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Showing results 1 to 7 of 7 Search: Liked Posts
Forum: Post Your Photos! 08-05-2011, 01:39 PM  
Nature Ticha
Posted By focca
Replies: 14
Views: 1,638
Hi, this my new lens and new cat, what did you think about it?
:confused:
Forum: Pentax SLR Lens Discussion 08-29-2009, 02:05 PM  
50mm 1.2...to sell or not to sell? That is the question.
Posted By ivoire
Replies: 38
Views: 9,890
As much as i like the bokeh from the f1.2, a lens, no matter how good, is only worthwhile if you are using it.
Forum: Film SLRs and Compact Film Cameras 07-27-2011, 09:22 AM  
A luddite reflects
Posted By Byrd-2020
Replies: 32
Views: 7,418
(Note: It is my recent ownership of the Pentax K-5--and the extensive discussion of that camera on this website-- that has led to this posting.)


I am astounded by the change in attitude that photographers have undergone in recent years. I recall when in the late 1970s the Pentax MX was newly released; at that time virtually all professionals, and most serious amateurs, were shooting with wholly mechanical, fully manual cameras. The Nikon F2, Canon F1, the Olympus OM-1-- and, of course, the MX-- were what these ‘serious’ shooters typically embraced. (Photojournalists and many travel photographers were hooked on their Leicas.) And when asked why this was the answer was always the same: RELIABILITY.

A working professional simply could not risk down-time with the new breed of electronic cameras (Some of you may recall the initially reserved reaction to the Contax RTS.) Travel and nature photographers who were braving the elements--shooting on a freezing mountain top or in a steamy jungle--simply would not tolerate being shut-down by an electronic failure. And for this reason, many carried hand-held meters that were either immune to battery failure (like the Sekonic L-398) or capable of quick battery replacement.

Slowly, the electronic shutter and exposure automation were embraced . However, a mechanical back-up was considered mandatory. (Note that even that the ‘electronic’ Pentax LX still had mechanical speeds.) But my how times have changed!

Today many photographers--hooked on auto-focus and programmed exposure--seem not overly concerned when their cameras lock-up or suffer from ‘mirror-flutter’ or cannot focus accurately on their intended subject. Even some working professionals appear to take these shortcomings as ‘facts of photographic life.’

But my question is this: Have we, with our modern digital cameras, really advanced photographically?

No doubt the ‘digital revolution’ has in many ways made photography more convenient. (Though I think the convenience factor is greatly over-stated.) But when I think of the recurring cost of upgrading to the 'latest technology' and the frustration of electronic failures, I begin to question the nature of our 'progress'. And this questioning becomes even greater when I look at the final product--the actual prints--made from my aging mechanical cameras (Pentax MX and Contax S2), and my new digital wonders ( Pentax K-7 and K-5); when I do this I am led to ask ‘Has it all been worth it?'

I'm not so sure that it has.

(P.S. I never sold my vinyl LPs, and I am currently shopping for a high-end analog turntable.)
Forum: Film SLRs and Compact Film Cameras 07-26-2011, 08:05 AM  
Building a custom k1000....digital style
Posted By Aristophanes
Replies: 14
Views: 5,396
Why ruin a film camera?
Forum: Pentax SLR Lens Discussion 07-14-2011, 04:33 AM  
Why did Pentax make using M42 leneses so awkward?
Posted By Stone G.
Replies: 77
Views: 11,418
To this and similar entries in this thread: I don't thik this is quite "fair" to Pentax. The adapter was introduced at the same time that Pentax introduced the K-mount in 1975. And it has remained unchanged since then.

Imaging that you were a Spotmatic owner in those days with a significant stock of (excellent and expensive for that time) Takumars. Your beloved Spotmatic dies and you need a new camera body. You would NOT want to buy an entire new set of K-mount optics but rather buy a new body and convert it (reversibly) into an 42-body. And that is the solution Pentax offered their loyal customers then. (Think about other manufacturers - no names mentioned - who have changed their mounts on more than one occasion and supported their existing users with......nothing!).


It is only very recently, that the mixed use of M-42, manual SMC Pentax K, M, and KA lenses together with contemporay fully atomatic lenses have become "fashion" and the adapter was designed at a time where DSLRs were way beyond science fiction.

It is a matter of system design philosophy, but to me, Pentax's choice way back in 1975 makes very good sense - notably, as seen from a user perspective!!!
Forum: Pentax SLR Lens Discussion 07-09-2011, 08:22 AM  
Why hang on to film carry overs??
Posted By RioRico
Replies: 64
Views: 8,185
No, lenses won't be renamed because MOVING A LENS DOES NOT CHANGE THE FOCAL LENGTH! 50mm is 50mm whether it's on 4x5, 645, 135/FF, APS-C, m4/3, Q, whatever. Focal length is a property of the lens, not of the mount not frame. A 50mm lens does not magically change its length. Forget that you ever heard of crap.factor. I wish that the marketing wonk who devised crap.factor could be found and tried and tortured and executed. Argh!! :fedup:
Forum: Pentax News and Rumors 07-01-2011, 08:11 AM  
Ricoh to buy Pentax camera business from Hoya
Posted By MRRiley
Replies: 738
Views: 133,792
Vision? There was no Pentax "vision" because Hoya had no vision for the brand, other than to keep it afloat long enough to sell off anyway. I guess in that they succeeded. Oh well.

Here's hoping that Ricoh realizes that they've bought much more than a simple camera company. They've bought generations of strangely stubborn loyal customers.

Please don't let us down Ricoh!

Mike
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