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Forum: Sold Items 12-10-2013, 09:22 AM  
For Sale - Sold: Pentax FA 50mm F/1.7 *REDUCED...Again!*
Posted By xinanbei
Replies: 30
Views: 4,824
I have a same lens. And I just love it. Maybe it is not the right time for this relatively rare lens. Good luck ````
Forum: Sold Items 12-10-2013, 08:22 AM  
For Sale - Sold: Pentax FA 50mm F/1.7 *REDUCED...Again!*
Posted By Fat Albert
Replies: 30
Views: 4,824
Bump for a terrific lens! Can't believe this is still available.
Forum: Pentax DSLR Discussion 12-08-2013, 08:07 AM  
Will there ever be a three wheeled Pentax?
Posted By Heie
Replies: 29
Views: 2,551
I've been the third wheel a few times.

It's never welcome...
Forum: Canon, Nikon, Sony, and Other Camera Brands 11-10-2013, 10:10 PM  
First Day with the D800
Posted By Wired
Replies: 105
Views: 11,309
been a while... Got the K3 this month, and I've been dual wielding both cameras this month so far for the Singles in Challenge on both the nikonforums and here, the Nikon with the Zeiss 50mm f1.4 and the Pentax with the FA Limtied 43mm f1.9. The field of views are kind of similar between the two cameras, with the Pentax requiring you to take a step and a half back to get a similar field of view, which wasn't done by design... but for fun.

The interesting thing here is that both lenses are actually quite similar.. both are tack sharp dead center, both get incredibly sharp around f4 throughout the frame, and by f11 start showing diffraction. They also make beautiful starbursts and render color and contrast extremely well. So its' actually quite fun to use them together and make the camera body do the work.

One thing that is quite evident in the first two photos of this post is the white balance and color rendering differences between the two cameras. As you can see both images are very sharp and have tons of detail, but the Pentax image just doesn't have the life in terms of colors. Granted before I set the "vivid" camera profile in Lightroom for the D800 these images were incredibly similar in terms of color saturation and contrast. Now both cameras were set to auto for WB here, and I got to say, the Nikon presented a much nicer color temperature...but the Pentax was way more accurate to what I actually saw.


Nikon 11.08.13 by LK_335, on Flickr


Pentax 11.08.13 - 2 by LK_335, on Flickr

Here is another example of how the white balance plays tricks. Now the exposure settings for these two images are very different, but as you can see the D800 has a more muted tone. Actually come to think of it, I think I set the Pentax up for "shade" which may explain a lot... but the rendering again is very similar in terms of sharpness. But I prefer the D800 image myself.

It's an interesting thing here, the D800 takes photos to the next level, I already know this. The Pentax though..


Pentax 11.07.13 by LK_335, on Flickr


Nikon 11.07.13 by LK_335, on Flickr

Well the Pentax is just more enjoyable to use. It's faster, which has a lot to do with it. Granted it's not processing massive RAW data files, but the 24mp files the K3 puts out aren't tiny when compared to the 16mp files the K5 or OMD EM1 output, and are very large compared to my little sidekick the Pentax Q/Q7. Then again, I'm used to the Pentax way of doing things, and while Nikon has some nice advantages, the Pentax has it's own too.

I've used live view a lot on both cameras this past week or so, and a large reason for that is the tripod use. I can say I prefer the K3 in this role, only because it's faster with the processing time. The monitor is also not as noisy as the D800, even though the D800 live view shows a more accurate preview of the final image. Doesn't matter though since I can take 3 shots and chimp them before the D800 even lets loose with one when you consider how slow it is between shots. This is because the K3 seems to do less between shots. In fact, it seems to operate like a mirror-less camera just letting the shutter go and returning to ready status, unlike the D800 or K5 which I assume let the mirror down and then lock it back up to return back to live view.. which in hindsight just doesn't make sense.


Nikon D800


Pentax K3
The other thing I love about the Pentax K3 is glove ergonomics. This may not be that important in some other places on this planet, but here in Edmonton, Alberta Canada...it's very important as we start getting closer and closer to -30 degree Celsius temperatures without windchill. The ability to navigate all exposure parameters of your camera, and even drive mode with gloves on is very important. Heck, even your tripod should have this ability.. all pieces of gear used in this cold should be able to be used with gloves.

it's also important to have the right gloves. I love these Thinsulate work gloves I found for construction workers who are out in the cold and still need maximum finger dexterity. They are super grippy and water resistant which is important out here.

Now, how does this affect the D800 vs K3 situation? Well because the D800 ergonomics were already in question, but now even more so with gloves. Don't get me wrong, the D800 is a very great camera and very comfortable to use with or without gloves, and if you use Auto-ISO and don't change your drive mode this won't matter to you, but both options are a pain to get too with gloves. The switch to unlock the drive dial is a pain to use with gloves and I find myself accidentally actuating one of the buttons up top...like white balance or iso...or accidentally setting the Quality... While with the K3 I can pretty much use the whole camera (aside from live view..that button is a little irritating with gloves) while gloved up for winter.


Pentax 11.2.13 by LK_335, on Flickr


Nikon 11.02.13 by LK_335, on Flickr


At the end of the day, it's impossible to compare these two cameras as if they are on the same playing field. The Nikon is an NHL level camera while the K3 is an AHL level camera. Every once in a while the AHL player gets called up to the best hockey league in the world to show their stuff, and sometime makes a dynamite impact for a bargain price to club. That is exactly what the K3 does... deliver professional results, just with a sub-professional price tag. There is a nearly $2600 price gap between these two kits.... can anyone honestly say there is a $2600 gap in quality? No.

The next test for the K3? Live bands next weekend! Q7 one night, K3 the other night. D800 will stay home.


Nikon 11.09.13 by LK_335, on Flickr
Forum: Pentax K-3 & K-3 II 11-04-2013, 08:08 PM  
My K-3 AF experiences
Posted By derekkite
Replies: 63
Views: 19,976
This is my experience, not some lab report. I shoot mainly long lenses, and have been shooting with the K-5 with a variety of manual focus and autofocus lenses for a couple of years. I have been using the DA*300 for the most part, excepting the bright summer days when I use a Sigma 150-500 OS. I have had great success with these combinations, but have also run into situations where the limits of the equipment either cause frustration, make it difficult to get a sharp photo, or don't even bother because I don't want to waste time. I can get birds in flight with my manual focus lens, but not very many. The conditions that I shoot in range from perfect to utterly miserable. If I wait for the perfect day, I would shoot maybe half a dozen days a year. This isn't lab or studio conditions, but real conditions that I shoot in, and if I may, get some very nice shots from time to time.

There are some situations where I've run into problems

1. Low light focus. It was a regular occurrence, even during the summer, to have the K-5 and DA*300 not focus at all. There wasn't enough light, enough contrast, and it would either try and fail, or not even try. In good light with sharp contrast it worked fine. Some particular situations where this was an issue was when trying to focus on wildlife in the trees or bushes.

2. Another situation where it was difficult to acquire focus was when shooting a small subject on a horizontal plane. For example, last week I ran across an American Pipit that sat obligingly in the middle of a gravel road. The K-5/DA*300 would either focus on a detail on the gravel, or the grass and bushes behind. The same thing happens when shooting water birds at a distance. The contrast of choppy water or the far shore would get focussed, and not the desired subject. I believe the cause was a combination of the low light inadequacy and the large focus points.

3. A third situation is what I call threading the needle. This is where a subject is in a busy scene with many contrasty elements in the fore and back ground. Not an uncommon situation in many contexts; for me it was a bird in the bushes. The large focus points and the inconsistency or unpredictable focus logic made it an exercise in frustration to try to thread the focus point in between obstacles to find and home in on what I wanted. A longer focal length helps, magnifying the subject so that the camera has a better chance of focusing on it, but that wasn't the only problem.

4. Moving subjects were very difficult to focus on. Many things conspire to make this difficult. A large focus point, the inability to pick out low contrast subjects from a busy background, as well as the speed of the focus-mirror-open shutter timing gives you lots of out of focus shots. There are quite a few discrete challenges here. For example, a bird flying against the sky is not difficult to focus on, but the speed of the image capture train will cause a problem if the direction of movement is towards out of focus. If the bird is flying against a tree or mountain background, then the low contrast as well as large focus point makes it probable that the background will be in focus. If the subject is moving towards the camera the speed of the adjustments is critical. The K-5 is a challenge to focus properly in these circumstances.

5. Using live view had its own challenges. Focusing my DA*300 mounted on a tripod using the CDAF in Live view was unsatisfactory, most times unsuccessful. Using a manual focus lens, the magnified Liveview screen was helpful, but the delay in updating the screen meant that it was easy to overshoot the focus adjustments.

First impressions? The limits of focus are the obstreperous subject or inept operator. The DA*300 felt slow and clumsy on the K-5. It feels lightning fast and accurate on the K-3. The shutter noise is different, not louder. The buttons feel more positive than the mushy K-5 feel.

The center focus point is small. I took these shots with spot focus, afc. I followed the bird around, and when I was able to get the point on the bird, it focused. It was a technical challenge, but a positive one; if I point it at something, it will focus quickly. Here are some shots. They are processed in Darktable, compiled from the development branch. There is no profiling of the K-3 coded as yet, but I had no problem reading the files or doing corrections. They are cropped, some substantially to frame what I wanted to shoot, often the limit of cropping before losing quality. Some exposure and contrast adjustments were made, as well as noise reduction.

This is the fourth shot I took with the camera. 1/400, iso 200 f4.


This is what it was doing. Note that the focus is on the background. 1/800 iso 400 f4


This was a long way away. I've shot this site numerous times but the K-3 was able to focus on what I wanted. iso 1600 1/2000 f4. Cropped.


The focus point on this shot was about the size of it's head. Cropped, 1/320 iso 160 f4.


Easy shot, especially when the focus mechanism ignores the intervening brush. 1/640 iso 1000 f4, cropped. Nice and sharp.


This is where I was impressed. Not a great shot, but illustrative. There were a bunch of chickadees, brown creepers and rather frenetic yellow crowned kinglets working their way through the bush. I shot this guy for quite a few minutes as he went from tree to tree. I had it on 7 point with the center as main. I was able to easily shoot through intervening brush to focus. The challenge was low light, low contrast subject and movement, focus was simply just working. I didn't bother doing this type of shooting with the K-5, it didn't work and was very frustrating. I will do much more, I enjoy this.


So far, low light is not an issue at all. If there is a surface to focus on, it will. The size of the focus point is very nice for what I shoot. If it is there, it will focus on it. My lens feels brand new, fast and confident. So far I'm very pleased. Now to test the more powerful and complex capabilities.
Forum: Sold Items 11-04-2013, 09:27 AM  
For Sale - Sold: Pentax FA 50mm F/1.7 *REDUCED...Again!*
Posted By grahame
Replies: 30
Views: 4,824
It is the FA 50/1.7 lens that doesn't show very often. A very nice lens, sharper than FA50/1.4 @ F1.7-2.4.
Forum: Pentax News and Rumors 11-01-2013, 11:39 AM  
Visit to the Quebec city Photo Expo. Discussion with reps, many interesting things!
Posted By bdery
Replies: 43
Views: 10,962
I just came back from the Quebec city Photo Expo. It's a nice show with most of the serious brands. Sony had an immense kiosk, Canon and Nikon pretty big ones, Pentax smaller but quite nice.

I had a chance to talk with the guys there, when they learned I was an optical designer they were all quite eager to discuss and show me stuff.

I'll have images comparing the size of the AF-540 flashes (old and new), The new one is impressively smaller, the zoom head is more silent, and everything seems to operate faster.

I had a lot of time to test the K-3. I love it, a serious improvement over my K20D. It's heavier than I would have thought, but smaller. My Nikon friend was amazed that it could be so small. Live view AF is a breeze, never seen anything like it. Regular AF is lightning fast, about twice as fast as my K20D in those conditions. The menus are super intuitive, the numerous new AF modes are great. In particular, you can select a 3x3 grid of AF points and move it around. All the buttons are super intuitive and functional, the top LCD has a HUGE amount of info on it, it's all good.

I was able to test the HD 21mm and compare it with my SMC, I'll upload pictures later. Hard to tell from my camera's screen. The rep said the coatings were "40% better at letting light through". Apart from that they were the same. I don't really like the new lettering, seems cheaper, but that's just me.

Here's where it gets interesting. I asked a few questions. Here's the verbatim as I remember it.

-I saw on a forum this morning a leak about a new 20-40 limited zoom. Can you comment on this?

-I don't know, sorry, where did you see this?

-Pentaxforums. There's such a lens on your roadmap.

-The client roadmap is not the same as our internal roadmap. I'll look it up.

-What's on your internal roadmap then?

-Much more WR lenses in the coming year, updates to several current lenses (way to go!). Some new lenses models. Also definitely a full frame for 2014.

-REALLY? That's pretty huge news. People will go wild if that ahppens.

-It happens in 2014 except if they change what they tell us.

(Later) -How do you feel about the Ricoh takeover?

-It's a blessing. Hoya was like crossing a desert. Now there's momentum, the sales forces are growing, it's pretty exciting. We see good things ahead.

SOOOO... there you go. The guy knew his stuff, the competition, the products. Lotsa fun.

There were other kiosks of course, I did a short tour of them all. People whining at Pentax's lack of response to SDM issue should look at the Nikon D600 uproar. People get oil on their sensors, Nikon won't acknowledge the problem, the reps said it didn't exist, that there was no such thing, and lied outright about the repair procedure for an eventual defect. My friend was there to contradict him firsthand. So everything isn't green on the other side of the fence.
Forum: Pentax K-3 & K-3 II 10-29-2013, 02:32 PM  
Nice D600 vs K-3 Comparison Gallery
Posted By Cynog Ap Brychan
Replies: 348
Views: 45,539
Am I the only person who doesn't give a fig at what pictures (from any camera) look like at 12,800 ISO? I've never used it, and never will. I know that it's important to some, but am I really in a minority of one?
Forum: Pentax K-3 & K-3 II 10-28-2013, 06:16 AM  
Nice D600 vs K-3 Comparison Gallery
Posted By normhead
Replies: 348
Views: 45,539
They expect it, because it happens all the time. They aren't delusional.
And the reason for that is not the science.

Performance isn't measured in numbers, it's measured in how good an image looks. WHen Ilook at my pictures, I can't look at them and say, "this one is 400 ISO, this one is an 800." I have to look at the EXIF.

Years ago, there was the stupid Coke , Pepsi challenge on TV. 50% of coke drinkers prefer Pepsi. You might think that was impressive. Not if you know anything about statistics. 50% of coke drinkers drinking Pepsi means, you can't tell the difference. Now was there a measurable difference. of course there was, scientists could measure it , quantify it, tell you how much more of one substance, how much less than another. That didn't matter, because the people tasting the drinks couldn't tell the difference. They would declare up and down that they were a Coke drinker or Pepsi drinker, but in a blind taste test they couldn't tell the difference.

At this point I can take the images posted on the blog, and show you exactly how that is happening here with these numerical debates. First off, the image are labelled. You know, if you poor Coke into a Pepsi can, Coke drinkers probably won't notice. You get the same effect with labelled images. When I go through the blog posted images I see a saw off. Some people see all the K-3 images being better, some see all the D600 images being better. I see the images being better or worse based on the focus point selected by the AF, not on which camera took the picture. My evaluation of which was better, and I'm saying they're about equal, is based on the whole system. My conclusion is whichever system is better depends on which system nailed the focus, not what sensor was used etc. And the K-3 did quite well at nailing focus, as good as the D600.

So having established that one camera is one stop better at ISO and whatever... what you have to do next is prove that what you have there is a meaningful statistic. Do 1000 humans looking at one picture or another, notice a one stop difference in ISO or whatever. I know I notice the difference between 3 stops difference 100 to 800, maybe 25% of the time.

On some images a 3 stop difference is noticeable, but I'm guessing it's not noticeable ( if you are not comparing the images side by side) in every picture until you get to 4 or 5 stops if you start at base ISO.


So before you can say the one stop difference is meaningful, you have to prove that it's noticeable, and what the conditions are around that. YOU have to prove you have a meaningful difference.



Think of this a taste testing a cup of coffee. A guy says he like two teaspoons of sugar in his coffeee. But you (knowinf sugar is poison) start give him an 8th of a teaspoon less every day, until he says there's not enough sugar in his coffee. So you go back up and ad another 8th, and it turns out I likes his coffee with 1 5/8 cups of coffee. You can say that with this person, one half teaspoon of sugar is a significant difference. That is the level of difference that he can perceptive.

Now think of a quarter teaspoon of sugar as one stop. It may not be enough to be perceived as different by a given taster, but if it is the difference between 1/38 and 1/5/8 where 1.5 teaspoons defines the tasters bliss point it can be huge. So you have the effect of comparing side by side tests, level of sensitivity, and bliss point all contributing factors in how much sugar to put in the guys's coffee. This is just a cup of coffee, things like noise, and DoF are much more complex.

Until you establish that one stop of DoF, or one stop of noise, or one stop of anything is a meaningful statistic, all you've established is that there is a difference.

And that's why all these numerical analysis about a stop of noise, or a stop of whatever are voodoo science. You never established in blind tests with a large population sample, what a significant difference is. ANd while it's possible each of us has a pretty good idea for ourselves what a significant distance is for ourselves, that has no place in a public forum accept as anecdotal information. It could happen that your perception isn't shared by anyone else on the forum, or by everyone else on the forum. You just don't know.

So, for those who persist in this absolutely childish game of numerical differentiation, I can say absolutely, you can talk all you want about numerical differences, but until you've figured out what they mean, you're talking hot air.

The absolute bozo's who started this discussion by posting this comparison actually did a great service, they showed that other factors beside which is an FF and which is APS-c determine how good the picture is, and that case by case, the APS-c holds it's own, in every day shooting circumstances.

I know the lab rats are going to come in here and totally put this down, because the lab rats understand a different language that excludes human differences and perception and focuses on absolutes. And that's valuable stuff... but never depend on them to interpret what their numbers mean to a human being. They are often really bad at that.

So what would I like out of this. I'd like people to stop talking about numerical diffences unless they can show they are meaningful. Useing the coffee thing, are you talking about an 8th of a teaspoon or a 5/8ths of a teaspoon? A difference that's noticeable, or a difference so fine most people can't see any difference. Until you can make that kind of call, you've got nothing.

Oh, and good morning everyone. :D
Forum: Pentax K-3 & K-3 II 10-28-2013, 05:09 AM  
Nice D600 vs K-3 Comparison Gallery
Posted By BrianR
Replies: 348
Views: 45,539
The dogs were captivated by someone beating a dead horse.
Forum: Site Suggestions and Help 10-27-2013, 12:03 AM  
Question Suggestions for a new forum?
Posted By alamo5000
Replies: 35
Views: 2,971
I think the 'technique, lighting, and processing' forums could easily be combined into one. I don't see any real need to segregate those out as the threads will be seen no matter what...

Also the industry and professional publication forums can be combined too.

I would also think maybe ADDING a forum for technique books and instructional videos would be good. IE A library list of good books to buy/read...

A bunch of threads with good youtube videos that focus plainly on instruction etc etc.... I think having all those books/and videos in one place would be mighty helpful...

For example...create sort of a user/member created library of instructional videos/books...such as this one... and have them all in one place....
















You Tube



Forum: Pentax SLR Lens Discussion 10-22-2013, 03:12 PM  
Sigma 35mm F1.4 Art Review
Posted By Adam
Replies: 7
Views: 4,272
Here's my in-depth review of the Sigma 35mm F1.4:
Sigma 35mm F1.4 DG HSM "Art" - Introduction - PentaxForums.com

Sorry it took so long, but I hope you enjoy it. For those that want to best possible image quality in a normal prime (APS-C), this is a lens you should strongly consider!
Sigma 35mm f/1.4 DG HSM Lens for Pentax DSLR Cameras 340109 B&H

Forum: Photographic Industry and Professionals 08-21-2013, 07:11 AM  
Pentax 35mm/50mm pricing mixup discussion
Posted By monochrome
Replies: 204
Views: 19,739
I don't have a dog in this hunt but you have no way to assert that - even using "probably." It is entirely unnecessary and irresponsible.


For all you know there could have been multiple, individual orders of 50 lenses (to be resold on eBay) - or even more. SureSource could have had their system overwhelmed by order traffic. You don't know.

You have no way to know what the inventory is or was of the DA50. You have no way to know whether a market study might have been made to determine how many lenses to order for Deal inventory. based on their projected sales as companion pieces with the required purchase of a K-mount body - nor whether that inventory could have been sold out in the first 5 minutes of the error pricing. You don't know

You have no way to know who actually made the error, nor when it was discovered, nor absolutely anything else. You don't know.

In fact, you have no way to know anything whatsoever about anything there is to do with what happened, other than that for some interesting reason you kept a screenshot (or pulled a Google Cache) of the incorrect Listing page. Other than your individual order (if you actually made one) - You. Don't. Know. Anything.

I'm as unhappy as anyone that this happened - especially right now - because I want Pentax to succeed and I believe really good news is coming this fall. I'm appalled the price was (as written by Brian McIntosh) incorrect from the 13th to the 16th. Someone could lose a job over this - I would never wish that on anyone, but this is pretty bad news.

Making unsupportable assertions isn't helping.
Forum: Photographic Industry and Professionals 08-20-2013, 11:03 PM  
Pentax 35mm/50mm pricing mixup discussion
Posted By EarlVonTapia
Replies: 204
Views: 19,739
This is all overblown to me.

If the deal doesn't go through, people get their money back. What was lost? Nothing. You get your money back. Perhaps an hour (this seems a stretch) or so of email back and forth. An opportunity to save a hundred or so dollars? Is that really worth all of the stress and huffing and puffing?

Yeah, the initial response showed some organizational disarray, but in the end Ricoh responded and are trying to make amends. Every company, big and small, has bad days and weak links in the chain. Bigger companies like Apple would probably just ignore all of you and keep on steamrolling with their profits until their next big release and everyone will forget that one random mixup that they did a few months ago.

People are seriously complaining that they have to spend $200 instead of just $120. That amount of money is just a drop in the world of camera gear. I've had a chance to read some other forums that feature CaNikOlympuSony users that have similar complaints about the ham-fisted way the companies they pour money into deal with problems. And that's only for photography equipment makers! Go read some general tech forums and see the complaints user lob at Apple/Google/Sony/Microsoft/TECH COMPANY. If a disagreement over not being able to spend $100-$200 dollars is enough to make you leave a brand, well, good luck out there.

First world privileged complaining at its finest. Go watch a random documentary about a third world country on YouTube, and then re-calibrate your perspective on reality. Everyone chill out and have an ice cream cone.

Seacrest out.
Forum: Photographic Industry and Professionals 08-20-2013, 05:05 PM  
Pentax 35mm/50mm pricing mixup discussion
Posted By LaurenOE
Replies: 204
Views: 19,739
ROTFLMAO.

Epilogue: Game of Drones

As the sun sets over Pentaxia, the Kingdoms of B&H and Adorama, the true long-time allies of the House of Pentax, successfully repelled the usurpers from the evil empire of Ricoh and Ricohnian agents.
The usurpers, with their recent upheavals and secretive ways, had done much to destabilize the citizens of Pentaxia.
As night falls, things are starting to normalize again.

How was peace threatened in the realm in the first place?

In an attempt to convert the loyal, divide and conquer, the Evil Empire of Ricoh tried to lure many Pentaxians into a trap.
After all, Pentaxians are weak after several regime changes over the last few years.
Easy pickings.

The bait was laid, the trap was set.

Everything was going as planned and Pentaxians began to notice the temptations and began to trust.
The Evil Empire of Ricoh felt confident.
Quietly and without fanfare, rumors of a sweet LBA bounty were "discovered" in a place thought devoid of such things.
Pentaxians came.
First in small groups, then in droves.
The Pentaxians could almost taste the sweet bokeh, as offerings were made outside the silos that contained the stockpiled promises.

Ah finally, Pentaxians could drink and quench the same thirst as their Canikony brethren could.

For reasons we will never know, something horrible happened.
The silo's bounty was switched and disappeared at the last second.
The Ricoh trap began to crumble as the response was overwhelming as Pentaxians mad with thirst pounded for what was rightfully theirs!

Rumors quickly spread, that there was never enough to go around - all a cruel mistake - just the promise of sweet LBA pickings!

The news spread throughout the land.
Starving Pentaxians, famished from a season of high prices and increased cost, were vulnerable to anything to quench their LBA.

With nowhere to go, the Pentaxians rose up against the evil Lords of Ricoh.
The evil Ricoh overlords began to fear for their lives as the amassed Pentaxians took to various channels to announce the revolt and to call for support from whomever would listen!

As the aligned Kingdoms of B&H and Adorama heard what was going on, they reminded the Empire of Ricoh about prior treaties and agreements that kept Pentaxians happy.
They reminded Ricoh about where the real stockpiles were.
Places where LBA could be satiated.

The cruel trick on the Pentaxians was very difficult to watch and is now in it's twilight.

The Kingdoms of B&H and Adorama stood fast, and offered a remedy and option to prevent all out war and famine.

Secret meetings were held to establish peace throughout all the land and to remind the Evil Empire of Ricoh how to maintain peace in Pentaxia.

New agreements have been made, lessons may have been learned.
While Pentaxians will not be able to gorge themselves on an LBA feast, there is comfort in knowing what is available.

The Kingdom of B&H and Adorama will work with the Evil Empire of Ricoh and their Ricohnian agents to watch over Pentaxians.

In the coming months, when the winter solstice is near upon us, Pentaxians on a cold November Friday will probably reap the harvest of this mid August turmoil.
Seeds planted in Summer can bring a bounty in the fall.

And forever more, remember the proverb "Beware of Ricohnians bearing Gifts".
Forum: Post Your Photos! 08-12-2013, 03:51 PM  
Nature Hummers
Posted By dane.dawg
Replies: 3
Views: 708
A few recent Hummers..
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Forum: Photo Critique 07-26-2013, 08:52 AM  
Landscape Landscape critique
Posted By Gregory_51
Replies: 9
Views: 1,176
Hi
I'd echo what was said above. The sky is nice but because the tower is the dominant element one would assume that it's the subject but it's a silhouette and needs detail. Some reworking of the pp would fix that . The other thing that hasn't been mentioned is that it isn't quite all in, I think some space above the tower would help it not dividing the photo into a left and right half. I did a quick edit to show what I mean. Just my 2 cents.
alternative edit of photo by RyanS | Flickr - Photo Sharing!
Happy shooting in Hawaii.
Regards
Greg
Forum: Photo Critique 07-26-2013, 08:18 AM  
Landscape Landscape critique
Posted By SpecialK
Replies: 9
Views: 1,176
Most people will say "no" because at that small aperture, you will get diffraction which reduces resolution. Try f8, maybe f11.
Forum: Digital Processing, Software, and Printing 07-21-2013, 11:54 AM  
Lightroom 5 questions
Posted By davek
Replies: 7
Views: 1,376
In lr I setup a smart publish collection to export any 3+ star pics to a shared hard drive. That way family can browse through pictures without having to worry about Dng files or messing up my lr databases.
Forum: Digital Processing, Software, and Printing 07-21-2013, 10:45 PM  
Lightroom 5 questions
Posted By Class A
Replies: 7
Views: 1,376
In addition to the answers previously given, have you noticed the little bar above the image preview in the import dialogue?

It gives you the options "All Photos", "New Photos", and "Destination Folders". If you select the middle option, LR will filter out those images that have already been imported.


Regarding space on the hard drive:
  1. Use an external hard drive for your LR RAW files.

  2. Watch those LR catalog backups. They'll get huge and will gobble up your hard drive space like there's no tomorrow.

I suggest you export your JPGs to another location. Don't mix them with the RAW files. No need to delete or move either of them, if you keep them separate to begin with.

BTW, a good way of deleting a subset of images is to mark them as "rejected" (keyboard shortcut "x"). When you are done going trough press Ctrl-Backspace and you'll be offered to delete all rejected images.

Note the difference between removing from the catalogue (they'll remain on your hard drive) and deleting the files (you'll actually gain the space back).
Forum: Lens Clubs 05-08-2009, 03:14 AM  
The FA Limited Club
Posted By pcarfan
Replies: 11,825
Views: 2,138,308


100% crop

Forum: Digital Processing, Software, and Printing 07-21-2013, 09:32 AM  
Lightroom 5 questions
Posted By jatrax
Replies: 7
Views: 1,376
1) Check "Don't Import Suggested Duplicates" as already noted. The pictures will still appear and will still take some time to load but they won't be checked. My procedure is to format the card in the camera every time I insert it. After missing an irreplaceable shot because the card I just inserted showed "Card Full" I always format, every time.

2) On the grid screen select "Metadata" as the filter and select "File Type" as the selection on one of the columns. Now you can filter by file type and then just CTRL-A then delete.

I would however suggest that you not delete DNGs. That is like getting your film prints back from the developer and tossing the negatives in the trash on the way out. I only make a jpeg when I have a need for it, everything else is done with the DNG files. When I need a jpeg or a print for a client or a project I find the DNG and then either print to the printer or make a jpeg in the size and with the parameters needed.
Forum: Digital Processing, Software, and Printing 07-21-2013, 10:10 AM  
Lightroom 5 questions
Posted By demp10
Replies: 7
Views: 1,376
That will be a very big mistake to delete your DNG files. These are the original negatives of your images. No matter how well you converted the RAW files to JPGs, with the next version of Lightroom or as your skills and knowledge advances, you will be able to do even better.

I own and used all version of Lightroom 1-5, and I was amazed with the processing improvements from version to version, especially when they changed the overall RAW conversion process. I revisited numerous times old DNG files and reprocess with substantially improved results in recovering shadows and highlights. Also, using later acquired software plug-ins like Topaz DeNoise, I was able to revisit old images and re-process. The results in most cases were like day and night. All that would have been next to impossible if I only had processed JPGs.

Not only you should not delete the DNG files, but you should make sure you have one or more backup copies in a safe place.
Forum: Digital Processing, Software, and Printing 07-21-2013, 08:07 AM  
Lightroom 5 questions
Posted By Kerrowdown
Replies: 7
Views: 1,376
Yes on the import screen, top right in the window, open the file handling (click on wee triangle), tick box "Don't Import Suspected Duplicates", job done. ;)



IMHO you should keep them, as these are your "negatives" should you ever want to go back to them. But to answer the question go to the Library Module, in the multiple image view, select by clicking on the first image at the same time holding the shift key, click on the last image, thus selecting all of them in between, right click mouse click, remove photos, delete from disk, again job done. :cool:
Forum: Digital Processing, Software, and Printing 07-21-2013, 07:57 AM  
Lightroom 5 questions
Posted By Anvh
Replies: 7
Views: 1,376
In the import window check "don't import duplicats" it's that simple ;)

as for 2 there is not really a better way, i normally press delete key on the keyboard.
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