Originally posted by Igilligan WOW.... Ok now I have to know, I was gonna ask in the other thread "long slow glass" but I did not. But this is such a great moon shot that i must know. How much did it all cost? everything but the camera?
The bird shots were great. but with this one I know how hard it is to get detail like this on a near full moon.
Very nice.
-gus-
Hi Gus,
Thanks for the kind words! There are many options for telescopes, but I purchased
this one here. The guys at Highpoint are very knowledgeable about their telescopes and their showroom is close enough for me to visit and try many things out before I purchase them. No one seems to discount Televue stuff, even B&H, but they carry Televue as well. I'm also using the 2xPowermate teleconverter (~300USD) , plus a couple of adapters (2" extension tube, plus a T-ring->K-mount. And of course a stable tripod and 22lbs rated 3-way tripod head. My scope plus camera is about 10-13lbs. Fortunately, I got my TV-76 used, so I didn't pay the list price, nearly a 1/3rd off from brand new. I'm also hoping that the old adage of good glass being "forever" is true, and it'll hold some resale value if I decide to upgrade it or stop shooting like this. But the build of this scope is amazing, and it's the kind of device I can see myself enjoying for a long time.
Originally posted by m8o Hope you don't mind; I could
not help myself (really, I tried!). I used this fabulous shot of yours as a starting point.
I'm using an old PSP v7 here @ work, so very handicapped. I just Split to HSL, cranked Saturation up in brightness and contrast, then re-combined the image. This is what I got.
It should be noted that I did not touch Hue or Lightness before re-combining the split levels... I reduced brightness a touch after, and increased contrast even less.
That yellow cast is there to begin with. Proof Positive IMO that the Moon is indeed made [mostly] of Cheese!
(ignoring that the lens could have anything to do with the cast...
)
Cool! I hadn't thought of doing anything like that... Now I've got to play. I've split to RGB before, but never HSL. I will definitely need to experiment. Any ideas where those reds or blues come from? How did you know to do this? I would never have guessed that the yellow cast was there, but it sure is obvious just by cranking the saturation. Maybe I'll try to white balance on one of the areas that don't have the red/blue tints first, then use your saturation technique. I might need to ask you some more questions about this technique described above, but you asked for it by not resisting...
Maybe it's my "beautiful" New Jersey sky that's adding those yellows...
Originally posted by pentagor It is already night here. And the full moon is glowing:
Cool, thanks for posting it. I didn't get to see it tonight, because it was overcast here all evening.
-Chris