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Forum: Lens Clubs 05-07-2014, 12:38 PM  
The 15mm Limited controls my mind - club
Posted By TenZ.NL
Replies: 12,402
Views: 2,290,302
Don`t think I`ve posted this one here?
Divided
Forum: Lens Clubs 04-05-2014, 01:06 AM  
The 15mm Limited controls my mind - club
Posted By disco_owner
Replies: 12,402
Views: 2,290,302
Forum: Pentax K-3 & K-3 II 01-20-2014, 10:28 AM  
K3 sample shots ... post here !
Posted By Namajam
Replies: 12,384
Views: 1,659,904
Hello my fellow K-3 users. I'm still learning the camera and its been a challenge but a fun challenge. I'm still learning the intricacies. I'm having problems with noise at higher ISO's. I've turned the NR off but still get a bit of noise compared to some of the fantastic shots I've seen on this site with higher ISO's. I'm thinking operator error along with some practice makes perfect concepts.
The below shots were taken with the DA 15/4 and FA* 24/2 on the Elwah Trail in the Olympic National Forest, Washington.
Forum: Pentax K-3 & K-3 II 11-28-2013, 12:25 PM  
K3 sample shots ... post here !
Posted By Rondec
Replies: 12,384
Views: 1,659,904
Getting cold here. Not by Canada standards, but still 18 degrees Farenheit is cold enough for me. I need new gloves...


Sunrise at Tucker Lake by Vincent1825, on Flickr


Log at Tucker Lake by Vincent1825, on Flickr


Frozen Leaves by Vincent1825, on Flickr
Forum: Pentax K-3 & K-3 II 11-22-2013, 08:48 AM  
K3 sample shots ... post here !
Posted By Rondec
Replies: 12,384
Views: 1,659,904
A couple more shots of Tucker Lake.


Tucker Lake Dawn 3 by Vincent1825, on Flickr


Tucker Lake Dawn 2 by Vincent1825, on Flickr
Forum: Lens Clubs 11-06-2013, 02:57 PM  
DA* Club
Posted By mark lj
Replies: 5,909
Views: 945,474
Forum: Lens Clubs 11-04-2013, 06:15 AM  
DA* Club
Posted By mark lj
Replies: 5,909
Views: 945,474
A nice page Rondec.

A couple from this morning with the K-5 and the newly repaired DA*60-250





Forum: Lens Clubs 09-23-2013, 10:03 PM  
DA* Club
Posted By mattb123
Replies: 5,909
Views: 945,474
K-5 & DA* 60-250 4 images stitched

IMGP6112-Edit.jpg by MattB.net, on Flickr
Forum: Pentax Medium Format 07-11-2013, 07:05 PM  
Post your medium format photos!
Posted By vectrln
Replies: 20,460
Views: 3,167,080
Two shots with the Pentax 645N + FA 80-160mm F4.5 + Kodak Ektar 100



Forum: Pentax SLR Lens Discussion 09-04-2013, 05:59 AM  
DA 18-135 WR, Show us what it can do
Posted By Papa Lazarou
Replies: 4,717
Views: 744,743
Just got back from our holiday in Florida. I used the 18-135 almost exclusively, a terrific walkabout lens IMO.




Everest - Disney's Animal Kingdom by philnmorgan, on Flickr




Magic Kingdom by philnmorgan, on Flickr




Magic Kingdom Fireworks by philnmorgan, on Flickr




Hogsmeade by philnmorgan, on Flickr




Sea World Harbour by philnmorgan, on Flickr




Rainbow Macaw by philnmorgan, on Flickr




Flamingo up close by philnmorgan, on Flickr




Hogwarts by philnmorgan, on Flickr




Ewan meets his heroes by philnmorgan, on Flickr




Disney Balloons by philnmorgan, on Flickr




Sea World - Antarctica by philnmorgan, on Flickr




Atlantis by philnmorgan, on Flickr




Giraffe II by philnmorgan, on Flickr
Forum: Pentax News and Rumors 08-26-2013, 04:58 AM  
New rumor: Pentax "A" mount
Posted By mecrox
Replies: 170
Views: 44,302
Huh? Wouldn't it be simpler and possibly quite a lot cheaper to buy a conventional 36mp FF camera (soon to be 54mp quite possibly) and use crop mode for APS-C shots? VF overlays could deal with things like focus peaking and information. LV or pure EVF could be used via an app on an iPhone or iPad (neither had probably been invented when the idea of this proposed system was first sketched out). This would yield very high quality previews for subjects like macro and/or tripod shots.

It all sounds like another incredibly convoluted way of trying to keep K-mount users onside by getting them to buy into a system very few of them would want anyway (i.e. $2000-$3000 and over FF madness with very expensive lenses to match). New tech - high pixel count sensors and displays, on-sensor AF, smartphones and tablets, etc. - has likely rendered this project unnecessary. Sorry - I'll put my tinfoil hat back on.

No, I think I'll take it off again. "He raised the camera to his eye and pressed the shutter. Whoops. There was no shutter. Reaching into his left pocket, he took out a mirrorbox assembly and fitted it with a dull snick. Then he took an adapter from his right pocket and fitted it to the front of the mirrorbox. He felt for a lens in his left trouser pocket. Nothing. It was in the right pocket. He shifted his weight and carefully pulled out the lens and screwed it to the front of the mirrorbox assembly. Now, from an inside breast pocket, he extracted a motordrive assembly containing the camera's power supply. Five minutes later, he raise the camera to his eye again and pressed ... "
Forum: Lens Clubs 08-16-2013, 05:36 PM  
DA* Club
Posted By chuck_c
Replies: 5,909
Views: 945,474
From a visit to the Franklin Park Conservatory earlier this year. (16-50)


FPC p&y_2 by chuck_c 8, on Flickr
Forum: Lens Clubs 07-15-2013, 06:57 AM  
DA* Club
Posted By mattb123
Replies: 5,909
Views: 945,474
Horse race
K-5 & DA* 60-250

IMGP8838 by MattB.net, on Flickr
Forum: Lens Clubs 05-08-2013, 04:49 AM  
DA* Club
Posted By BeerBelly
Replies: 5,909
Views: 945,474
Nice photos.
My little one with the 50-135:



IMGP1509.jpg by luftwalk, on Flickr
Forum: Lens Clubs 06-21-2013, 07:04 AM  
The 15mm Limited controls my mind - club
Posted By pinholecam
Replies: 12,402
Views: 2,290,302


~ The moment two planes meet ~
Forum: Pentax K-5 & K-5 II 06-20-2013, 08:52 PM  
Rainy day wedding with D800 makes me love my K5
Posted By Wired
Replies: 39
Views: 6,213
I bought a Nikon D600 back around Christmas. I just upgraded last week to a Nikon D800. I shoot Pentax and have a stupidly large collection of film and digital Pentax equipment... which I love.

Today I decided to take my D800 out for it's first professional, and for all intents and purposes, very first shoot.... and it made me love my Pentax K5.

Both cameras are incredible tools which produce amazing results. There are people out there composing photographic symphonies of brilliance with both cameras. In fact, i'm sure if one was to take a collection of the best 10 photos from both cameras, print them on a 14" sheet of paper and hang them on the wall, no one could sit down and pick out which camera created which image.

but... how hard do you need to work at it to get said image? How did your camera help you create that image? Would the other camera have made it any easier to do the same job?

We are talking about two cameras and systems that have many similarities, yet are very far apart in how they create a photograph. Sure, you could use the DX crop mode of the D800 to get pretty close to the K5. But it's not always about the guts.

I shot a casual wedding today. Just a get together of the closest friends and family of the brides to be (yes, brides) and this photographer wielding a brand new camera he's known for a week. I've shot weddings before with my K5. The D800 has many ergonomic similarities to the K5. This should be easy. Wait a sec.. because of the casualness, and the impatience of the group to get to the celebratory drinks at another venue.. I had about 130 minutes on site. I should have brought the K5.


Last night I did a final check on my gear. Calibrated the autofocus on all my Nikon lenses, made sure the D800 battery was charged, packed some SD cards, made sure they were formatted. Made sure my wireless flash triggers were charged up, and threw everything in the bag.

D800
24 f2.8 D
50mm Zeiss Planar T f1.4
85mm f1.8 G
80-200 f2.8
SB700
K5
DA*16-50
DA*50-135
LX
31 Limited
43 Limited
77 Limited
2x Elinchrom Universal Receivers
Elinchrom transmitter
Tripod
Lighting stands
Umbrella

Yes... it all fit into two bags, a Think Tank shoulder pack, and a stand bag for the tripod/umbrella/lighting stands. Think I overpacked? Yea... I did

I even went to the store before hand to grab a CF card (105mb/sec CF card) and another SB700.

Well, I get to the venue 30 minutes early to setup, its outdoors. It starts drizzling a bit. Okay, the D800 is weather sealed, the 85 G is weather sealed, the SB700's are weather sealed. But lets prep the K5 and 50-135 anyways... drat, batteries are both in the yellow for the K5. I grabbed the wrong pair off the shelf. Ok then.

Setup the flashes on the light stands. Go to grab the triggers. Drat, where I did I put them? (I find out later when I get home they were in a different pocket) D800 has the 80-200 zoom on it sitting on my tripod. The rains let up. Lets do some lighting tests with CLS.

Nope, CLS not working. Then again...I've never tried it before. Then... the rain returns, this time heavier than before. The rain is just drenching me and the equipment. I can't see more than 100 meters in front of me clearly... it's bad. I quickly draw my flash umbrella closed as the light stand with my Sb700 is starting to become airborne.

I throw the D800 in my bag, then run the gear back to the trunk of my car (not realizing there is a shelter 25 meters to my right.) I keep my bag with me in the front, and start digging for spare K5 batteries hoping there is at least one in my bag that may be charged. I find a third, pop it in, it is yellow. I got some time on my K5.

So why am I grabbing for the K5? Well, the DA* lenses with me are both weather sealed, and I know them very well and know how well the weather seals are. I could shoot in a monsoon and be okay. I don't know the D800. But what I do know is...the D800 and 80-200 are just drenched.

The rain clears up and the guests start arriving. I head to the shelter with my gear, still dripping wet, and start getting my shutter finger warmed up. I use the D800 first, not knowing how long the battery will last on my K5. I check focus on the LCD screen on the back. Just quickly zooming in at max magnification... things are looking really soft. I mean really soft! I can't find an infocus section anywhere! It looks fine at 50% or less magnification, but any closer and it looks like muddy poo. I check it with three different lenses, same results. Has to be an issue with the screen, it just has too. The AF has been fine in all my tests. So I decide to trust the AF and hope that the final images are good.

I decided at this point not to try and use the flashguns, things are moving too quickly with family taking photos while I'm trying to figure myself out. I probably look like a tool at this point. I need to gain control, and I need to gain control of the photographic situation fast, or I could lose valuable images. So the flashguns go back in the bags and I start shooting.

Crud, no vibration reduction on these lenses or body. also need to stop down for depth of field. So I crank the iso upto 800. Usually my threshold for my K5 in the dark...and if the K5 can take it, the D800 should be able to deliver in strides. I trust that I'll be noise free when I get home.

We are now 15 minutes after the first group of this wedding arrive, and now the final late straggler shows up, one of the uncles. He's a bit of techno guy you can tell, or at least he wants to be. Hopefully I can use him later to assist. With that said, a quick pose with him and the ceremony starts.

Stupid lady with her ipad is trying to take photos... and she's going everywhere and getting right in my shots. Can't you see the photographer with the huge D800 and 80-200 zoom lens, whos' drenched wearing a white polo shirt trying to do his job? Guess not as your buried in your ipad. Luckily I'm resourceful and find ways to hide her.

The kiss happens. What, we are at the rings already? It's been less than 5 minutes. Thank god I'm in constant focus mode and high speed drive mode. I get the first exchange of the rings. Now the shutter wont fire and the second ring is about to get put on. Buffers full. 2 seconds...still full....3 seconds....still full...4 seconds, excellent, 2 shots, lets make them count. Frak... ipad lady just stepped right in front of me. I missed the shot.

Kiss happens, and I just push myself right into position, because I've been hired to do a job, and everyones got to have their cell phones out. I hate the modern world sometimes. I make sure my buffers clear and let it rip. I get my shot.

Now lets decide where to actually take photos, I'm now in control and leading the pack. but these brides got a mind of their own, and their already planning drinks. I need to get my shots though, so I send them down a path to walk towards me. Still using my 80-200 I get my walking through the woods shot. Lovely. Now the family goes nuts and wants to recreate what I did. So I swap out to my 24mm f2.8. I get the shot. We move on.

over by the bridge now. Trying to get some isolated depth of field shots. But things are moving really quickly, and the brides are losing interest in the photos and focusing more on the impending drinking. I quickly use this to my advantage and ask one of them how many they had before the wedding. Now the attentions back, and I got control again. I get my shots, we move on. I figure I got about one more scene left with these girls, and I saw a perfect place in the shelter where we started. Lets get back there.

On the way back, one family member looks fantastic, keeping herself looking young, and you can tell shes a fantastic lady. She's also got this awesome polka-dot umbrella. I ask if I can get just a solo portrait. Shot of the day.. yes I think so.

We get back to the shelter, and I get the girls to stand infront of this fading pair of hearts someone painted on the wall. I get going with the Zeiss 50mm f1.4 and the zoom lens, but the buffer is really starting to piss me off at this point so I take the K5 from my bag and put it on my hip right beside my LX. I fill the buffer on the D800, I quickly swap to my K5 and continue shooting. Then I go to my ultimate backup...the LX.

By this point I'm in a trance with the LX. Wind, snap, wind, snap, wind snap. Lock... out of film. D800. Finish the shoot. Pack the gear into the car. Star the engine, check the clock...130 minutes ago I popped the trunk to setup my gear...yikes Head to the bar with the group. Have a scotch. Come home, time to start processing.

No CF card reader... drat. USB 3, check. Lightroom check. LR4 seems like it locks up while I wait for it to figure out what to do with the D800 and 300 images I just shot. 3 minutes later it comes to life. Import button clicked. 10-15 minutes later (I'm not entirely sure, I went and changed my clothing, got a drink) and the images are on disk. I quickly scan through to find the shot I want to edit to throw up on the brides facebook page for her to see. Found it. Damnit, I missed the focus (Zeiss, manual focus lens) but it's still a great shot. I post it anyways. I win praise.

I then go through the rest of the photos....

1: Trusting the AF was the right move. The AF never screwed up on me. Almost every image is razor sharp where I wanted it to be. The ones that were not were either manual focus, or me screwing up.

2: Details are fantastic. This sensor really shows so much incredible detail. Going 1:1 crop one of the images showed incredible detail.

3: Colors and contrast are impressive. I love Pentax color and contrast. It is the best part of the Pentax system. These images though... are getting close. With the detail rendering though... the D800 wins

4: The images are massive. Just incredibly massive. It's stupid how big they are really... but I love them. Every last pixel of them

How was the camera?

1: Weather sealed! I knew the K5 and DA* lenses would have shrugged off this incredible rain with ease. But to see the D800 do it with a non-sealed lens was impressive

2: Ergonomically sound. Using the D800 felt like second nature, especially after learning the D600. There are a few things, like the AF-ON button that I have fallen in love with. So when I swapped to the K5, my hand placement was all off. Luckily muscle memory kicked in and everything was fine.

3: Big files mean smarter card choices! I got home and did a few tests. I had the camera setup to RAW CF and JPG FINE SD. This means the camera was doing double duty on processing, and the SD card is only a 60mb/sec card. When swapping the camera over to RAW only and the SD card to overflow mode, the buffer cleared a lot faster, and delivered a solid 20 frames in CH mode before freezing up on me, vs the 16 frames out in the field. In CL (2 frames per second) mode, I shot 25 frames before the buffer stalled out. It took 30 seconds to restore the buffer completely.

4: It's heavy. There is no way, no how, I would go on a long walk or urban exploration with my D800 and 80-200 f2.8 (quickly becoming a favorite lens). Not only is it heavy, I swear I'm going to have massive arms in a year, but it draws attention from everyone not buried behind an ipad.


But why did it make me love my K5 even more?

Simple.

a) I never have to worry about the weather. I live in an area of Canada where the weather is constantly changing. In the month of June we have gone from 6 degrees Celsius to 30. In one day from 6-25. That's a huge jump. In the spring or fall it's not uncommon for it to go from -20 to + 15 and back in one week. We had 3 torrential down pours today, with periods of no clouds and warm sun. The K5 can take this without missing a beat. While the D800 proved today it can... I still don't trust it as much as my K5

b) its compact. Compared to the D800 anyways. I remember when I thought the K5 was heavy. Then again, that was after a 4 hour hike in the mountains with 3 DA* lenses over my shoulder. I don't think I'll do that with the D800 and the 80-200 let alone letting 2 more lenses come for the ride.

c) it does not grab attention. You walk down a busy downtown street with a D800 and 85 1.8G your gonna get noticed. You walk down that same street 10 minutes later with a K5 and a 43mm f1.8 FA Limited...no one will see you

d) It's faster. Well not really. The AF on the K5 is slow compared to the D800. But the buffer clears a lot faster. Even with a slower memory card.

e) Every lens is stabilized. I've ignored Nikon's stabilized lenses for two reasons...Cost, and I like primes. The 80-200 f2.8 was chosen because it's $1000 cheaper than the 70-200 f2.8 VCII, and $300 cheaper than the 70-200 f4 VC, not to mention faster. So I decided to give it a whirl, and I'm not disappointed. But I can hand hold a K5 with DA*50-135 at an incredibly slower shutter speed to capture the same image without shake.

f) Finding used Pentax gear is easy...and usually inexpensive.

It is really hard to beat the Pentax system. I shot a couple of weddings last summer/fall, and I used my K5's and DA*, and FA Limiteds. But mostly my DA*50-135. I never missed a shot due to equipment. I'm sure once I get 10,000+ shots out of the D800 I'll be on the same wave.

It comes down to the right tool for the right job. But I think next shoot will see a bag packed like so:

D800
80-200 f2.8
85mm f1.8 G
20mm f2.8 D
K5
FA 31
FA 43
FA 77
DA*50-135
LX

why is the LX there?

Because... the LX is the greatest camera ever made.

What about day to day? Just take out the Nikon gear.

check my flickr page (signature) for a few preview shots
Forum: Pentax News and Rumors 06-15-2013, 07:17 AM  
Pentax K-500 Specs Confirmed by Pentax (viewfinder, batteries, etc.)
Posted By Ivan Glisin
Replies: 145
Views: 21,237
Very interesting discussion here about technical details. However, technicalities aside, I think it is pretty obvious that K-500 is made NOT TO SELL. It should serve as a reference for comparisons, to have consumers look at it and then notice/try K-50 with just a few extra features for a few bucks more. The trick is, for an average consumer the biggest step it to decide to spend any money on a particular product. Once there, it is quite easy to decide to spend a little bit more. Happened to all of us many times, from ice cream and candies, to cars and houses.

In other words, K-500 primarily exists to maximize K-50 sales. If a few K-500s sell as well, not bad. Note that K-500 is zero risk to produce: the only real manufacturing difference is painting the model number - that is the only tool on the whole assembly line that is specific to each model!!! The rest is accomplished simply by skipping some steps during the assembly process and firmware configuration.

(Which bring us to the next interesting detail: why no gazillion color combinations for K-500? Well, notice that K-500 and K-50 model names have to be printed on those colorful plastic shells. But if K-500 full rainbow palette does not sell, which is the intent as mentioned, they'll have to throw shells away! Thus, print name labels onto full palette of something that is expected to sell: K-50!)

To understand what Pentax Ricoh is trying to do, I would highly recommend the following TED talk by Dan Gilbert:
















You Tube




Also, on a similar topic, good read is "Predictably Irrational: The Hidden Forces That Shape Our Decisions" by Dan Ariely:
Predictably Irrational - Wikipedia, the free encyclopedia

So stay calm, everything is under control: Pentax is trying to become Canon! :lol:
Forum: Pentax SLR Lens Discussion 06-14-2013, 04:35 AM  
My thoughts & insight on the DA*16-50 (may contain personal opinion or peanut pieces)
Posted By carrrlangas
Replies: 22
Views: 3,515
I thought Iīd never be able to afford / hold the DA* lenses. I joined digital Pentax just before the Unilateral Pricing took place on April 2012. Also, (I am from Argentina and as Pentax is not known or represented it is prohibitively expensive (i.e. DA*50-135 for U$D 2700). But after getting to know the folks on this forum and some small purchases on the marketplace and good price opportunity I felt confident to buy a "hacked" copy from a reputable seller (icywindow). Hacked, becouse it was reprogramed to work with screwdrive autofocus on the K-5. (I donīt have access to earlier models to do it myself and if SDM broke, nobody would even know how to fix it or, if lucky, acquire the replacements). I believe the hack was done by previous owner, panoguy.

Enough background for the moment. This is my third DA series lens. The first one was the very respectable DA18-55WR that came with my K-5 and later the DA10-17 joined the fun. I do have some very fine glass from the film era such as A24, F28, M35 and F50 so I have quality and speed covered, but not the versatibility of a zoom lens, WR and wide angle. After some analysis on lightroom regarding lens and focal lengths use (great tool for this purpose), I noticed that a lot of the shots done on good locations (generally bad weather conditions or difficult to move freely) were taken using the DA18-55WR. Comparing these with the few taken with F28 or F50 showed a subtle but worthy difference...
The DA*16-50 is a polemic lens and so I read, asked and read a little more to understand what the softness, aberration, distortion, etc. problems where all about. Finally, comments from other users and numerous samples at different settings convinced me that it was a good choice for my needs.

The following are some findings I didnīt read about when researching the lens.

Size & weigth: Ok, everybody writes about this regarding this lens, but perhaps this is a different approach: Not long ago, I was able to replace my F80-200 (300grs, sweeet) with the FA80-320 (550grs, similar size and weight as DA16-50). At first I was hesitant about this, but afer trying it I realized the weight and size actually helped with stability and felt better balanced with the body. Funny, I had never mounted a lens heavier than 300grs on my camera.
As expected, this also applies to the DA16-50, though not when picking it up or maneuvering one handed, even if only for a few seconds.
Transporting the lens is another thing. I was thinking about selling the DA18-55WR to recover some of the investment, but now I am thinking of keeping it for the times when portability is more important than ultimate IQ and/or adverse weather conditions are not expected.

Control layout: Excelent. I donīt know if this is relevant to more experienced users (this is my first "pro" level zoom) but I find it really easy and intuitive to set. May sound silly or obvious but I value a good efficient design. "A picture is worth a thousand words" they say...

This sensitive layout allows seamless operation between quick shift, catch in focus and auto focus. Lots of choices with ease and speed to go through them.

Manual focus: I was surpriced to discover how easy it is to manually focus (stock viewfinder screen). Short but well dumped focus throw / ring makes things really pop on the viewfinder once in focus. I made a comparison with the A24/2.8, which has a similar distance scale (although larger focus throw), and the experiment confirmed the finding. Focus ring is big and well dumped. One more thing about focus ring: infinity stop actually corresponds to infinity!

Hood: I wish it had a tighter fit when reversed, like the ones on DA18-55 or DA18-135, as it really adds bulk. Also, it wonīt allow the on board flash or focus assist lamp to work properly. I guess this is the price to pay for the 16mm wide end.

I hope someone finds this helpful. I will update if I find out something of interest as some chances to try out this gem appear.
And after all, all this trouble is for the pictures, right? Hereīs a couple taken with... well, the DA18-55WR of course! What did you espect? Iīve only had the DA*16-50 for a week or so!
The first one was taken at base camp "El Salto" in Mendoza, Argentina at 4000 meters above sea level (masl) during night (everyone was already in their tents and I was setting long exposures out in the cold). The second one was taken at 5000 masl "Cuesta del Portezuelo", while making our way to the summit.

Regards,
Francisco
--------------------------------------------------
UPDATE
I had the chance to take a walk with my new lens and took the opportunity to compare it against my primes.
The "second part":
https://www.pentaxforums.com/forums/pentax-slr-lens-discussion/228275-da16-50...ml#post2423291
Forum: Pentax News and Rumors 05-24-2013, 04:24 AM  
K-3 speculation
Posted By falconeye
Replies: 2,801
Views: 462,105
English or not.

Saying that K-30 is sold at a loss has a specific meaning: namely that it takes more money to make a unit than you can recover from selling it. I.e., that you would actually save money (in the short term) by stopping to produce and sell it. E.g., that was the case for early units of Sony's PS3.

I think you have no data to claim that K-30 is sold at a loss.

Personally, I think the opposite is true.

Wrt English. If what you say isn't what you mean, then be more careful in defending your arguments and ask more questions if you are understood correctly. Your current attitude doesn't allow you to hide behind your language skills.
Forum: Pentax News and Rumors 05-16-2013, 05:09 PM  
New Pentax cameras 2013
Posted By NickLarsson
Replies: 1,305
Views: 231,440
According to the NASA, a triple planetary conjunction of Venus, Mercury and Jupiter will occur between the 22nd and the 28th of May.
So I think the odds are fairly high that a Pentax announcement will happen during this period ;)
Forum: Pentax News and Rumors 05-15-2013, 01:08 PM  
New Pentax cameras 2013
Posted By monochrome
Replies: 1,305
Views: 231,440
One could start an entire thread about Kissing your Sister ......
Forum: Pentax K-5 & K-5 II 04-20-2013, 10:10 AM  
Post Your K5IIs Pictures Here!
Posted By Haze
Replies: 2,879
Views: 492,703
Hello there! Here is the first portrait on my new Pentax K-5 IIs + 50mm F1.4 SMC Pentax-M.
Forum: Pentax K-5 & K-5 II 04-17-2013, 10:10 AM  
Post Your K5IIs Pictures Here!
Posted By olypdd
Replies: 2,879
Views: 492,703
I shot these with the DA* 60-250
Forum: Pentax News and Rumors 05-02-2013, 09:10 PM  
Pentax Lens Price Hike - Here we go again!
Posted By Biro
Replies: 412
Views: 48,838
Why is it hard to understand? Because none of these lenses are new, the development costs have been recovered for a while and production has been moved out of Japan to Vietnam (where labor is far cheaper and quality control is spottier). In other words, these lenses are not worth the new prices and most Pentaxians have enough sense to know when they're being hosed.

As I wrote in an earlier post in this string, I was one of those defending the actions of Pentax - even in the U.S. But now it's pretty obvious this is simply a money grab. Pentax has done nothing to enhance the perceived value of its products. They simply hiked the price and many of us who have been quite loyal through Pentax's darkest days don't like it and aren't afraid to say so.

I'm sorry prices are so high in the EU. I'm not being sarcastic. I really am sorry about that. Canada has had to deal with higher prices as well. But most of these lenses aren't worth what Pentax USA is now asking for them - particularly the DA* 16-50. I believe many heretofore loyal Pentaxians will be voting with their wallets and pocketbooks.
Forum: Pentax News and Rumors 05-02-2013, 06:59 AM  
Pentax Lens Price Hike - Here we go again!
Posted By LaurenOE
Replies: 412
Views: 48,838
True.

However, I tend to look at the situation from a "macro" perspective.
- Where is the new flash already? It was shown months ago, yet we can't buy it.
- Ned's Limited Case is on sale now, but it was never *announced*.
- The GXR has quietly been discontinued.
- The MX1 is a warmed over version of another camera.
- The Fisheye/Pano camera/lens went from being a Pentax to a Ricoh.
- The Tamron rebadged super zoom.
- The Pentax Facebook page keeps the Ricoh GR in prominence.
- The recent lens price hikes in the US.
- The lack of being able to buy the K-Q adapter foot through regular channels.

There are many more little "niggles" that keep happening that show me that Ricoh is having a tough time integrating Pentax. Hoya may have hated the Pentax camera division, and starved/shut it down as much as they could, but we managed to get the K5/K-01/Q and K30.

We are getting NOTHING from Ricoh this far into the game. Ricoh either wants to do things too drastic, or the *real* Pentaxians are being recalcitrant n Japan.

As a Pentaxian we are bred to be recalcitrant given the Canikony world.
It's what made Soichiro Honda who he was, and who we are as Pentaxians.

It seems that the Ricoh folks with their money to keep going in a weird backwater (GXR) weren't even trying. I now have a vision of what a Ricoh camera enthusiast is in comparison to a Pentaxian, and they are not even close.

Ricoh is about compacts and some industrial cameras. They gave up on DSLRs a LONG time ago. The Ricoh brain trust appears to LOVE the news of the premature death of the DSLR and they are drinking THAT cool aid. Therefore, like the Hoya folks, they are starving Pentax of what Pentax needs to move forward with what we want.

We want cameras like the K30 and K5. We want improvements in those areas. We want lenses. We'd love a 645D, but most of us can't afford that. We want something higher spec between the K5 and 645D in addition to logical updates.

Its-not-that-hard-to-improve-on-what-we-have-already!!!!!

Look at what we have had to deal with in the absence of new DSLRs and you see tons of wasted opportunities.

All this points to a macro conflict between Ricoh and Pentax for the soul of a Pentaxian.
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