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Forum: Canon, Nikon, Sony, and Other Camera Brands 03-07-2020, 01:58 AM  
Going into Micro Four Thirds - I'm getting an Olympus OM-D E-M1 Mark III
Posted By mecrox
Replies: 120
Views: 8,861
Lucky you! Sounds fab. There are various sites and cheat sheets if you Google which explain typical menu settings, AF settings and the like. These will mainly still be for the older EM1 Mark II but most menu items will have stayed the same. An example is Unlocking Olympus. For AF settings here is one site. There are lots of others. In practice I have not found much of an IQ difference between M43 and APS-C especially where IBIS and accurate AF can be used to keep ISO down and images correctly focused. However, the combination of smaller size and full features on the better M43 kit means that my enjoyment and keeper rate have increased. I have a camera with me more often and it delivers good results. There is less leeway for seriously incorrect exposures, though. One wants to try to get that right in camera. FWIW I have made good prints of 45” x 30” from m43. I really don’t need anything larger.

Sulasula is the website of one M43 wildlife photographer. He also has a few tips for settings, AF, post-processing and the like. When I get as good as that maybe I’ll think it’s time to move on, lol.
Forum: Canon, Nikon, Sony, and Other Camera Brands 02-26-2020, 06:52 AM  
Going into Micro Four Thirds - I'm getting an Olympus OM-D E-M1 Mark III
Posted By gaweidert
Replies: 120
Views: 8,861
I have to admit that I find the latest Olympus MFT offerings pretty tempting too. I will be 69 next month and still in good enough condition to haul my current gear around but it will not be getting any easier in the future. I do hope that the Olympus gamble on MFT pays off for them. They have some excellent cameras and lenses.


For grins and giggles, I did price out a kit on B&H yesterday myself. Same camera you are getting too. I has nice shake reduction and pixel shift too using 8 sequentially exposed frames.. Very tempting. Also, like you, I eagerly await Pentax's next camera release. It will be a good indicator as to where the brand is going.
Forum: Site Suggestions and Help 01-15-2020, 04:39 PM  
News We're back!
Posted By Adam
Replies: 19
Views: 1,468
It turns out that the outage was caused by a car accident, but shouldn't have had as big of an impact as it did. I'm hoping the data center puts the appropriate mitigations in place going forward.
Forum: Site Suggestions and Help 01-15-2020, 12:03 PM  
News We're back!
Posted By Adam
Replies: 19
Views: 1,468
It looks like the large network outage which kept the forum offline for the past ~14 hours has been resolved, and we are now back! Apologies for the disruption. As far as I'm aware, the server was running the whole time, so things should be right where they left off, with no data loss.

I'll post an update with further details as they become available.
Forum: Pentax News and Rumors 06-29-2018, 08:02 AM  
RICOH ANNOUNCES AVAILABILITY OF HD PENTAX-D FA★50mm F1.4 SDM AW STAR-SERIES LENS
Posted By northcoastgreg
Replies: 1,144
Views: 107,333
It's clearly the most exhaustive development story about a lens. And no wonder: this lens is definitely a milestone for Pentax, which says a lot considering what Hoya did to the company ten years ago.

Mike Johnston contended that, back seventies and eighties, Pentax, along with Zeiss, produced the best SLR lenses. He further contended that, with introduction of the FA limiteds, Pentax had reaffirmed its status as the premier optical company in Japan. I see this lens, along with the two other 1.4 star lenses that will be produced in the next few years, as having the same impact as those three FA limiteds twenty years ago. Just as some people thought those limiteds were the best AF SLR lenses produced to that point, similar remarks could be made, perhaps will be made, about these new 1.4 primes.

Saori: "At the Optical Design team, we want to design lenses with the specific characteristics that produce images that our users truly feel is beautiful, rather than lenses created only using optical numerical values."

Hirakawa said something very similar in his white paper on the FA 77. This is the Pentax lens design philosophy in a nutshell. While undoubtedly other optical companies want to make lenses that produce beautiful images (think the Olympus SHG lenses), Pentax, because of its tradition, because of the DNA of the company forged by years of pursuing this goal, does it better than anyone else.
Forum: Pentax K-1 & K-1 II 07-09-2016, 03:13 PM  
Been banned from DPReview
Posted By Rishi_Sanyal
Replies: 133
Views: 17,794
Hi, Technical Editor over at DPReview. I'd like to set the record straight by copying and pasting the actual exchange that occurred on DPR:








QuoteQuote:

@Rishi: "Can you upload them to your own gallery? Full resolution please.

At this point several members who've repeated our test get exactly our hit-rate. I've even received PMs saying 'I did your test and you were essentially right - thanks for pointing this out and I hope Pentax takes this critical feedback seriously.'

Ironically, thecamerastoretv video many have linked to as somehow representative of how focus works better than in our tests shows a whole lot of out-of-focus shots in the sequence of Chris running, visible even at the ridiculously low resolutions of vertical frames in a 1080p video (< 1MP resolution). They also provide no full-resolution images.

So we'd be very curious to see the actual data from someone who claims they're getting drastically better results in a similar test/scenario."



To which, instead of submitting your images ("providing evidence"), you replied:






QuoteQuote:

@pentaust: "@Rishi: I'm sad of your attitude, "At this point several members who've repeated our test get exactly our hit-rate. I've even received PMs saying 'I did your test and you were essentially right - thanks for pointing this out and I hope Pentax takes this critical feedback seriously.'

This is the most dishonest comment I've ever read. I'm disgusted. Because, you are not honest, you find an excuse to any result because you don't want to see results as they are. If you have this attitude at a court, the judge will hate you and no one will trust your saying. You are totally biased.

You retain only bad results and you ignore the good ones.
You should be sued at the court for broadcasting false information.
At DPReview company, please hire personnel who has decent professionalism when responding to users of DPreview..



In other words, you didn't "provide evidence" at all, despite us asking you to. You instead responded with an uncivil, denigrating message directed at us, claiming I was dishonest and wanted to ignore your data when I said the exact opposite: that I was curious to see your data. Here, you've suggested to the Pentax Forum members that you've provided us with this evidence, when you've done no such thing. You've claimed you were banned because we didn't want to see your evidence, when the opposite is true: we wanted to see it, and you didn't provide it, instead resorting to ad hominem derogatory insults - for which you weren't even banned, you were temp banned for only 2 weeks, asking you to please be civil on our site.

I'll let this exchange speak for itself, but I will add one thing: as a trained scientist, I am always interested in the opposing viewpoint, because I want to always check and re-check if I'm right or wrong. Being wrong keeps me up at night. So when I said I was curious to see your results, I was 100% honest and sincere. Even if your results were valid - I'd be curious in the explanation for why we'd be getting different results. I wouldn't want to look at results that disagree with mine and simply come up with excuses for why we're right and you're wrong... rather, I'd want to see if there's something we missed, or you missed, to try and get at the reasons for the perceived differences.

Objective analysis, that is. But passionate, knee-jerk reactions leave no room for objective analysis, instead opting to immediately discredit the other so you don't have to change your own belief. That's not how we work - just look at my exchange with MightyMike, for example, where we're actually trying to discuss why we have slightly different results. That's how these discussions should play out. When MightyMike was wondering why his SEL33 (subject tracking) results were so vastly different from our 15% hit-rate, we problem-solved it: his subject took up the entire AF area throughout his sequence, so there was no chance of the system getting confused about which AF point to use - any one it used would still register the correct distance. Which is why his results were closer to our single-point AF-C results -- many in or close to focus with a few significantly out, which indicates that the system still does play catch-up. With our results being a bit worse because we had constant Z-axis movement with less lateral movement, and perhaps due to the lens (they were different). The point being, we're actually trying to work out the reasons for the disparities, not immediately discrediting one another. Which is exactly how it should work.

Rather than painting us the enemy, perhaps you'd find more success were you to civilly engage with us - as if we were human beings. As if we were a human being you were speaking to in person. What's sad and disappointing to us, after the thoroughness with which we try to do our work, the passion with which we approach this task of providing responsible information to our audience, is to see knee-jerk responses that treat us as an 'enemy' and frankly dehumanize us simply because of results that may disagree with your experience, or bring into question the purchase decision you yourself made. In science, if that's how disagreements played out, nothing would really move forward. Far more productive would be to try & understand the reasons for the discrepancies, try and understand (as some other audience members have) that our frames of reference may be different - given that we test many, many cameras, and therefore have a different viewpoint and basis/standard for comparison.

One thing I will concede - it's difficult for someone to trust us without knowing exactly what we did. I understand that. We're taking this reaction as impetus to write some articles on how exactly we test AF, and why. Many of the suggestions people are making for what we should and shouldn't do when it comes to testing AF - while appreciated - have already been considered. In fact, we've put far more thought into this than most give us credit for. The reality is that we, like all such media outlets, are incredibly resource restrained, and thoroughly testing AF is such a difficult task that even the manufacturers making these very devices struggle in developing relevant tests to iterate their own systems. Realizing this, and taking into account our constraints, we've tried to come up with a set of checks and balances and tests that generally allow us to "predict" camera AF performance in variety of scenarios. We're constantly checking and re-checking our understanding, and whether or not our tests correlate with real-world performance. Furthermore, we do every test at least in triplicate, changing different AF settings to try and get the best out of the system, typically handing off the camera to multiple people on the team, testing with multiple lenses, etc. - after which we look for trends (since any one AF test in isolation can be misleading - yes, we know that). It's these trends that we end up publishing, with representative bike/mannequin/face-detect/soccer, etc. rollovers that demonstrate what we've experienced in our extensive time with the camera. In other words, real-world experience and the bike/mannequin tests are used in a sort of feedback loop - where we look for repeating patterns that allow us to glean things about the AF system.

We wouldn't have to do this if we had a set set of lab tests we knew correlated with real-world performance. But it turns out that's more difficult than you might initially think. For example, a simple low light AF test that tests the lowest light level at which focus works might over-estimate the performance of, say, a Sony a7S, which can focus down to like -5 EV in our tests. But because it's CDAF, it's slow, so if your subject is moving at all, even just rocking back and forth a little bit at a bar (not even talking about sports here), the a7S may go into a perpetual hunt. So is that -5 EV rating relevant in the real world, when in a more reasonable light level, like -1 EV, a PDAF system will perform far better by just making a measurement and jumping to the right point and taking a shot? Yes, there are ways to get around this, by perhaps measuring total time to focus for 10 attempts at various light levels, but what about subject contrast now? The reality is there are many variables, and we think about all these things, and look for trends. Another example is subject tracking (auto-shifting the AF point to stay on a subject) - where a Canon can do quite well at telephoto distances, but falls apart for tracking an eye at 35mm, e.g. Whereas a Nikon can do both. One test might have missed this nuance, which is why we now evaluate at both long distance (telephoto) and short distance (wider fast prime) - also because these simulate two different use-cases: telephoto sports vs. tracking a moving toddler, or bride at a wedding, etc. I bring these things up as examples of how much thought we try to put into our tests, their limitations, and what we can extrapolate from them. We have to try and extrapolate a considerable amount from a limited number of tests, so we put a lot of thought into everything.

I suppose I could go on forever, so I'll stop now. I hope this helps clarify some misconceptions. I think all the discussion has detracted from one overarching thing: that the K-1 is really a lovely camera, with "outstanding image quality and a number of fantastic features that simply can't be matched at this price point." (last sentence of our review)

Rishi Sanyal, Ph.D
Technical Editor, DPReview.com
Forum: Pentax K-1 & K-1 II 07-08-2016, 03:51 PM  
Been banned from DPReview
Posted By falconeye
Replies: 133
Views: 17,794
To Rishi's defense.

He has been contacting me on several occasions, including questions about standardized AF testing.

I consider him to be one of the most open minded and competent people over there at DPR. Of course, he is able to fail just like everybody else.

But I wouldn't accuse him of incompetence or tentative testing. I think in the end, this thing all comes to tone and language. The probable cause if people got banned, I guess.

About the test itself ...
In the tracking (riding in curves) test, the K-1 lost focus because the target left the focus area. That may be considered unfair and I agree. OTOH, some other cameras have their AF area spread a wider area, so the comparison is still valid. And in BIF, it is indeed difficult to keep a subject centered. Moreover, the target corossed the center area several times and K-1 did not re-aquire focus then. Unlike some other cameras which do.

Overall, the test is valid. It is not drawing an image representative of the K-1 AF capabilities if above behaviour is worked around. But valid it is.

One last word ...

Some well known bloggers started to make fun of over-loyal Pentaxians defending the brand on every occasion. Pentaxians have to tone down their voice quite a bit on other fora if they want to be perceived as serious photographers. I say this as a Pentaxian myself, although shooting another brand as well.
Forum: Pentax K-1 & K-1 II 05-07-2016, 07:05 PM  
K1 Wedding Photography Impressions
Posted By walro
Replies: 21
Views: 11,207
Don't know how many folks on here shoot weddings, but I gave my K-1 a workout the day after it arrived and wanted to give my first impressions. I was going to have it for my second camera because I was nervous about using an unfamiliar camera for such critical pictures as a wedding. Just looking at the pictures on the back of the screen, the K-1 was outperforming my K-3 so much that I ended up using the K-1 for all important shots.

My first impression when looking through images is, "Where are the out of focus shots?" Seriously, even when the af doesn't seem that much faster in certain situations, it is so accurate that I am completely blown away.

Obviously, the high ISO is amazing, I probably don't even need to comment about that.

The tilting screen was my biggest surprise of the day. I have never used live view before. Today, I went crazy with it for detail shots that I would have formerly had to get on chairs to get. I think I'll have to start trying it with people. Focus is great in live view.

It's intuitive. Coming from a K-3, I didn't have to read a manual to figure out how to do everything I needed to. Some things that bothered me initially I am really starting to like, such as the different spot for the playback button. The focus select being a black square took some getting used to. If I am pointing the camera at dark objects I can't always see where my focus point is until it lights up. I like the square the rest of the time, though, and the camera knew where the focus point was even if I didn't.

I had done another wedding in the same church less than a year ago. I just really hope the brides don't compare wedding pictures, because the ones from today are that much better! In particular, the earlier time the walking in pictures were soft because I had a strong backlight from a door and the camera struggled. The backlit shots today were amazing and the camera didn't hesitate a bit.
Forum: Pentax News and Rumors 02-17-2016, 03:08 PM  
Pentax K-1 Officially Announced
Posted By virusn3t
Replies: 1,581
Views: 215,711
Me at this moment:

Forum: Pentax News and Rumors 02-24-2016, 10:18 PM  
Pentax K-1 Officially Announced
Posted By OoKU
Replies: 1,581
Views: 215,711


---------- Post added 02-24-16 at 10:19 PM ----------

Forum: Pentax News and Rumors 02-24-2016, 12:15 PM  
Pentax K-1 Officially Announced
Posted By Eric4
Replies: 1,581
Views: 215,711
As a photographer, I'd rather get my K-1 soon and download a simple firmware update a few months down the road for video.

Perhaps Pentax will take a page out of Fuji's handbook - even updating older gen cameras to create a longer lasting product.
Forum: Photographic Industry and Professionals 02-21-2016, 12:27 PM  
Why do some pros have stickers (often with logos) on lens hoods?
Posted By Na Horuk
Replies: 15
Views: 6,287
a) it could be one of those bands that is meant to stop focus or zoom creep.
b) it could be a sponsorship
c) it could be a self-advertisement
d) it could be that the person is covering the brand logo. There are two reasons for this. First is that the camera looks more low-key without the bright white texts on it. Its not as noticeable, doesn't look as threatening, professional. Second, some people don't like to give "free advertising" to the camera brand. They cover the Canon or Nikon logo until the brand decides to sponsor them.


Can I become your apprentice? Or maybe you can adopt me?
Forum: Pentax News and Rumors 02-18-2016, 07:24 AM  
Full K-1 Spec list
Posted By pathdoc
Replies: 770
Views: 97,187
Next to all the other specs, this is the best spec of all.

Reading the official website, you get the idea that this camera was designed and built by a bunch of true believers who wanted to give us what we wanted - the still picture-taking full-frame machine of our dreams - and stopped at nothing to make sure it wasn't FREAKING IMPOSSIBLY HUGE. Thank you to those engineers, who I now completely forgive for not decrippling the mount. I understand why they didn't. I still think they need to rectify that at some stage, but the K-1 is not the aperture coupling lever's "hill to die on".

They also put just enough in to make sure that it was competitive without being freaking impossibly EXPENSIVE, and they realised that THE BEST IS THE ENEMY OF GOOD ENOUGH.

There are already people on this website who have bluntly said, "At that price I am getting it now."

I think Ricoh have done the right thing for the right reasons and put out the camera that most of us want at a price that more of us can afford than was expected.
Forum: Pentax News and Rumors 02-17-2016, 10:16 PM  
Pentax K-1 Officially Announced
Posted By DeadJohn
Replies: 1,581
Views: 215,711
DPR posted raw samples. Adobe is able to open them. Score one for DNG format consistency! :)
Forum: Pentax News and Rumors 02-17-2016, 08:27 PM  
Full K-1 Spec list
Posted By derekkite
Replies: 770
Views: 97,187
The sub $2000 full frames compromise by having lower resolution. Ricoh has produced a high resolution body under $2k. All the flaws and failings of the Sony full frame were immaterial at $1600.

I've not decided yet, but there is a good chance I will get this. Last summer I was finding the 500mm too long, not sure why, possibly being better at being close. I yearn for a fast 400mm. Now I can get close to that, with high resolution and lots of other things like electronic shutter in live view.

24m full frame doesn't interest me in the least. I want clean high resolution. The low resolution bodies sold well and were popular because they were affordable.

The frame rate is a bit slow, but haven't seen afc rates.

But the price. I could wait for most of a year for an apsc upgrade, it will depend on how good the af is. This may open up different avenues of photography, landscape for example.

Not an automatic buy, but the price is very compelling.

In a way this offering reminds me of when I was looking for an office printer. Something that would do larger format paper. I don't need color, simply a workhorse. There are lots on the market, most would work well. I found a Ricoh model that was less than half the price, with all the necessary features. The reviews were characterized by people getting, setting up and forgetting as the machine reliably and economically did what was expected. When Pentax talks Pro market they are talking about people who need solid performers that just work at a good price. They will sell two of these to people who have wanted a second body but couldn't justify $6k. That is the professional market they understand, thd same things that characterize the tools I use. Reasonably priced, reliable and designed to do it's job well.
Forum: Pentax Full Frame 10-25-2015, 11:36 AM  
Grid on the new pentax ff dial
Posted By falconeye
Replies: 138
Views: 16,901
May I kindly refer to my post at dpr and the reply by asahiman:






QuoteQuote:

asahi man
In reply to falconeyes, 1 hour ago
Bingo



Re: Almost this: Pentax SLR Talk Forum: Digital Photography Review
Forum: Pentax Camera and Field Accessories 08-01-2008, 09:44 PM  
Battery Warning!!! Please Read!!!
Posted By miniman82
Replies: 14
Views: 6,748
Just thought I'd share a nearly painful story, and raise some battery awareness. We all use them, and it's one of my duties at work to make sure people know what to do, so I though I'd share. :)


Today, I needed to take a macro shot of some car parts to help do some explaining for someone on another forum. Natually, out comes the Pentax system with the Sigma 18-50 2.8 macro mounted.

I couldn't get a decent shot of the part (a close shot of a turbocharger), because the Sigma lens is just long enough to cause vignetting with the inbuilt flash. So I take out yon Promaster flash (I know, I'm cheap :D ), slap some made in China NiCads in it, and proceed to take the shot. But something's wrong- flash isn't firing. :hmm:

My first reaction was I got ripped off by Promaster, because I didn't get 10 shots out of their penny pincher flash! But I could still hear it 'juicing up' (you know, the whine they make?)-the ready light just wasn't coming on. I say OK to myself, and assume that the batteries probably just need to be charged.

I pop the battery cover off the flash, and dump the batteries into my hand- BIG MISTAKE! Turns out some of the plastic 'wrapper' that forms the outside case of the batteries (an insulator) had rubbed off, and was allowing a couple batteries to touch each other, resulting in a short.

The batteries had gotten so hot, that by the time I took them out (maybe 2 minutes tops), not only did I get a minor burn from the batteries themselves, but molten solder from the circuit board inside the flash (which was melted by the heat from the batteries!), and the battery springs came out onto my bare hand as well!!!! :eek: :eek: :eek:

Needless to say, I cursed and threw the offending batteries to the other side of the room in shock. Once I got my bearings about me, I remembered that a hot battery is a potentially explosive battery as well. I didn't have much time to react, so I grabbed a nearby shop rag, threw the batteries into a box, and heaved the box out the front door. I figured it would be best if they exploded outside the apartment, away from human flesh.

After about 30 minutes, I peered outside. Nothing untoward happening, so I found the box, and tested the batteries for temperature. They were cool, and I was quite relieved-crisis averted for now. I still need to dispose of the batteries, so that means a trip to hazmat next working day.



That's the story, now here's the awareness.

Would you know what to do in the event of an overheating battery, or if you got acid on your skin or (God forbid!) in your eyes?

At work, we have contingencies for such occasions. Not all of them are applicable to the home environment, so I'll pass on what I can.

First off, you have to know what kind of battery you're dealing with. At the time of the incident, I had a mix of NiCad (Nickel Cadmium) and NiMH (Nickel Metal Hydride) batteries in my bag- shame on me. I should know better. The emergency proceedures for different battery types are -duh- different! That means if someone tried to neutralize a chemical burn on my skin and used the agent for a NiCad when I was using NiMH batteries, it may have made the situation worse!

Point #1: Make sure all of the batteries in your bag are of the same type. You're not supposed to mix them in the same device anyway, and keeping only one type of battery will not only prevent you from harming yourself, but keep others from inadvertantly harming you by trying to help you out in the event of spilled acid.

Second, you have to have the right neutralizing agents available, in case you get some acid on you. Fortunately, they are household items, and you can buy them at any store if you don't already have them. Also, a way to deal with hot batteries is a good idea.

For NiCad batteries, you will neutralize acid spills with a 50/50 mixture (by volume) of vinegar and deionized water. The proceedures for most other batteries is flush with lots of water, and call a doctor.

Remember that if the acid is on your skin, you need to flush the area with water for at least 15 minutes after neutralizing, and then seek medical help. If it's in your eyes, DO NOT ATTEMPT TO USE THE NEUTRALIZING SOLUTION! Flush the area with water, and immediately call 911! Swallowed some? :fedup: OK, you're most likely a friggin retard, but immediately call 911 and your local poison control center! Do not assume that because the burn is subsiding, you're going to be OK-let the doctor make that decision.

Point #2: If your dealing with batteries, you're also dealing with their potential hazards. No one thinks it will happen to them, but it happened to me and I'm telling you- it's the worst feeling to know that a battery could explode and spew acid all over your apartment at any given second! BE PREPARED. Most people will have vinegar in their home, but you can go one step farther- have a spill kit. It doesn't need to be anything fancy or over the top- just a clearly marked jug with premixed neutralizing agent in it, preferably in an easily accessable place. If the batteries are hot and you think they might blow up, stick them in a bucket of cold water away from anyone (or thing) that might be harmed in the event they do blow. If you can't do that, throw a wet towel on top of them. That will help make sure that if they blow, the acid stays in a relatively controlled and small spot.

Thirdly, make sure those in your family know the proceedures for impending battery doom. It's one thing for me to know what to do, but what if this had happened to my son/daughter? Would they know what to do? Knowledge is power, and it could save your skin, vision, or possibly your life.

Point #3: If its important to you, post the MSDS for batteries in use in your home, along with the emergency response proceedures and telephone numbers to call. That makes sure even a small child can help you, if for some reason you become incapacitated.

Here's the MSDS's (Material Safety Data Sheets) for some common types of batteries, if someone wishes to learn some more about them/post them up in their home.

NiCad
NiMH
Lithium Ion
Alkaline

Thank you, and have fun safely taking pictures!:D
Forum: Pentax SLR Lens Discussion 07-10-2015, 04:37 PM  
K3II/DFA 150-450 for Wildlife
Posted By DDoram
Replies: 9
Views: 3,627
I have had the DFA 150-450 for several weeks now and am finding the zoom range to be quite useful for wildlife. This lens also pairs well with the HD 1.4X TC. The Grizzly bear photos from Jasper National Park are with the 1.4X TC.
Forum: Homepage & Official Pentax News 07-30-2015, 02:13 PM  
PENTAX K-3 II Digital SLR Camera ‘Power-Off’ Notice
Posted By Scooterpilot
Replies: 75
Views: 8,329
I just opened up the box for my K3II. I returned to K3II's to B&H and asked for a refund. I bought the camera elsewhere! Yep, the serial number is NOT affected by the recall, this is AWESOME. Let the games begin.
Forum: Pentax DSLR Discussion 01-23-2015, 07:45 AM  
Pentax K2000 breakdown to sensor level
Posted By brewmaster15
Replies: 17
Views: 4,109
Hello all,
I have no idea if this will interest anyone but one of my older DSLRs, The K2000 recently gave up the ghost. Rather than sell for parts on Ebay, I decided to take it apart. Mostly out of curiosity to see if I could understand it better, maybe figure out a few things. Particularly of interest was the sensor and IR filter, as I am interested in converting another camera to IR.

Preface here... I am not a camera tech, I'm just a hobbyist photographer that enjoys DIY projects. Take what I say and post here with a grain of salt, and feel free to comment, or correct anything.

















2









Getting to the good stuff now...


















































One thing about electronics is they don't need to be plugged in to give you one heck of a shock. Even without batteries, cameras like this have one huge capacitor that stores electricity. I have read on the DIY sites that if you depress the camera shutter button several times it will discharge the capacitor. Not wanting to get knocked on my butt or worse, I discharged it with an insulated screw driver by touching both terminals in case the DIY sites were wrong. Guess the capacitor didn't read the DIY sites, because that thing made a snap crackle and pop like you wouldn't believe. I've no idea how much juice it stored, but its the size of a AA battery!















I ran into my first technical glitch at this time. I wanted to get to the image capture sensor.,.. but Pentax has it sandwiched between metal plates, that have tiny hex heads, and my particular version was cemented/glued in place as well. Whats a guy to do when he really doesn't have the right tool or alot of time, and isnt planning on reassembling? Have Dril will travel! ;)




Of course if I was trying to put this back together, I'd have to be real careful here and see if I could free it up another way..I have a feeling its designed to not come apart, but be replaced as an assembly. Once the screws are drilled out the plates come apart with a little force. They are held together by a perimeter of magnets...






Here are the magnets...





and here is the back of the sensor...




And this was the GEM I was seeking.......What you are looking at is the "film" of the camera. In this case its a 10.2 megapixel CCD. The light you are seeing is reflected from my phones flash. Not sure what exactly causes it but its beautiful.











To protect the sensor from infrared (IR) light theres a special filter on top of the CCD that allows normal light in and blocks IR light which the digital cameras are sensitive too. Its blue in color.







and here is the CCD without the filter...again, really pretty colors there..








And heres what the patient looks like exploded out...:)




So what did I learn after spending 3 hours taking apart a dead camera... well actually a lot!.
The Pentax camera has a dust removal system that relies on shaking the sensor. From what I can tell the sensor actually "floats" in between those magnet bound plates... I could move it around a bit and can see how that mightbe how the dust removal works Pretty ingenious at the time it was developed.

The IR filter is something that alot of DIY hackers remove..This allows you to do Infrared photography, which was the main reason I did all this. I wanted to see how hard it was to get to that IR filter. On Some cameras its easier than others, but not this model! I found a company that will make this modification on this camera for $350. http://www.kolarivision.com/pentaxco...onservice.html


Of course they definitely know a heck more than I do and may know better ways than I could find, but tell you what. $350 is not unreasonable! OUT of my Budget, but if I had it..why not. I have a huge interest in IR photography and this little exercise was time well spent!

If I was to do this as a DIY on my other cameras I also need to de-solder a few wires from the circuit boards and re-solder when I re-assemble. Not too difficult.. In this break down I cheated and cut the problem wire.

The capacitor in the DSLR is massive, relative to the camera size.! I did not expect something that big in such a small camera... but I should have. Also noted..discharge , do not assume its discharged.

The IR filter is easy to remove and exchange any filter I want with.

Lastly theres one heck of alot wires,screws and circuit boards in the camera. Do yourself a favor, don't drop one!


Don't know if this was interesting or not for anyone, but gives you a better understanding of the "magic" that goes on when you try and take a picture with a Digital SLR camera.

al

ps.. DO NOT TRY THIS AT HOME with a good camera! AND IF YOU DO.... DON"T ASK ME FOR ADVICE ON IT.. I like to try and figure out how things work. It doesn't make me an expert, just inquisitive.


---------- Post added 01-23-15 at 07:47 AM ----------

If I put this in the wrong place, please move to the best location. Still getting used to the forum layout.

thanks,
al
Forum: Pentax Price Watch 06-14-2015, 04:26 AM  
K-3 II $978.26 at Adorama
Posted By Adam
Replies: 22
Views: 3,116
And it looks like you can take over $100 off the K-3 II at Adorama today...

Pentax K-3 II Digital SLR Camera Body 16160

Forum: Pentax News and Rumors 04-24-2015, 04:27 AM  
Pentax K-3 II Officially Announced
Posted By RockvilleBob
Replies: 1,014
Views: 117,623
It is refreshing to see new announcements and product enhancements. Not every enhancement and new product will be suited for every Pentax user. However in the past year or so we've seen the announcement in optics from the 1.4TC to new full frame lenses; high resolution studio/ professional 645D; several firmware updates; and now the K-3II. If a new particular lens, camera or other accessory is not for you - who cares - perhaps the next one will be up your alley. The introduction of new products, enhancements on a regular basis with more to come is great to see. Thank you Ricoh.
Forum: Photographic Technique 02-19-2015, 03:42 PM  
How do I develop pro-level shooting skill with only basic equipment?
Posted By nomadkng
Replies: 48
Views: 5,100
I shot film for 20 years on a Pentax K1000. Every image was essentially shot at f2.8 or lens max and I bought iso 400 film that I pushed to 800 because I did not have a tripod. I couldn't afford one for so many years, it was actually a hassle when I first tried one. In 2005 I went through all my film images, scanned about 50 and started selling them on a "For Stock" website. I actually sold around 20 images in 2 years but I received 10x that many harsh critiques. So I went digital, thinking that was the solution to whatever "issues" were raised about my images. I then used my K10 like the K1000 and posted them for sale. The critiques were even worse and quite often sent me into an indignant rant. But I also started surfing the net and found a couple websites like Luminous Landscapes. I read some tutorials, learned about concepts like ETTR, started paying more attention to websites of other photographers and started trying to figure out what they did to get the photos they got.

Fast forward 7 years, to today. I still read website articles, though probably not as much. And I still have images for sale on a website. I still only sell about 10 a year, so I'm by no means self supporting, but I think the images I market now are a hundred times better than those images from film. SOME of the IQ is actually because of much better equipment, but a lot is a result of having taken 2-3000 pics a year for the last 8 years. I doubt I took 3000 pics in 20 years because I couldn't afford the developing costs.

What's the moral of my story? The secret to becoming a "pro" is acting like a pro. Put in the time and effort and research to be in the right spot at the right time and then take 1000's of images. Hopefully you'll find a mentor along the way, hopefully you'll receive some good strong constructive critiques and hopefully someday you'll be happy with your images. I'm not "there" yet, and I don't think I'll ever "get there" due to my own self imposed limitations, but what I have done is immensely improved my photography though hard work. That hard work has resulted in better technique and better understanding of my equipment and its strengths and weaknesses. That hard work has resulted in more properly exposed images and better post processing of those images. That hard work has also helped me develop the artistic side. That's what makes photography unique, it's not just science, but a combination of using science to make art.

However, what no one has mentioned, and I believe to be a very important fact, without his reputation garnered from images taken with "pro" equipment, I seriously doubt he could sell his low res low tech photos. So although, this pro created great images, they are "saleable" because he's already a pro. There's no way in heck, he could sell those images anywhere if he was an unknown entity. Places like Getty and Shutterstock and other photo outlets have not only artistic requirements, but technical requirements. Some won't even take your images unless you are shooting a specific camera body. We can argue all day whether that's an unreasonable bias, but my point is, this article is a straw man argument.

So back to the OP question... What I believe really makes one a "professional photographer" is one who has mastered both the technical and artistic demands of photography. Yes you can take an archaic P&S camera and still make quality images. But sales are much more than just making a quality image, it's why there are a lot of great but starving photographers/painters/etc. Add masterful marketing as another prerequisite for being a pro because it goes a long way toward your ultimate success.
Forum: Pentax News and Rumors 02-10-2015, 12:16 PM  
Lens Maps Updated
Posted By D1N0
Replies: 248
Views: 44,154
So who is designing the new lenses for Pentax? Maybe that's a question for Adam at CP+.
Forum: Pentax Full Frame 02-04-2015, 03:07 PM  
Sticky: FF Officially Announced, to be presented at CP+ 2015
Posted By Adam
Replies: 146
Views: 48,732
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