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Forum: Ricoh GR 09-05-2021, 07:23 AM  
Glasgow City Murals
Posted By Vendee
Replies: 16
Views: 1,383
I spent the last week in Glasgow with my GRIII. I was born in Glasgow but I left over 40 years ago and this was my first trip back there. Obviously there have been lots of changes but one nice thing is the recent trend to paint colourful murals on the sides of buildings and other empty wall spaces. They certainly brighten up a gritty city and I enjoyed finding them and photographing them with the mighty GRIII. I think I've got over 30 murals but here is my personal top ten:-


Saint Mungo.


Bubbles.


Bubbles 2


St Enoch and child.


The worlds most economical taxi.


Honey I shrunk the kids.


Study of a woman in black.


Strathclyde University.


Clutha Pub.


Dr Connolly I presume.
Forum: Pentax SLR Lens Discussion 11-16-2019, 09:31 PM  
fungus in lense
Posted By Digitalis
Replies: 10
Views: 940
Though bear in mind Fungal spores are difficult to kill, right up there with viruses, prions and politicians.
Forum: Pentax News and Rumors 07-02-2019, 03:52 AM  
New Sony APS-C Sensor - 26MP
Posted By biz-engineer
Replies: 1,219
Views: 109,748
Horses can be used for farming, but tractors do the job faster.

There is a market for each type of camera, one of the type is full frame will lower mega pixel and fast operation. As I don't have any figures of the proportion of the Pentax market that would buy such 24Mp FF camera, I can tell if it should be a priority or not for Ricoh. Ricoh marketers are better placed to answer that question. What I can say however is: I can hardly go back to apsc (*) now that I'm used to FF and have lenses with the right focal length for FF. I'd buy a faster version of the K1 to complement my K1s, even if that mean less mega pixels for the faster camera.

(*) I've sold all apsc lenses, to buy Pentax D-FA lenses (quick and silent focusing), I wouldn't want to invest (buy) again screw drive and SDM lenses for an apsc camera. A faster than K1 full frame camera would suit me better.
Forum: Pentax News and Rumors 07-01-2019, 09:51 PM  
New Sony APS-C Sensor - 26MP
Posted By biz-engineer
Replies: 1,219
Views: 109,748
Yes, that's right, things are mixed up.

The problem in that discussion is people confuse what would be practically useful to sport shooting, what Ricoh needs, and what the competition is doing.

1) What the competition is doing, is mostly irrelevant in ILC market because people still buy new camera models even if not top noch, simply because they have lenses in K mount. Evidence is the K1, the K1 isn't top notch, there are better cameras , but is good enough for slow shooting and can use K mount lenses. Customers still buy a K1 based on price, and based on having K lenses already.

2) What Ricoh needs: what Ricoh needs is not the problem of the photographer. What Ricoh needs for successful business case is to address "points of pain" of camera users, the success of Ricoh camera depends on what the new camera would do that the K1 II doesn't do well, i.e sport shooting

3) Sport shooting: 24Mpixels full frame is the best, it has always been, and it doesn't require to redesign the whole camera into a D5. While the 4.4 FPS and buffer @ 36Mp of the K1 is too slow and too short, the kind of frame rate of the K3 and buffer depth on a 24Mp full frame camera would be suitable, and it would require to redesign the K1 body, and the K3 electronics proves that Ricoh can a faster camera at 24Mp.

The K1 is sizable, a high resolution, relatively slow camera:
- for the size, Ricoh have addressed the gap with the GRIII, you can now buy a GRIII for when you still want to have good image quality when you don't want to carry a big camera around
- for the speed of operation, the gap is growing. Usually, rapid shooting require high shutter speeds, hence high ISO, and that's why a full frame sensor is more adequate, Pentax doesn't have a low resolution FF for sport shooting. Apsc 26Mpixels would be fast but noisy. Typically, still bird shooter use a 7D or D500, but for sports 7D and D500 are not the best choice, low res. full frame are the right choice, Pentax doesn't have such camera in the lineup.
Forum: Pentax Full Frame 12-29-2018, 08:08 PM  
Remember the original Pentax FF prototype?
Posted By Ash
Replies: 21
Views: 4,482
I came across this image and it just brought back memories:


Pentax MZ-D - Wikipedia

It has been 18 years since then, and 15 years before the first FF dSLR was announced by Pentax.
The digital FF project was scrapped in 2001, and Pentax held off on considering and developing a digital FF camera in 2012.
How far we have come from then with the K-1:



Happy shooting Full Framers. :)
Forum: Pentax News and Rumors 09-12-2018, 04:55 AM  
Is Lim 31mm discontinued and new model is coming?
Posted By Digitalis
Replies: 7
Views: 1,828
You mean the Seasonal FA limiteds are discontinued thread.
Forum: Pentax News and Rumors 02-19-2018, 03:48 PM  
K-1 mark II imminent
Posted By JPT
Replies: 278
Views: 36,036
Agreed. A month ago nobody expected any kind of update to the K-1, but a month from now buyers will have the choice of a slightly better one or getting the existing K-1 a bit cheaper. Seems like a win for buyers.

Also, as a user of the K-5 IIs, I remember all the disappointment when that was released, but it has become a well regarded camera. There’s a difference between a newsworthy camera and a good one.
Forum: Pentax Medium Format 12-09-2017, 06:59 AM  
645D sensor size
Posted By Digitalis
Replies: 12
Views: 1,959
This isn't all that dissimilar to saying there isn't a difference between 645 format and 67..there is actually quite a bit of a difference when you stop to take in all the details.



That is a suicidal marketing move if I ever saw one.

Hey Zenit, have you met Contax?
Forum: Pentax K-1 & K-1 II 07-02-2016, 10:35 AM  
Pixel Shifted Images
Posted By loco
Replies: 1,738
Views: 238,523
Very nice work, Rondec! And a great idea for a thread.

I have had limited use of pixel shift so far, but here are a couple examples, with full size images available on Flickr. I use the same technique as you for processing pixel shift images. However, the sunrise photo below is actually a pixel shift HDR image processed in Photomatix Pro.

farmouse sunrise by Lori Coleman, on Flickr

pixel-shifted fruit bowl by Lori Coleman, on Flickr
Forum: Pentax K-1 & K-1 II 07-02-2016, 11:35 AM  
Pixel Shifted Images
Posted By Rondec
Replies: 1,738
Views: 238,523
Strawberries (with DFA 100 macro)

Strawberries by Vincent1825, on Flickr

This is the sort of image made for pixel shift, since nothing is moving and with a nice stable tripod you get incredible detail.
Forum: General Photography 10-13-2015, 10:59 PM  
Potential New Sensor from CMOS Inventor
Posted By Digitalis
Replies: 4
Views: 1,222
This was posted on the 12th of October, I cringe every time I see the phrase "game-changing" and "Paradigm shift" which are both seen in the PR paper makes me think it is nothing more than hyperbolic drivel. Besides Falk Lumo has been talking of this kind of technology for ages, hardly a paradigm shift..more like a wiggle.

Cameras with High capture rates, and Video for a device with a sensor like this would require a tremendous amount of processor power, and a considerable amount of buffer memory to handle the pixel data, and a battery able to power it all.
Forum: Ricoh GR 09-23-2015, 01:22 AM  
My much neglected GR
Posted By newmikey
Replies: 4
Views: 2,081
I am ashamed that I neglect it so often in favor of my K-5 IIs. The GR certainly deserves better! Took it to the beach last night and these are the results:

1.
Seascape - last light by Mike Bing, on Flickr

2.
Egmond lighthouse by Mike Bing, on Flickr

3.
Seascape - last light by Mike Bing, on Flickr

4.
Seascape - last light by Mike Bing, on Flickr
Forum: Ricoh GR 09-23-2015, 04:44 AM  
My much neglected GR
Posted By jva59
Replies: 4
Views: 2,081
Very fine shots indeed!
Forum: General Photography 06-02-2015, 03:22 AM  
Why are fast lenses sharper?
Posted By PJ1
Replies: 43
Views: 4,271
How about sharp starting at f4? S-M-C/Super Macro-Takumar 50mm F4 It will probably out resolve a lot of lenses at f4 but it still gets sharper as it is stopped down.


A good macro is designed to be sharp across the frame but nearly all lenses (even macros) will be sharper in the centre than at the edges. After all, it is mostly subjects towards the centre of the frame that we want to capture. Without getting too much into optics, if a lens is sharper at the centre, it will get sharper as it is stopped down because we are using more of the "better" part of the lens (That is putting it a bit crudely but one of the factors to consider is that a lens has a curved surface and it is projecting onto a flat surface. Sony are developing a curved sensor which will supposedly to address that. But how finicky do we need to get?). If we stop down further - usually past f11 but it depends on sensor size - diffraction effects start to degrade the perceived sharpness of the lens. That is why some lenses may be described as "diffraction limited". It means that the decline in sharpness past a certain point is due to diffraction and not the optical qualities of the lens. If you look at graphs of lens tests you will see that almost all lenses get sharper as the are stopped down and then start to decline after f8 or f11 (some even sooner). Diffraction is there at wider apertures too but it is not so noticeable.


The dpreview site allows different lenses to be compared - with caution, because there are only a couple of Pentax lenses there and other comparisons must be made on the same sensor to be meaningful. It is here: Lens review data: Digital Photography Review


The Zeiss Otus 55/f1.4 is about the sharpest lens around at the moment. It is at the bottom of the list. It is very sharp at f1.4, peaks at f2.8 and then starts to decline (while still being very sharp). It has 12 elements in 10 groups. They must have gone to all that trouble for a reason. It is undoubtedly a good lens, but costs about $5000. The SMC Pentax-DA* 55mm F1.4 SDM can be had for about one eighth of that price. It has nine elements in eight groups - less glass, less weight, but also a reputation for being very sharp, and getting sharper as it is stopped down. It is not so much a question of why manufacturers don't make all lenses as sharp as possible. They all work to a price and even an ordinary kit lens these days is produced to fine tolerances and can deliver a great image in the right hands.


If you want to get right into the optics side though, I propose this: If we had an optically perfect lens projecting onto a matched, curved sensor, It would exhibit maximum sharpness at maximum aperture because diffraction would be at the minimum. The moment we began to stop down, sharpness would decrease as diffraction increased. In our imperfect world, it doesn't quite work that way, but the Zeiss Otus optics are pushing towards that limit.


That should open a can of worms! :),
Forum: Pentax SLR Lens Discussion 03-22-2012, 08:18 PM  
DA 18-135 WR, Show us what it can do
Posted By lightbulb
Replies: 4,717
Views: 744,427
You adventure starts here;


Your Adventure Starts Here... by Lightbulb2012, on Flickr


Squirrel! by Lightbulb2012, on Flickr


I am Sorry..... by Lightbulb2012, on Flickr


I want Bigger Phish! by Lightbulb2012, on Flickr
Forum: Photographic Technique 03-06-2015, 11:34 PM  
Tones and K-3 vs PhaseOne
Posted By biz-engineer
Replies: 13
Views: 1,840
While browsing through PhaseOne photo galleries I was amazing by the smooth quality of tones and tone range of some of the photographs. Looking back at photo galleries the K-5, or K-3 , or even D7000/D7100, I do not quite see the same effect as PhaseOne delivers. But, I can also see that a number of medium format photos do not look better than APS-c counterparts. So, I'm wondering if these nice smooth tones are due to better sensor performance or if they are related to exposure and post processing , hence also achievable regardless of the sensor size. Anyone being knowledgeable about this , and willing to share?
Forum: Pentax SLR Lens Discussion 02-02-2015, 05:36 AM  
Good review of DA16-85/3.5-5.6
Posted By ogl
Replies: 22
Views: 3,758
Pentax???? - ?????? ?????????HD PENTAX-DA 16-85mm F3.5-5.6 ED DC WR - ?? - Mobile01

As for me - 18-135/3.5-5.6 is not worse at all. There are also 18-55 WR and new 18-50 WR RE.
I don't understand who needs such rather mediocre lens which bigger than 18-135 (Am I right?).

This zoom is not bad, but nothing interesting. I hoped for better resolution.
Forum: Pentax K-3 & K-3 II 11-17-2014, 08:25 AM  
Possible D800 to K3
Posted By MJSfoto1956
Replies: 2
Views: 1,631
I shoot both the D800 and the K-3 together. Generally I use the Nikon for "wide" and I use the Pentax for "long". In particular, I absolutely love the DA* 60-250mm -- what a great lens. I did extensive testing of the K-3 + DA* 60-250mm versus Nikon D800 + AF-S 80-400mm VR and I could not see any IQ difference in 20"x30" prints. I happen to like a two-body kit so that I don't have to change lenses. Particularly for events. I don't find switching to be an issue. For RAW processing I use DxO Optics Pro on all my cameras so I have a common "look". The new v10 version is a big improvement. Additionally, all my cameras use the Arca quick-release system as well as OpTechUSA connectors so everything just "works" together, whether it is for panoramas, flash photography, events, etc,. For the first time in my photo career, the camera body brand is the least important part of my system. I have a LOT more invested in everything else. For me, the combination of Nikon D800 + Pentax K-3 currently gives me maximum flexibility and IQ in a very portable system.

YMMV

Michael
Forum: Pentax News and Rumors 08-20-2014, 01:06 AM  
Pentax K-S1!
Posted By Dartmoor Dave
Replies: 1,845
Views: 196,913
I think Pentax has made some excellent choices with this camera. Most importantly, the simplified control layout will have a lot of appeal for beginners looking to upgrade from a smartphone to a DSLR. You only have to read some of the beginners' questions on this forum to realise how bewildering all the buttons and dials on a DSLR can be for people just starting out. A non-scary looking DSLR is a great idea.

As for the optical vs electronic viewfinder: switching to an EVF would be the beginning of the end for the K Mount. It would be pointless making cameras with over 4cm of empty space where the mirror box used to be, just to keep the correct lens registration distance. An EVF would have to mean a new mount with a shorter flange length, plus an expensive new range of lenses, which is a heck of an investment in a crowded mirrorless market. With the K-S1 they've made the very sensible choice of keeping an optical viewfinder, which saves development costs and also offers a marketing lever: a mirrorless-sized camera with a full optical viewfinder.

Remember that the big hump on top of the camera isn't the pentaprism's fault anyway; the prism on an APS-C camera is actually tiny. The reason for the hump is the built-in flash that the market demands.

And if I hear one more complaint about the freakin' lights I'm going to smash my keyboard over my head. Does anyone really think Pentax would be dumb enough not to include a menu option to turn the lights off? The row of lights on the grip are just the self-timer countdown anyway--just an updated version of the red LED that already flashes on your existing DSLR.
Forum: Pentax News and Rumors 03-10-2014, 03:54 AM  
FA LIMITED will be updated soon
Posted By Uluru
Replies: 341
Views: 57,816
Because the traditional camera market by the end of 2014 will be at some 40% of the size of the camera market of 2011.

FF did not make much sense in 2011, and was negligible part of the market. In 2014, when there is even 60% less buying power, it makes even less sense for any manufacturer to come with an FF, apart from those who already have extensive FF lens lineups and don't want to bother investing further into the APS-C.

FF makes sense to Nikon and Canon alone, as they will stop developing APS-C lines further. To them the story goes on like this: (A) they may further split their lines by introducing pro level APS-C cameras and more crop lenses, or, (B) they may use same that money and further invest in FF cameras for which they have 5x more lenses already and need no new ones.

So what would they do? What would any sane business do in their place and in shrinking market? Further split their lineup or keep it more streamlined? To them it makes perfect sense to play the FF game and sell people story that size matters. And you will buy that story. As will Rice High. It is not because the story is true, but because they are forced into it but people fail to see why. Canon and Nikon have no other retreat or else they will succumb. Their power is where their lenses are.

Sony, on the other hand, just plays cluelessly in the sand because they make sensors others buy, but they realise the time for games are over. They need much more to sustain themselves in terms of sales of cameras and lenses than they do now, and will start introducing (they already have) crazier and crazier cameras that utilise different types and sizes of sensors only to keep the supply of sensors at some sustainable levels and others buying from them.

Sony is becoming a new Kodak.
Forum: Pentax Lens Articles 08-12-2010, 04:24 AM  
Sticky: How to use/meter Manual & M42 Lenses on all Pentax DSLRs (K-1, K-3, K-5, K-30, etc)
Posted By Adam
Replies: 358
Views: 416,634
Many Pentax DSLR owners want to use M42 screwmount (Takumar) lenses, or M or K manual lenses, on their cameras because of the low cost and relatively high image quality of these lenses.


If you're wondering whether or not these lenses can be used with Pentax DSLRs (or the K-01), then the answer is yes! Pentax as well as third-party manual and screwmount lenses can easily be mounted on any Pentax DSLR (such as the K-1 series, KP, K-3 series, K-70, K-S2, K-S1, K-50, K-500, K-30, K-5 series, K-r, K-x, K-7, K10D, K100D, K200D, *ist D, etc.) Just follow this guide!



Modern Pentax DSLRs use the Pentax "K-mount", which employs a bayonet and therefore differs significantly from the M42 screw mount. The older manual M and K (SMC Pentax-M, SMC Pentax) lenses actually use the bayonet, so they will not need an adapter - you can skip straight to the lower portion of this article (starting at "Important!") for information on how to meter with those lenses. Screwmount lenses usually have "Takumar" in their names, and in order to mount screwmount lenses on your k-mount body, you'll need a Pentax k to m42 adapter. Pictured above is the genuine Pentax adapter, which is ideally the one you want to get. Similar third-party adapters are also available. Caution: Many third-party adapters, such as this one, have a protruding flange which will prevent you from focusing all the way to infinity. If you want to buy a third-party adapter (they're generally cheaper), make sure that they don't have this flange. Here's an example of a good third-party adapter.

Once you have your adapter, the next step is to install it on your camera (it can easily be put on and removed on-the-fly). Check out the m42 to k adapter manual.


After you've installed the adapter, you'll want to mount the lens. This is done by screwing it into the camera until the lens feels firmly attached. The focusing window and lens ring should line up with the camera just like any other lens. Now that your lens is mounted, let's talk about how to take photos with it.

Important! The hard part is to get the camera to actually fire when a manual lens is mounted. In order to accomplish this, enter your camera's custom function menu, select the "Using Aperture Ring" setting (usually at the end of the menu, #21 on the K-7, #27 on the K-5, #27 on the K-3, #26 on the K-1), and set it to 2 (allowed). Once you do this, the shutter will at least fire, as it wouldn't have with this setting disabled (you would simply have seen an F-- indication on the top LCD/info screen). The setting description should read: 'Shutter will release when aperture ring is not set to the "A" position' when "allowed" is selected. Also note that the mount on the lens must be conductive for electrical current so that it shorts the electrical contacts on the camera body. All Pentax manufactured lenses have a conductive mount, but some third party lenses do not in which case the area of the mount touching the contacts must be sanded down.

K-30, K-50, K-500, K-70, K-S1, K-S2 and K-01 users: make sure you also set your green button "action in M/TAv Mode" to Tv SHIFT. This is found under the button customization menu (page 3 of the main menu) on the K-01 or as a custom function on the K-30, K-50 and K-500. On the K-S2 and K-70, look under the e-dial programming sub-menu under button customization in the record menu.

Finally, ensure that auto ISO is disabled.

At startup, if your camera asks you for the focal length, enter the actual focal length as labeled on the lens. This will ensure optimal Shake Reduction performance. For zooms, you can use the lower end of the zoom range (this ensures that there will be no over-compensation), or the focal length that you shoot at most often.

Now, let's discuss metering. Since manual lenses don't feed aperture data to the camera, the only way for the camera to check how much light is being passed through the lens is to measure the light while the lens is stopped down. Follow this procedure to properly meter with a screwmount, M, or K lens:

___0. Ensure that the "Using Aperture Ring" custom function is set to "2 (allowed)" (K-30/50/500/01 users must also ensure that the green button is configured to Tv Shift in M/TAv Mode) as described above
  1. Set your camera to M mode using the mode dial (your camera won't fire in other modes*)

  2. Compose and focus your image.

  3. Using the aperture ring (the ring at the very back of your lens; it will have numbers such as 2.8, 4, 5.6, 8 written on it), select your desired aperture setting. Note that the smaller the aperture number is, the more light passes through the lens, and the blurrier the out of focus areas of your photograph will be (and vice-versa). Note your lens will not stop down until step 5.

  4. [Screwmount lenses only] Switch the diaphragm clutch on your lens to "Manual" (you can leave it on Auto when composing and focusing if you don't want a dark viewfinder).

  5. Measure the light by either pressing the "Green Button" (older bodies may use the Av button), or pushing your power button to DOF preview mode (only available on high-end bodies). Your camera will automatically set the shutter speed for you.

All that's left now is for you to press the shutter release button to take your photo. Congratulations- you've now learned how to use M42 and M & K manual lenses with Pentax DSLRs!

*Screwmount lenses may also be used in Av mode since they are always stopped down to the aperture you will be shooting at (unlike M&K lenses, which are stopped down only when the shutter is released or when you meter as described above).

Note: if your aperture ring has an "A" on it, instead of doing stop-down metering as per this guide, you'll want to set the ring to "A" and use the camera's scrollweel to adjust the aperture via Av mode.

Click here if you found this article helpful!

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