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Showing results 1 to 25 of 142 Search: Liked Posts
Forum: Canon, Nikon, Sony, and Other Camera Brands 1 Day Ago  
Nikon zed f
Posted By LeeRunge
Replies: 197
Views: 7,455
Well this camera is officially the best of any that I’ve ever owned to date. I really really like this ZF.

The Autofocus.

AF is on another level from anything I’ve ever owned before. Subject detection works really well, it identified and tracked very quickly a Golden Eagle and a Pronghorn the other day while I was out exploring around Utah. Every single shot on the eagle was in focus and full screen AF worked fantastic. When the AF recognizes a subject the box changes to let you know it’s using subject detection then it will eye AF from there. Very impressive. The EVF had no blackout issues which I experienced with the Z5. It’s very much inline with shooting a DSLR at high frame rate with the mirror.

I really like the “hybrid” style use of the shutter half press being Auto Area Full (subject detect in Auto) for general use and the back AE/AL button set to 3D Tracking. You can also use this as just a center dot for focus/recompose by locking and recomposing. I have the crosshair enabled in the center in the EVF so it’s very easy to use this way. I’ve not needed to change the AF to any other setting with this configuration.

Menu’s have not been an issue. They’re extensive as you have a quite long list of options for customization in this camera but it’s not really much different than the Z5 I had before. Nikon just gives you a lot of options to get it set up for you. Once things are set and you have the “i” button items to your needs along with the different programmable buttons you really don’t go into menu’s much at all.

Auto ISO.

This one has so many different ways to set up. And you’ll see a lot of flack on youtube reviews but I don’t think they tried much to understand the different ways you can configure it. For M I leave auto ISO on and ISO set to 200 max. This makes the ISO wheel on top basically a max ISO range adjustment. The camera then will always prioritize the lowest ISO it can use. I prefer it like this rather than the A on a Fuji. It works this way in M and S modes. In A and P the wheel will be the “minimum” ISO setting so beware as you may want to configure it differently if you use those modes often. You can of course set it up like a DSLR with a button and use the finger wheels to adjust as well but you’re wasting a control dial that way.

The dials and the grip.

I personally love it. But if you are thinking of buying this camera for the Expeed 7 features and want a traditional DSLR PASM experience just stop here and wait for the Z6iii. The controls and ergonomics will probably irritate you and you’ll long for that camera when it’s out because it’s what you wanted in the first place. Be patient.

Now if you prefer dials, this camera is so nice. I do since I learned on SLR and I just like a dial with a setting on it, I can input and see exactly what I want on the top of the camera. No looking into the EVF for settings, no looking on the back LCD. It’s just right there on the top where I want it. Of course an LCD can provide this as well and that would be my second choice. It would be cool to have a couple little red “moonlight” LED’s in the EVF housing that gently lit the top of the ISO and Shutter dial and one in the LCD for aperture in an ideal fantasy world.

The PASM setup.

I would say it works just as well as. DSLR with the finger wheels if you like to shoot this way. The finger dials will not be as optimally placed as a grip frame DSLR or mirrorless though so if you are at all bothered by them not being “perfect” then wait for Z6iii. Otherwise they work fine and M/A/S/P modes can be used without the top dials like any other camera if that’s how you like to operate. Once again though, just wait. You’re buying a camera with top wheels to not use them in this case which makes no sense. Now if you want both and the option to use it either way depending on the mood…….get the Zf and have a blast.

The rest.

The sensor is fantastic, awesome color, one of the best out there for high ISO. It’s 25mp. If you must have 45+ then there are other cameras out there. I personally like 25, lower file sizes and way less money on backup drives and cloud storage. You can’t crop as much but I don’t shoot that way.

Expeed 7 is snappy, menu’s are fast. Touchscreen works pretty much everywhere and you can type in things with a virtual keyboard. No Nintendo up/down left right BA start shenanigans that takes forever. Startup is super fast.

Battery’s last a long time in normal use. I have a spare but have not used it yet. It’s at about half on 400-500 shots into the day.
Forum: Flashes, Lighting, and Studio 02-07-2024, 11:08 PM  
Godox trigger, TT350 and a slide copier -- bad sync?
Posted By UncleVanya
Replies: 9
Views: 557
Forum: Flashes, Lighting, and Studio 02-08-2024, 03:55 PM  
Godox trigger, TT350 and a slide copier -- bad sync?
Posted By Lord Lucan
Replies: 9
Views: 557
Indeed, if you are copying slides with a digital camera you don't have to use TTL. Using a properly exposed slide, get the exposure right by trial and error with chimping, and then you don't need to adjust it again because all your remaining slides are also correctly exposed already - No? Therefore you can use a simple PC flash sync lead like this unbranded one from Flashzebra.

My own slide copying setup is also shown below, although it does not use that exact lead but is an assembly of separate components. As an example, my slide copier has a fixed aperture (of around F11 I think) and I use the flash unit at a distance of about 50cm set at Guide Number 8 metres; I adjust the camera ISO for best exposure, typically ISO 400.



Forum: Canon, Nikon, Sony, and Other Camera Brands 12-08-2023, 06:09 PM  
Justine & Brennen
Posted By BruceBanner
Replies: 8
Views: 629
I dunno how interesting this is to people, but I did a little photobook video of a recent wedding;
















Youtu.be




Gear used;
XH2S
XS20
50-140/2.8
18-35/1.8
40/0.85
Forum: Canon, Nikon, Sony, and Other Camera Brands 11-22-2023, 01:58 PM  
Nikon zed f
Posted By melmoraitis
Replies: 197
Views: 7,455
Hey everyone. I bought the Nikon ZF. I own the Nikon F3 film camera (also Minolta SRT 101, Minolta 7000) and absolutely love it. I own many cameras and while I'm downsizing to help pay for the New ZF, I also own Fuji xt3, xh2 and Xpro3. Also own full frame DSLRs Pentax K1 ii, Sony a580, a77 and a99.

The reason I bought the Nikon ZF is because of my love for traditional film camera and their aesthetics. I also wanted a full frame camera that had a bit better DR, better autofocus and eye detection. Buying into the Nikon Eco system as a new person without already owning many Nikon lenses was a non issue. So I decided to start selling my fuji gear to help pay it off. No regrets. This camera is beastly, fast, responsive and no wait time. Looking through the viewfinder is a revelation and definitely beats looking through the fuji. The imagery is tack sharp even using the 24-70 f/4 s lens. I was actually quite shocked at how good the images did look. The only camera I'm not selling is my Pentax K1-ii which I feel needs no explanation. heh. :)

Of course I have only been taking pictures around the house due to the weather being cloudy, rainy and cold. Hoping to get downtown soon to take advantage of all the Christmas decor and shops, it gets dark so early and I think it should provide some interesting outcomes. I thought I might regret getting it and having to return it and even had lots of anxiety regarding buyers remorse. heh. There was a lot of reviews saying that they didn't find it intuitive and for me personally, that was a non issue. In fact I had less trouble figuring the ZF out then when I switched to the fuji eco system. Everything just seemed to click quiet easily and had little to no trouble getting my menu settings set up...although I most likely will go in and tweak the more I use it.

So here is what I love about it so far: The picture quality, being full-frame, the dynamic range which I think is 14.5 and better than my fuji's by at least a stop. The retro looks...very slick...gorgeous in fact, the weight...doesn't feel like cheap plastic, ease of use, weather sealing, very responsive...instant turn on, no waiting times on buffering so far, viewfinder...so bright, amazing focusing....I mean even with manual lenses. I don't care about video, so flipping the screen around so it resembles more of a film camera look/feel is a bonus for me. The 8 stops ibis, and it DOES amazingly well....like better than any camera I've owned. So yea...so far, very happy. Oh and the b/w setting...brilliant. The "Monochrome" setting is perfect and I could see myself using this often. The Nikon comes with lots of fuji like settings from portrait, landscape, dreamy, graphite and so on and what's even more interesting is in the menu settings where you can customize even more (that I haven't seen many YouTubers talking about) is things like contrast, saturation, clarity, highlights and so forth and then the ability to save that custom setting. I really look forward to playing with this and I wouldn't be shocked if in the future you see people releasing ZF recipes.

What I'm not crazy about (but not deal breakers) - It's true, without the grip the handling of this camera is just awful. I have large hands with long fingers for a woman and I couldn't keep it balanced using the kit 24-70 f/4 s lens. My finger kept hitting the front bottom function button constantly and my fingers started hurting fairly quick. So having to buy a grip for it was annoying, With the grip from Small-Rig it is much better but I still feel it could be deeper. May see what else they come out with in the future. The micro SD card is strange, but actually I don't mind as long as I keep it as back-up only. Having to remove the battery to put it in or take out is a bit of a head scratcher, and someone with large fingers may find the SD card not the easiest either. There have been complaints about not having enough buttons to customize. Not a biggie for me as I'm treating this more in the traditional sense and nothing is hard to get to through the existing function buttons or menu. I'm sure there will be something else I have a nit about...but till then that's about it.

All this is simply my opinion. I'm new to the Nikon eco system except for my Nikon F3. Anything I feel relevant to share as I get to know the camera and use it more will be reported here. I was going to buy the 40mm f/2 s retro but it's all plastic including the mount and I'm just wary of that even if the glass is good.

Sorry for the long post. Happy Thanksgiving to those that celebrate and have a great week to those that don't. All the best,

Mel
Forum: Canon, Nikon, Sony, and Other Camera Brands 11-06-2023, 01:57 PM  
Nikon zed f
Posted By surfar
Replies: 197
Views: 7,455
:)















Youtu.be



Forum: Canon, Nikon, Sony, and Other Camera Brands 09-23-2023, 04:06 AM  
Nikon zed f
Posted By IsaacReaves
Replies: 197
Views: 7,455
You know ... the more I look at these colors the more fun I think they are. Just look at 'em. Starting from the front we've got ...




- Riot Gear Noir: obviously this is the most durable finish and will be best suited for protecting yourself from zombies, Parisian rioters, and traffic stops in America. To be hung from one's neck over the heart at all times, Riot Gear Noir also features protection from ballistics - perfect for today's dangerous streets or in your microcar after being late to pick up your future Italian mother-in-law, and surviving those deep night exploits at ill-chosen URBEX destinations by your love's youngest brother who insists that you're family now after asking you to look after a package for a few days. As a bonus, you have an instant passport to the International parts of Texas if you can source a weapon of some kind with a matching texture.

- Swiss Banker Grey: the perfect choice for refining those afternoon-sun compositions from your 3rd story office window overlooking Lac de Lucerne just before short meetings with panicking clients, or on those slow days when you need to take a moment to impress Beatrise, the new intern observing you in contemptuous stony silence. On the way home, do take a moment to slip out of your Porsche Cayenne Turbo, en grisé also, of course, to snap those verdant mountain valleys with the biggest Z mount zoom available, and then scoot on back to use those 8 stops of VR to take evening shots of your all-new stainless steel kitchen vunderland to submit for a spread in next month's L’Architecture d’Aujourd’hu. Friends, I'm telling you right now, don't sleep on the grey because this color can do it all!

- Bordeaux Rouge: queue the accordéon because, as we've already established, this is certainly the color I will take. Upon arrival I will promptly start referring to my camera by its new name, MAGNUM, which will imbue me with the confidence I so desperately need in my late-middle age years to learn how to flirt with my spouse again. Genuine Bordeaux being a luxury of the past after using our life savings to purchase this engineering marvel, I promise that only the finest 3 euro Cahors will be spilt across its rich patina, sent flying off the table, landing softly with cinematic perfection on the linoleum whilst filming in 4K, and flung without worry due to its indestructible Nikon reputation before embracing my loving wife in explosive fits of passion after having shared the most beautiful macro shots of bugs and flowers from the lush green thickets found right here near our home in Overdose Valley.

- Apéro Orange: sure to be a hit with the young urban female demographic that Nikon promised investors they'll undoubtedly reach this time, and just like the flourish of Charlotte Gainsbourg's fashionably out-of-control dress on the Red Carpet at the celebrity and Royalty stocked Versailles dinner party last week, Apéro Orange will take your photography and your life to new heights and easily forgotten lows incurred by petits lapses in good judgement, all fueled by the paparazzi worthy aesthetics of your new kit and a fresh matching outfit. You will be the talk of the town at nighttime decadent rooftop bars adorned with billowing tablecloths and clinking champagne filled crystal flutes that create perfectly vignetted shots when used as a lens to frame up the Eiffel tower, then you'll spend your days rubbing elbows with Peter Turnley at Café de Flore to jot down quips of priceless advice for snapping endless streams of chic B&W and impossibly microcontrast heavy shots of beautiful and fashionable strangers. Rolling in the money you saved from the no-hopes possibility of ever owning your own flat, you'll soon find yourself headed for the beautiful Côte d'Azur with a new mission to deftly chase, capture, and preserve all of life's scrumptious highlights as you can, sliding across the wet retina destroying sun bleached decks of probably-not-oligarch owned yachts taking concerning amounts of time to find a slip assignment in exotic ports of call, tens of kilometers away from the safety of either a TGV station back home or the false comfort of perennially unconcerned Mediterranean police, too busy ignoring growing stacks of reports between aromatic slices of saucisson and the occasional shouting on the phone at callers to re-dial the 15 if they want to reach the SAMU for a medical emergency.

*sips on a Nespresso* next up!

- Birken-Rave Brown: built to withstand the harshest conditions of storm drenched and secondary-high drug laced fields, you won't remember Frauke but she will certainly have remembered the way she felt while you took those photographs you're now reviewing days later with one eye closed, still finding new bits of grit behind the finish and wondering about the frightening rash and bruising that mysteriously appeared just on your hips. For years you will be doomed to suffer the kind of sadness that only old ravers can know, haunted by jagged bobbed haircuts bouncing in the laser lit chaos, piercing visions of blue eyes and ripped neon leotards in wee hours of the night, and the whispers of fever dream promises of dark Berlin clubs that never. shut. down. Like so many splinters in your mind you won't be able to shake those lurid visions, the stench of humid tents, or decode the blurry modular-synth fueled JPEGS that look like a disjointed Hieronymus Bosch panorama juxtaposed against the tawdriest of amateur boudoir galleries. A decade later just remind yourself: you chose this path, and yes - she's still out there. Probably working full-time now in finance, and still heartbroken that you lost her email address while she robotically makes diaper changes on the children she's a mother to now, married off to her 2nd cousin's least-best friend that she met at a wedding. "If only he'd look at me like that Nikon guy did on my big holiday trip back in the day." You putz.

Vert von Greta: whether documenting the horrors of intensive grasshopper farming or video recording your comrades being dragged away from a rush hour traffic circle by angered commuters, the deepest of earth tone greens is here to align your outrage chakras and prepare you for the very serious work of avoiding permanent employment. Able to mask the occasional drop into the olive bar on those secret escapades with a trust fund lover, Vert von Greta is your unflinching companion while fighting back the Gaia oppressors in their death machines, recording the hushed accounts of crimes committed against the earth, and kicking off your new media-blog on Substack while trying to keep rent paid by taking product photos of hand knit babywear from your auntie Ellanore's side-hustle on Etsy. On the plus side, you will develop a mastery of the new Pixel Shift modes that no one else could possibly hope to top, skills that will eventually be incalculably precious when you go on to crack the next Monsanto.

Politburo Bleu: last but not least, we have the choice for hard working bureaucrats, autocrats, and technocrats everywhere from Seville to Stockholm. This camera blends in just as effortlessly with 18th century mahogony and your mistress' pearls as it does pretending to step out for a run to instead disappear for afternoon street photography sessions, punctuated by your normal stop-off at the sidewalk cafe to leverage the retro shutter release cable to snap close-ups of your subjects while the camera hides underneath a newspaper filled with heart crushing headlines and desperately needed insights into a range of topics and matters that you just can't be bothered with right now. Steeling yourself for an evening on talk television filled with merciless attacks by political opponents wearing round glasses and spitting what might turn-out to be facts, take the opportunity to first steal away behind the scenes for a few selfies with the producers, the guests, and the hosts, and be comforted by the security and peace-of-mind that the Zf's flippy screen and manual controls are there to keep your hands focused on not making tomorrow's headlines. Don't worry because you got this. Besides, holidays are always around the corner.

~ to Nikonistas with love, la fin~
Forum: Canon, Nikon, Sony, and Other Camera Brands 09-22-2023, 01:55 PM  
Nikon zed f
Posted By IsaacReaves
Replies: 197
Views: 7,455
Appareil photo hybride plein format Nikon Z f | Nikon

They barely mention video on the french product page. I had to dig for it - h.265 @ 10 bits is all it says. Nothing special, really.

I don't believe anyone is buying a small retro body to do video when so many good hybrids are on the market. Whatever is there is more/less a gimme.

---------- Post added 09-22-23 at 10:58 PM ----------



Hey, now - I'll have you know that color is bordeaux :lol:
Forum: Canon, Nikon, Sony, and Other Camera Brands 09-19-2023, 10:43 PM  
Nikon zed f
Posted By surfar
Replies: 197
Views: 7,455
:lol:
















Youtu.be



Forum: Canon, Nikon, Sony, and Other Camera Brands 08-26-2023, 01:45 AM  
Another morning of illicit fun...
Posted By BigMackCam
Replies: 36
Views: 2,848
Thanks for the nice responses and related thoughts, folks :)



I'm fairly confident I'll end up with a K-3III too at some point... probably not for a couple of years, but maybe around then. My K-3 and K-3II won't last forever, much as I'd like them to, and I'll need a body for my favourite K-mount glass. Honestly, the complexity of AF settings and lack of official Ricoh documentation on how to use them bothers me a bit... so, too, some reports of AF inconsistency with certain lenses... but by the time I get round to buying one, I'm sure it'll be as good as can be (indeed, it may be already due to firmware updates)...



Understood. If you don't "click" with a camera, it really doesn't matter how capable it is.

I think I'm over the hump with Sony menus... I had to get used to them in my A-mount Hasselblad HV because it has sentimental value to me, so it wasn't and isn't going anywhere. Then, I bought the A7II for use with adapted vintage lenses, and as a backup for the HV... So, over time, I've got used to the quirkiness of the menus and they don't really bother me any more. The A7R MkV is a definite improvement in this regard, but I can absolutely see how it would still frustrate a lot of folks.



One thing that became apparent to me while trying the mid-to-high-end bodies at WEX is that you have to pay a lot for build quality that's equal to so-called "flagship" Pentax bodies. I've been mucking about with my K-3 this morning, and it's so darned solid - plus, the control knobs, wheels and buttons feel really sturdy. That's not the case with numerous mid-range mirrorless cameras, and even some of the high-end models from certain brands aren't entirely confidence-inspiring where the controls are concerned...



Absolutely. AF, for me, is the biggest advantage of recent mirrorless cameras... both accuracy and speed, as well as the convenience of not worrying about AF fine tuning for each lens.



I actually enjoy both optical and electronic viewfinders, and I'm fortunate that I don't get eye-strain or headaches from EVFs like some folks do. I really like being able to have an overlayed histogram in the EVF on occasion, and I find them preferable for manual focus work. There are definite advantages to them, but also disadvantages, and I guess it comes down to personal preference as to which is "better". The reason I made such a point of it is that on numerous occasions in the past, some members here have told me that if I tried the latest EVFs I'd realise they're virtually indistinguishable from an optical view. The last time, I think, was several years ago, and EVFs have come a long way since - but having tried them on the latest flagship bodies in 2023, I couldn't disagree more. They're very, very different - not necessarily bad or worse than OVFs, depending on your preferences - but different.



Indeed... You don't have to spend ($ / £ / €) 10k to get a really excellent mirrorless camera and a few wisely-chosen lenses, and if you sell your existing kit as you did (and most would), it needn't be a prohibitively expensive switch. It's interesting, though - yet perhaps not entirely surprising - that the cameras I felt had the best build quality... those that felt best in my hands... were around the GBP £4K mark and above. When I consider how little I spent on my K-3 and K-3II by comparison, I realise all over again what great deals they were for such beautifully-built cameras... but of course that was years ago; everything's more expensive these days :o Still, the K-1II and K-3III manage to deliver that same build quality for well under £2K, which I think is quite frankly amazing.



Spot on - I agree wholeheatedly... and in fairness to all the brands, I think I could be very happy with any of them... even their lower-end cameras are incredibly capable tools, and they all have some great glass too. I might drive myself insane learning to navigate the complxities of a new camera, though :lol:
Forum: Canon, Nikon, Sony, and Other Camera Brands 08-24-2023, 12:13 PM  
Another morning of illicit fun...
Posted By BigMackCam
Replies: 36
Views: 2,848
Today, I visited Wex Photo in South Gosforth, Newcastle-upon-Tyne for its annual promotional event. I wasn't looking to buy anything and knew Ricoh Imaging wouldn't be represented, but thought it would be a good opportunity to handle and try various other-brand cameras and lenses. I quietly slipped out of the door this morning without waking up my Pentax gear which was still asleep in the cupboard :o :lol:

Compared to my visit to the WEX 25th Anniversary event last year - which was essentially the same thing - the traffic for my 17 mile journery there was much kinder to me this time, so I was already in a good mood. Then, within two minutes of entering the store, a sales assistant told me she was making hot drinks and asked if I'd like a cup of tea! Five minutes later I had a steaming brew of strong builders' tea in my hands, and a little packet of those delicious shortcake cookies you only ever seem to find in better hotels (these had bits of butterscotch in them - yummy) :D A small but kind gesture, and along with the easy journey, it increased my enjoyment of the event. Often, it's the little things that make a big difference, isn't it?

As I already mentioned, Ricoh Imaging wasn't in attendance - no surprise there, but I was surprised that OM System didn't attend on this occasion (I had a great time trying out their gear last year, and was really impressed). Those who did included Nikon, Canon, Sony, Panasonic, FujiFilm, Sigma, Samyang and a couple of accessory and lighting manufacturers, all with a full range of gear for potential customers to try, and Wex was offering discounts of 10 - 15% on most models.

I briefly tried most of the mid-range and upper-range bodies from each of the manufacturers except Sigma, in all cases with native OEM lenses. My main interest this time was in the quality of the electronic viewfinders, and autofocus performance.

As noted from my previous visit, build quality is very good from every manufacturer relative to price, though I particularly liked the solid feel of Sony and Nikon's offerings. One differentiator was the control knobs, wheels and buttons, with Sony, Nikon and Canon having a particularly robust feel to them in this respect.

As far as EVFs are concerned, things have come a long way. The resolution, lag and refresh rate are unbelievably good compared to my "old" Sony A7 MkII and A99-based Hasselblad HV, and being able to shoot without viewfinder blackout makes a huge difference.

What really impressed me, though, was autofocus performance - especially with Sony and Canon, where initial focus acquisition with the native lenses seemed utterly instantaneous in all AF modes and AF-point configurations, even when moving between distant and close-range subjects... really quite remarkable. Nikon's autofocus was amazing too, though it did feel like Sony and Canon had the slight edge here. AF.C and tracking of human subjects at short range (the only thing I could really try) appeared to be superb from all three, though of course I couldn't review the images on a large display to confirm accuracy and hit rate.

Perhaps unsurprisingly, the cameras I was most impressed with - Sony's A7R MkV and Nikon's Z8 - are high-end enthusiast / semi-pro models with a UK retail price tag of almost GBP £4,000 in both cases. Add in the cost of a native 24-70 f/2.8, 70-200 f/2.8 and a couple of nice fast prime lenses, extra OEM batteries and charger, plus an extended warranty on the camera and lenses (because Lord help you if any of that incredible tech should fail :o). and you're looking at an investment of well over GBP £10,000 - and that's before LBA sets in :lol:

Of all the cameras I tried, the one I found most appealing - the one that felt nicest in use to me - was the A7R MkV. From the short time I spent playing around, it seems like a truly amazing piece of kit. Build quality is just gorgeous, it feels wonderful in my biggish hands whilst still being compact, the EVF (as EVFs go) is excellent, AF acquisition and tracking are simply mind-blowing, and performance - considering the 61MP sensor - is truly impressive. It's a fast camera. Again, though, I'd stress that every manufacturer's offerings were nice.

I have a couple of closing thoughts I want to share...

Firstly - and I say this with sincere respect for those who prefer mirrorless cameras - whilst EVFs have evolved to offer outstanding clarity and performance, they still look and feel absolutely and unequivocally electronic. Despite the dynamic range now on offer and accurate colour profiling, it still feels like I'm looking at the world on a (really good) TV screen, and the subtlety of detail in a scene or subject - especially at the lower end of the tonal range - just isn't there like it is when viewing the world through high quality glass. In practical terms, I'm not sure that presents many difficulties - but for me, it's a far less enjoyable view of the stuff I want to photograph.

Secondly, the capabilities and performance of cameras (and lenses, where AF is concerned) have come an awfully long way since my K-3, K-3II, Hasselblad HV and Sony A7 MkII. AF speed of the new cameras - even Panasonic and FujiFilm - makes my existing gear feel positively pre-historic, especially when I think of my favourite screw-drive lenses whirring back and forth... BUT, my, how complicated all these new cameras have become :o I'm sure familiarity and regular shooting would make them somewhat easier to use in time, but navigating round all the menus and buttons to find the functions I wanted felt like a chore, and the number of options and adjustments for all these different functions was intimidating.

So, it's official - my gear is now properly outdated, and even I can tell that's the case... yet I didn't come away from the event feeling like I want to "upgrade" or switch. I'm sure there are folks who can and will utilise all the whizz bang features and performance on these latest cameras, but I'd never touch a lot of that stuff and I feel that - for me, at least - it gets in the way. At the very least, I'd be paying for an awful lot of functionality I'll never use. That's just me - I understand why others will differ, and for them the technology currently on offer is truly astounding, especially if they can become fluent enough in its operation that it doesn't take up too much of their time (in fairness, I feel even our own Pentax K-3III suffers a little from this where AF is concerned, for example). In a way, I feel like I'm shooting the last generation(s) of digital camera that are still relatively "simple" (at least in comparison to the latest models), and that's absolutely fine with me. I'm very familiar and fluent with all my gear, it suits my comparitively modest requirements well enough, and coupled with a bit of technique I don't find it lacking. It's not that I'm incapable of learning and understanding all the new tech - I just find that my desire to do so is waning rapidly, and I'm really not sure I'd benefit that much :o

With all that said, if I should find myself in a situation where GBP £10k+ is burning a hole in my pocket and I've no incoming bills on which to spend it, I'd like a Sony A7R MkV and a brace of lenses, please! :D Actually, make that two A7R MkVs, as I like to have a backup :lol:

EDIT: When I got back from the event, I quietly checked the cupboard and my Pentax gear was still sleeping and blissfully unaware :o Breathing a sigh of relief, I realised it's good to be home where I belong... and then I put the kettle on for another cup of tea :D
Forum: Canon, Nikon, Sony, and Other Camera Brands 08-06-2023, 03:32 AM  
Nikon Z8 hands-on experience
Posted By Rondec
Replies: 36
Views: 2,687
I think the thing is that the FA limiteds have "character." They have aberrations and aren't the sharpest lenses wide open, but they give interesting results and some photographers like that. The DFA *50 and 85 are big, well corrected lenses that are tack sharp wide open. I own both of them (actually I own two copies of the DFA *50), but they are very different lenses from the FA limiteds and I don't think someone who is looking for the character (pixie dust?) of the FA limiteds would actually be satisfied with either the DFA * lenses or the Z f1.8 primes. It isn't about build it is about out of focus rendering and micro contrast and colors -- the sorts of things that review sites seldom pay much attention to since they can't quantify them.
Forum: Canon, Nikon, Sony, and Other Camera Brands 08-03-2023, 10:53 AM  
Poll: What alternate camera are you shooting with beside Pentax and why?
Posted By Dartmoor Dave
Replies: 97
Views: 3,600
Apart from my beloved Pentax CCD and film cameras I use a Panasonic Lumix TZ70, because it's the size of a pack of cards and it's always with me, and it does things that a smartphone can't do. It gives me the full frame equivalent of 24-720mm with full manual control, and it's a heck of a lot smaller and lighter than my "serious" gear.

2022 (7) by David Holland, on Flickr

2022 (17) by David Holland, on Flickr

2022 (23) by David Holland, on Flickr

2022 (25) by David Holland, on Flickr
Forum: Canon, Nikon, Sony, and Other Camera Brands 08-06-2023, 02:31 AM  
Poll: What alternate camera are you shooting with beside Pentax and why?
Posted By BigMackCam
Replies: 97
Views: 3,600
That's a very thoughtful, balanced and considered post. The Z6II sounds like a compelling choice for your preferences...
Forum: Canon, Nikon, Sony, and Other Camera Brands 06-02-2023, 10:50 PM  
Nikon Z8 hands-on experience
Posted By biz-engineer
Replies: 36
Views: 2,687
As Nikon recently started shipping their latest camera model, the Z8, they organized touch & try session at various points of sale.
I received an invitation email from Nikon to have a tutorial and try the camera for a few hours , kind of sales workshop with Nikon staff and also have coffee, which was really nice.
It was free, so I decided to join and see how the Z8 handle. The rep asked me which camera I used, and I said Pentax K1 of course, they immediately talked positively mentioning the "high quality", (the first thing Nikon rep said), sturdiness of the Pentax K1, so they appeared to know Pentax well :lol:
After that , I mentioned having some difficulties with Pentax K1 auto-focus especially on moving subjects, so Nikon staff decided to show me the various modes of Nikon Z8 auto-focus, as well as showing me how it works.
Nikon staff kindly and patiently listened to and answered all my questions about auto-focus and other things such as manual focus, focus stacking, until I had exhausted all my questions and couldn't fail either the Z8 or Nikon staff, basically everything I asked the Z8 could you it no problem.
I was lucky to be able to try the Z8 with the Z 240-70 2.8, Z 24-120 and the Z 100-400. Surprisingly, Nikon guys who were there complained a lot (negativity) about things they'd like to be better in the Nikon Z8/Z9, which made me laugh as it reminded me of us complaining about things we'd like to be better on our Pentax cameras, but the things they complained about I would consider to be very minor details compared to Pentax K1 AF shortcomings, so I guess Nikonians are much more demanding/picky compared to us Pentaxians.

Overall, here pros and cons from my first impression using the Nikon Z8, for still images only, I haven't tried any of the video features.

> Pros:
- Nikon Z8 is the first mirror-less camera model that is very close to the ergonomic goodness of my Pentax K1, about the same weight, it handles very nicely and very comfortably.
- External aspect of build quality is comparable to Pentax K1, although Pentax K1 still better, especially the articulated rear display of the K1 is more sturdy and the connector/door seals of the K1 are also better quality
- Z8 auto-focus is from another era (feel more like star wars), covers the whole frame, automatically find subject or people eyes and track, almost instant focus (after a small lag..), very responsive and sticky tracking of moving subjects
- As I could chimp and zoom in shots, I could see that focus accuracy is extremely good, if not perfect, I took over 50 shots to check focus, and I couldn't find a single shot miss-focused or even slightly off focus, mounting lenses off the shelf without any calibration
- When the electronic sound of shutter is disabled (there's no mech shutter in the Z8), the camera is totally silent. Immediately noticeable coming from DSLR. Not sure if it is a Pros or Cons, it depends, DSLR sound is also good to have, Z8 silent mode is also good when desired.
- Z lenses AF motors (the one I tried) are totally silent, super fast (almost instant), very noticeable coming from Pentax screw-drive and even Pentax SDM
- For regular shooting situations (landscape, wedding, sports), I could confirm that the Z8 can do everything the Pentax K1 can do, and more including setting auto ISO speed to +-2 stops to take advantage of IBIS/VR (SR for Pentax)
- Despite the lenses being focus by wire, manual focus is surprisingly smooth and accurate, better than with my mechanical Pentax lenses, I didn't expect that. Z 24-120 is super good, quick focus and not large.
- Focus peaking in the viewfinder, sensitivity can also be tuned, choice of colors, which is great.
- The EVF experience was surprisingly outstanding, I could not see any lag when panning the camera with the 100-400, even in indoors lighting (Z7 was pretty bad for this), EVF is about as good as my Pentax K1 OVF, I could hardly tell it is an electronic viewfinder
- Crazy fast FPS, with buffer and memory completely seamless. I could take 50 burst shots in RAW, and the camera is just waiting for me to take another round of 50 or 100 shots, felt like I can't reach the limit of the camera, it's always ready to shoot
- Z8 IBIS/VR is automatically handled by the camera and performance of IBIS+lens VR is extremely good. Where the Pentax IBIS would require to take two or three shots to get one sharp, the Z8 gives a sharp picture on a single exposure.

> Cons:
- The battery that was full when I switched on the Z8 , was fully drained at the end of my testing, which lasted about 90 minutes. On a K1, the battery would still be at least 2 bars full even after 90 minutes of intense use. Luckily, Nikon had a big power bank to plug on the USB-C port of the Z8.
- Complexity of user interface. You can set a lot of things and customize buttons in the Z8, which is nice, but then you need to dig deep somewhere into menus to change a simple setting, a setting that would be completely straightforward on a Pentax K1
- Small AF lag between shutter button press before AF kicks in, once AF kicks in it's instant on the Z8. On the K1, the shutter lag is noticeably shorter, almost immediate, but then lens AF move towards target is slower or sluggish in comparison to Nikon
- Maybe still have some IBIS bugs, such as with long lens VR (IBIS), the picture taken does not always line-up with the picture you saw in the view finder when you pressed the shutter, glitch that demo rep. couldn't explain. Never had such issue with the K1 IBIS, as IBIS seems to run smoothly on the K1.
- Z8 doesn't do pixel shift, doesn't have built-in GPS, no astro-tracer, no composition adjust either
- More than twice the price of a Pentax K1 II
- Doesn't take K mount lenses with an adapter :(

It's tempting, yet hard to sell, even to a Pentaxian as I can't let go my Pentax K1 because it's so well built, so easy to use, image quality is as good or better, great battery life, but K1 system auto-focus, buffer and memory are stone age compared to the Z8, and I haven't even considered video, not even HD or 4K video...:eek:
Forum: Canon, Nikon, Sony, and Other Camera Brands 04-28-2023, 03:04 PM  
Ausreenact
Posted By BruceBanner
Replies: 5
Views: 647
Thanks morenjavi, a bts from a fellow shooter :lol:
Forum: Canon, Nikon, Sony, and Other Camera Brands 04-24-2023, 03:17 PM  
Ausreenact
Posted By BruceBanner
Replies: 5
Views: 647


"I was invited to Lithgow to document a bunch of lovely world war II reenacters, Ausreenact. This was not my first time hanging with this crew, last time being sometime before Covid..."

https://www.eddysummers.com.au/blog/ausreenact

Many more images from this set in the blog above ^

This shoot was an experiment of sorts to mix my Pentax 645D shots in with my Fuji XH2S. This post could probably be moved to the 645D section if admin wanted to (as the leading image here is 645D), but I didn't want to ruffle feathers as the blog post contains video and stills with Fuji.
Forum: Canon, Nikon, Sony, and Other Camera Brands 03-02-2023, 03:02 AM  
Penrith Youth Orchestra with Paul Terracini
Posted By BruceBanner
Replies: 6
Views: 424


This was a fun assignment and a nice example of a speedy post processing turn around with the aid of the Fuji in camera Jpg settings. Visit the blog for more info and images;

https://www.eddysummers.com.au/blog/penrith-youth-orchestra-with-paul-terracini

Thanks for looking.
Forum: Canon, Nikon, Sony, and Other Camera Brands 02-01-2023, 06:18 AM  
Mirrorless camera system suggestions
Posted By UncleVanya
Replies: 81
Views: 4,040
I don’t know. I haven’t been tracking the prices of the Nikon version or your area. I bought my Sony e Mount version for around $400 USD. That price was a special and since then the prices have gone up a little. Today at Adorama the price here is $699 for the Nikon version and $499 ( including a $50 rebate ) for the Sony version. So there is a small premium for the Nikon version which is newly released.
Forum: Canon, Nikon, Sony, and Other Camera Brands 01-30-2023, 12:35 PM  
Mirrorless camera system suggestions
Posted By gatorguy
Replies: 81
Views: 4,040
Someone suggested a Nikon Z-50 with 2 kit lenses (16-50 and 50-250), and that comes in at about $1300. Something like that may be exactly what the OP had in mind when he asked for suggestions.
https://www.bhphotovideo.com/c/product/1735581-REG/nikon_nikon_z50_mirrorles...981&
Forum: Canon, Nikon, Sony, and Other Camera Brands 01-18-2023, 02:32 AM  
A Pentax user with a new Z6 II
Posted By jersey
Replies: 121
Views: 7,238
It is good that you enjoy camera and taking photos with it. That's what those expensive things are for. Using back screen is rather normal for MILC. I was doing exactly the same when I was using one. It works lots better then LV on DSLR and is pretty intuitive way to use camera that has it. And all in all bigger screen may help with composition. It would not be feasible with large tele lenses, but with smaller lenses it is right way to use MILC I think.
Forum: Canon, Nikon, Sony, and Other Camera Brands 01-18-2023, 10:05 AM  
A Pentax user with a new Z6 II
Posted By Wasp
Replies: 121
Views: 7,238
Thanks for all the input. I am toying with the idea of a Z5 or Z6 myself. I have quite a collection of classic SMC Pentax glass and a full frame body would mean that they can do what they were designed to do.


Yes, a K1 II would serve the purpose but they are very expensive here in South Africa. They are also hard to get hold of, as only a handful of local stores still list them on their websites. The quality of service and repairs are not known. As a result, used ones are non-existent. I could import a used one to keep costs down, but if it ever needs attention things could get tricky.

A full frame MILC is called for. K mount adapters are widely available. I have two Samsung NX1 bodies and the lack of a mirror is not an issue for me (anymore, hehehe). Until the arrival of the Nikon Z series, a Canon EOS RP was looking very good, except for its lack of dynamic range that has been widely reported. The vast Sony A7 range is a bit confusing and therefore of limited appeal to me.

I really like the look of the Nikon Z30. It might be a video camera but stills are catered for. The small form factor and point-and-shoot look is quite appealing to me. The tiny little APS-C sensor inside that great big Z mount is a real deal breaker, however. One can only wonder if a full frame Z3 is in Nikon's roadmap.
Forum: Canon, Nikon, Sony, and Other Camera Brands 01-18-2023, 06:22 PM  
A Pentax user with a new Z6 II
Posted By c.a.m
Replies: 121
Views: 7,238
@morenjavi, thanks for your interesting reports. Glad the camera system is working well for you.

Would you mind expanding on the statement you made about the image preview and review -- what happens at f/8 or smaller apertures that prompts you to need to review the image after the shot is taken? I'm not familiar enough with the WYSIWYG functionality in mirrorless cameras. Thanks.

- Craig
Forum: Canon, Nikon, Sony, and Other Camera Brands 12-24-2022, 04:24 AM  
Joint Gingerbread House
Posted By BruceBanner
Replies: 5
Views: 409


https://www.eddysummers.com.au/blog/joint-gingerbread

Images taken with the Fujifilm XT4 with either the Pentax FA31/1.8 or Takumar 50/1.4(8e), and a couple of shots with the Pentax 645D with A35/3.5 or DFA55/2.8.

Happy Xmas Pentaxians.
Forum: Canon, Nikon, Sony, and Other Camera Brands 11-17-2022, 04:34 PM  
XT4/XT30II Formal Posed Work & Event Photography
Posted By BruceBanner
Replies: 3
Views: 644
Thanks for looking and taking the time to reply and I appreciate the line of questioning (it shows knowledge) because indeed on the team shots I did approach things slightly different to the norm.

First off, the shots were very early morning, 8am, on a blue sky aussie day. Taken a couple months back (so end of Aussie winter time) so the sun was LOW in the sky. Normally for this kind of work I would have the sun directly behind the subject acting purely as a rim and to get all that hair light going, but on these little guys this was just not possible as the sun was too direct (not high enough up in the sky), losing contrast and a real uphill battle for that approach here.
In conjunction with that, shooting towards the sun was not as favorable outlook (environment wise). These were preseason shots at the outdoor netball courts, I had visions of capturing some hoops and courts in the background but I had no idea what I was walking into! It was madness, with several teams with their own photographers all doing the same sort of thing, must be a 'thing' I was not really aware of, so my choice of positioning was thwarted from the sun and also outlook (and needing to be sensitive to work around other togs, not get in their way etc).

In the end I decided some nature context worked quite well, so I had them facing me with their backs towards the embankment. I paid attention to the dark shadow on the banking knowing that their hairlights would contrast nicely against that, so this was number one technical point (ie this was no accident but deliberate).

Next up was how I was going to work with the sun. There is a rule that says don't blow highlights on the skin/face etc, but really what I have captured here is very close to what you saw with your own eyes had you been there. 8am morning low in the sky sun is brutal and very high contrast! But I didn't want to run away from that look, I find the more you avoid what is given, the more you risk ruining the shot/vibe. I think it is better to work with what you have and try not to fight things at times. So I made the choice that the sun would be coming at them from the side and lighting up one side of the face fairly heavily, the critical thing was to ensure no real highlights were actually being blown (but indeed shooting with the knowledge that in post production the final shots would look similar to as shown here i.e. don't run away from the fact they are being hit with a strong key light from the sun).
So that is technical point 2, the sun is my key light and it is coming from camera left, undiffused and harsh.

So now my next technical challenge was how was I going to light them, which angle, modifier etc. Now normally in studio you quite often get good results sandwiching the subject between two lights at the opposing directions. So for example, if the hair/rim light is camera left behind the subject (like how the sun was here a bit), then the other light would be positioned camera right, lights positioned diagonally from one another if that makes sense. But... for this shot I decided I didn't want to do that, because when you are dealing with outdoor shots I think it can look a little strange to getting 'mixed messages' on what sources of light is going on in the frame. If I positioned my light to my right (camera right), AND that the light is also strong (acting as key almost), then the image starts to take on a very different look altogether, you can see that flash has been used because the way the light and shadows are working don't make sense from one light source (the sun). This was a look I wanted to avoid, because as I get more and more into photography I enjoy the work where subtlety takes precedence, that the image doesn't scream 'omg I use flash, I'm such a great photographer!'. In fact if I can I enjoy non camera aware shots the most (but that's a conversation for another day).
So in this instance I had the AD200/bulb in a 105cm bounced umbrella at camera left (same side as the key light coming from the sun), with the intention of acting only as fill, to assist with lifting the shadows and providing some catchlights in the eyes. This then creates a shot that almost looks natural, like no flash was used at all, and I find that look is more pleasing, less pretentious etc.

So a few rules were broken for these shots but I like to think I got away with it.

The trickiest thing is making sure that the highlights on the face were very well handled, because the fill light from the AD200 on camera left is adding to that area as well, so you need to make sure they are underexposed enough before the shot but also after (checking the replay and inspecting the histogram and having things like Highlight Warning on replay is very useful).

In essence, what I ended up with was a shot that looked very 'as is' on the day, its just our cameras lack the dynamic range that our eyes have, so you need to dial the settings in correctly and use strobes and what not to assist with recovery with decent IQ to boot.

Hope this helps.
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