Originally posted by kenyee But does 3.5 gives you that much less DOF compared to the current one? I didn't see much w/ the Tokina 11-16/2.8 either...a bit but not as much as I thought I'd see at 2.8 because it's so wide...
I didn't buy my f/2.8 ultrawide glass for creative selective focus (and if you did, you're an idiot). I bought it so I could shoot hand-held at midnight, and keep it under ISO400.
Wide, fast glass is the easiest to shoot on in poor lighting conditions. And constant aperture is important to a lot of people (me included).
Having said that, unless this lens is at least slightly better optically than the tokina 11-16/2.8, it's going to die a quick death. That Tokina glass is phenomenal, and it's going to be tough to beat -- especially if you're only producing an f/3.5 lens.
Though it does have a bit of extra reach on both ends, that I can appreciate.
Makes me want to sell my useless (but good performing) Tammy 17-50/2.8