Originally posted by stevebrot Why count the clicks? The MX has a full information viewfinder. Both aperture and shutter speeds are visible at all times, even if the battery is dead.
Having said that, I agree with Canada_Rockies. The KX (and K2 for that matter) have the leg up in regards to viewfinder information. You can tell at a glance where you are and where you want to be.
Steve
(BTW...I own the KX and considered the MX and K2...)
I love these 70's and 80's body debate threads!
My vote - sell them both and get a KX.
ALL these bodies are
excellent. The differentiating factors will always depend on the preferences of the user, who wants their strong points and will tolerate the weak points.
Aside from the LX there is no "Best" Pentax.
I had a really unmarked, near-perfect MX about 5 years ago that was just too fiddly for my larger hands - all the other good stuff wasn't enough to overcome that one negative.
I've had the same MESuper since 1984 but I didn't care properly for it in the 90's and it is becoming a challenge to keep running; I bought a replacement black one on a throw-away bid last month that I couldn't believe I won - have a Jon Goodman seals kit on my desk as I type. For just messing around or carrying a light, easy street camera I can't think of a better combination than an MESuper and 50/1.7.
I really prefer the larger, heavier bodies, especially since almost all my MF lenses are SMCP (K) and they just seem to fit the larger bodies better.
I have a K2DMD and just sold a silver K2 - both have functioning ASA rings - that I use when the Av and stepless shutter is desirable. I have used the word "sublime" when describing the sound of their Seikosha shutter.
I've had the same KX since 1977. Aside from the sentimental value, the absolute control over what hits the film plane - the pure entertainment value of a fully-mechanical camera - makes it my favorite. With a handheld meter, who needs batteries?
For in-camera meters I prefer match-needle metering over virtually every other form created - it is to me the most intuitive and responsive.
What most appeals to me, though, about the Spotmatics and K-series bodies (and the Takumars, K lenses and Canon F's) is they represent the pinnacle of glass, brass and aluminum, mechanical over-engineering and precise, (mostly) hand assembly. As long as there is an Eric and some parts cameras around they, and especially the KX, can be used virtually forever and they were designed and built with that in mind.
I don't see my K10D still sending electrons to an SD card in 2045.