Originally posted by 8540tomg At the risk of offending the K1000 Club this is a camera I just don’t get and never did.
When I bought my first film camera, an MX in 1982, I took a look at the K1000 and found it to be pretty Spartan even in that era. The shutter sounded really clunky as I recall and you couldn’t buy all the extra gadgets, drives, screens etc you could get for the MX. That sealed the deal for me and I haven’t regretted it. I later got a K2, which is the penultimate version of the K series line up. It had all that cool stuff: AE, faster x sync, +/- exposure comp. dial, mirror lock up etc that made it a far more appealing and expensive camera. The K2 is just a much better camera in every way and yet the K1000 commands a similar price on today’s used market. What is it you guys see in the K1000? It’s a mystery to me.
Tom G
Only downside with the K2 is that satan himself designed that ISO ring.
They're good cameras, but I much rather something of the M-series ilk. I love the faster meter and shutter speed display in the viewfinder. Unfortunately the manual buttons were designed by the same bloke/unholy demon that did the K2's ISO ring.
But for what it is...the K1000 deserves rightly to be a legend. Not many people care for its place in history, or are willing to admit it. I suppose that's because of where that place is - firmly at the bottom rung, happy down in the mud with all the other short poppies, having fun. It wasn't the camera that won Pulitzers, or got its photos on the cover of National Geographic or TIME, but it was the one who probably taught half of those photogs what the difference is between f8 at 1/500 and f16 at 1/125. It's not glamourous. Therein lies its charm.