Anyone in the Phoenix AZ area with a liking for photography in general, or seeing some Pentax 645D prints in particular
, is invited to attend a free public exhibit running from Oct. 30 - Nov. 10, 2012. This year, along with 3 other collaborating photographers, I did an exchange project that took us all to locations around Arizona and Alberta. The 2 of us Albertans are showing work we made in Arizona, while the 2 Arizonans are showing work from Alberta. The show will contain 80 prints in total, 20 from each of us.
All of my work was done on my 645D, much of it while I was fighting with the camera's dying shutter. (Described elsewhere.) I used a limited set of lenses, trying to keep my traveling kit as light as possible. In the end, the exhibit prints are almost all from images shot with the FA 45-85mm or the FA 150-300mm, with perhaps 1 or 2 with the FA 35mm. Quite a few of the images were really pushing against type for what the 645D was designed for -- hand-held, available darkness situations with the ISO cranked to 1600. Slow shutter speeds / wide apertures for creative blurring and/or shallow depth of field. Or sometimes action & street-shooting situations where the slower performance of the camera added a certain quality of guesswork to what I might get out of the setup.
Naturally, I also did some tripod mounted golden hour grand vistas... it was Arizona, after all.
Through everything, even despite the failing shutter, I found very few situations where I could not do my work with the 645D and super minimal kit. Though sometimes I had to bend my intentions to fit within the constraints of the system. My Alberta team mate was shooting a Nikon D800, and the Arizonans were on Canons. But I say -- cutting edge 35mm über-cams be damned!
If there are any printing fans here, I'll note that I've done my entire set as warm-toned B&W conversions. (I do a bunch of digital darkroom work too.) The prints are done for me by a really excellent Calgary-based printer (Costas Costoulas at Resolve Photo) using a large format Epson converted to the Jon Cone K7 neutral carbon inkset. The paper is Hahnemuhle Bamboo, a warmish heavy smooth matte stock. I really love this combination! Phenomenal detail, beautiful rendition of tones all the way from deep & heavy blacks to subtly detailed highlights. I can't stand the thought of printing my B&W work with anything but the K7 carbon system now... unless it will be Cone's new K6 MPS system that can do carbon on both matte and glossy stock. Print sizes are modest, since we're limited by framing size anyway; most are 12 x 15 (I frequently crop to a 4x5 aspect ratio) matted up to fit the frames. At that print size I'm actually down-sampling the cropped 645D files.
As I said, the exhibit will run from Oct. 30 - Nov. 10. It's at the Art Intersection Gallery in Gilbert, AZ. The 4 of us photographers will be at a reception the evening of Nov. 7. More info can be found on my blog:
Arizona / Alberta Photography Exchange 2012 Launch Events
And here's a teaser image from my set...
Last edited by Royce Howland; 10-11-2012 at 01:37 PM.