Hi Charles,
Originally posted by Charles Hueter Thanks for the compliments, Jack. And I tell ya I fear for my hands when I touch the steering wheel after I leave my car in a parking lot for more than 10 minutes...
My Super has now developed another problem: the meter isn't working. As in, nothing happens when I half-press the shutter. I tried two different sets of batteries to no avail. Even more annoying: the cheap Craigslist ME Super I found also won't meter! It's in better cosmetic shape than mine.
The film gawds are frowning on me. My Spotmatic's seals are wasted so I'm not going to mess with that. My roommate has a Spotmatic but I have no idea what condition it's in and either way I won't be able to use my FA 31 and FA 77 on it...
I can relate to the touching of the steering wheel -- from a week I spent in Las Vegas,
in August, and then driving to San Bernadino, CA with a quick stop in Barstow -- for
a beer (quickest downing of a beer in my life
) and to pick up a twelve (12) drinks for the balance of the drive
As for metering; again I had issues but my way of working around it was -- w/o batteries you still have a 1/125 shutter speed
.. so if you just use the "sunny 16
rule" along with 100 ASA speed film you should be fine ...and if you're not familiar
with it , here are few examples:
Way too much detail but a good read info down the road: Ultimate Exposure Computer Much easier to read and understand ....just don't delve into Charles Glazter's thingy: The Sunny f/16 rule - PhotoCamel - Your Friendly Photo Forum Short, sweet and to the point: Sunny 16 Rule
Hopefully, one of the three(3) above links might be useful in shooting with "meters
from hell" ME Supers
Quote: Thankfully my irritation is balanced out with the fun I'm having in the darkroom in class. Today was dodging and burning 101.
Now for "burning and dodging 101" ... you can rest assured there will be no "links"
..just a story of my first experience with burning and dodging ......actually most "dodging
... I was shooting freelance for the tabloid in Winnipeg, MB at the
time and was in the process of the taking a (B&W) darkroom course and just getting
familiar with souping film --- the newspapers photogs were getting annoyed with having to soup my film and then print my photos ...but I couldn't understand why
.............
So one of the photogs gave me a "crash course"
on souping film and printing >>>>> skip ahead about six(6) weeks >>> I come
back from a hockey game and have a cracking shot -- a guy being absolutely crunched in to boards
but the neg is a bit thin ... so if print it for "highlight detail" the players (important) are all in shadow and if print it for the "shadow detail -- players ..very important":ugh: the surroundings are all washed out
... so whats
a (not so young) budding PJ to do
... so I tell one of the photogs my dilemma ---- easy-peasy, he says -- just dodge the players and,BTW, crop the picture tighter
So, naturally, I ask "what's dodging and how do
I do it?" He, Rick, does one of these:
....
... and says "when you're
printing the picture you just put your hand over the section that is too dark for about 3 seconds (or so) for every 10 seconds (or so) of exposure
I say thanks and go back
to printing my "cracking shot" and do what he says ..... and blast the pic through the
soup, fix and wash ..... look at it
... turn on the light ...look at it again
and call Rick in to take a look at it ...cuz something so does't look
100% about the picture ...... Rick comes in and looks at the picture:
and says to me:
YOU IDIOT....YOU'RE SUPPOSED TO MOVE YOUR HAND ... Yep, there was a beautiful
hand outline on the print
.......but... the exposure on the players was great
And just for the record.. when he yelled at me ... he said a few "expletive deleted" words which purposely left out
Presumably, your "burning and dodging" class went better than my initial experience
Cheers and I apologise for the length of the story
Jack