thought when Kodachrome was discontinued that Kodak was stopping film production for good. Quite the opposite: Film is the only real moneymaker in Kodak's inventory right now!)
The future looks good for Film. Brightest for Black and White, but still good for Color. Color Slide is teetering a little, which is a shame as I love transparencies, but hopefully Fuji's 2 remaining slide films, Velvia and Provia, last a long time, and maybe encourage new entries into the market.
As a way for Mom and Dad to take pictures of the kids at the beach, Film is all but gone. Only disposable cameras cater to the consumer snapshot market. But as that died out, more and more people coming into Photography as an art form are finding Film to be something like oil painting or charcoal drawing: a bespoke art form and medium unto itself. Film is no longer the only way to take pictures; it is now the purview of the discerning artist.
Film is Dead. Long Live Film!