Originally posted by Kiwi110Auto i actually work in a camera store here in NZ, and we stock the Lomo in 35, 110, and 120, and its great
First of all, I envy you.
Second, I have so far used Lomo's standard (no-funky-colour) 100, 400 and 800 ASA and found it performs as well as any other colour print film, and also their B&W Earl Grey and Lady Grey (both of which I've home-developed as if they were the T-max of the same speed, which I'm told they are, with OK results). I was thinking of trying some of their ultra-slow 6 ASA tungsten film, but I would need the mother of all tungsten-daylight converter filters (I think I have one, actually; must check) and it would probably bring it down to 3 or 2 or something even more horrible. That will be one for my S1a when it comes back from its CLA/refurb; calculate the Sunny 16 exposures and tape them to the back of the camera... (Let's see; f/16 at 1/4, say, is f/11 at 1/8; f/8 at 1/15; f/5.6 at 1/30; f/4 at 1/60; f/2.8 at 1/125, f/2.0 at 1/250. So... usable wide open on a bright sunny day. Now take another TWO stops off for the dense orange filter I will need, and we're talking f/2.0 at 1/60; on a sunny day, the 55/2.0 kit lens will only just work hand-held.)
Originally posted by elvinhaak I use this system to make it even easier:
My browser is telling me that your link is broken. This might or might not be my work firewall, but you may want to look into it anyway.