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Forum: Photographic Industry and Professionals 02-24-2021, 03:54 AM  
Decoding camera industry trends
Posted By biz-engineer
Replies: 31
Views: 2,426
I've obviously been taking at new cameras being released in the last few years, with lots of new mirrorless models appearing in 2018.

Now, we see a trend that crystalize, we can imagine the untold rationale that camera manufacturers seem to have in mind with regards to new camera system designs.

Let's decode.

1) Smartphone have eaten a significant portion of the camera market, and more of the compact camera and entry level camera segments

2) Most people never print their photos on paper or canvas, even less print larger than about 8x10"

3) The rise of social media for sharing small size pictures and video content, including video blogs of all kinds

So the average camera manufacturer adapts to his market, in 10 points:

1) No need to increase sensor size, people don't print, resolution doesn't matter much except in spec sheet comparisons, since absolute image resolution is not what most customer use, perceive image quality in social media can be lifted by smoothing out noise in camera, e.g the in-built noise reduction in raw file from Pentax (accelerator chip at high ISO), Panasonic S1R (noise reduction at low ISO to make camera look good in DXOmark, photon2photos and DPReview), Canon EOS R5 in-built noise reduction as well.

2) Mirror-less: camera must read sensor fast because exposure metering and auto-focus information is read from the image sensor. Resolution and image quality not the primary concern, noise can be filter via camera processor.

3) Video 4K, 30ips and 120ips if possible (slow motion): again new sensors must be optimized for speed of readout because speed allow things such as un-cropped 4K, or recording video at 120ips for slow motion effects.

4) Image stabilization: tripods are cumbersome and now mostly forbidden in all museum and other places of that kind, and who want to carry a tripod in airplanes & hikes. Easier to snap pictures with camera hand-held, on the go.

5) Connectivity: the trendy customer want to post his small photos on social media for instant sharing with the world, big files aren't welcome, in-camera beautified small JPEGs are ideal, hence the marketing claims about nice JPEG colors, in camera film simulation claimed by Fuji especially for x camera (mass market)

6) Nature & Wildlife photography: Well, if larger pictures are not need because of being shared via internet, perhaps what smartphones CAN'T do is to take quick bursts moving animals in the wild (or even not so wild racing cars or airplanes, or similar). For this, a small sensor with quick burst rate and very good autofocus tracking with a long lens, with some in-camera digital massaging of the files should produce good enough images for posting in social media. Decoded: Pentax new K3 mkIII.

7) Dare to say it: even the professional nude shooter in studio is not interested in high resolution, his web customers of the porn industry will buy 4K images to post in their internet porn sites. Regarding noise in image, he doesn't care because he's projecting lots of light with a bunch of strobes towards his subjects. Eye AF is a must have (also for non-nude people photos). So why would he need more than 4K except for cropping image in post?

8) Product photography: well, since most product pictures are aimed at being posted online, 4K image are more than enough. Why do more?

9) Fashion, press, magazines: paper product are sold less and less, basically A4 (letter size) most of the time. Every fashion show , magazine, newspaper are primarily being read online, for online use 4K images are plenty big enough.

10) Photo prints labs may suffer. Some consolidation here. CEWE buys White Wall to include their higher-priced high-end prints in the offering. Maybe some plans to phase out the low cost silver developments. Inkjet on the rise, silver is legacy. We can hardly find C-print machine by Lamba Durst group website, they seem to have moved to industrial inkjet printing for printing on products in manufacturing plant. Hopefully they still maintain C-print machines for photo labs that still use them. Anyway, it is now possible to buy a professional Inkjet printer to make 44" wide print, for a few thousand $ (Euros) + website to run an online boutique photo lab, no need to invest in a large C-print machine that cost hundred of thousand $ (Euros) just for a start. The inkjet trend also comes with an increasing choice of high-end (read expensive) inkjet papers papers such as Canson inkjet fineart papers, Hahnemuhle inkjet fineart papers, even metallic paper for Inkjet!!!..

The trend is going south for the "Ansel Adams" type of photographers, the digital camera industry doesn't care about the Ansel AdamsS anymore, no enough money to be made there.... This small niche leaking into Ilford market segment seeing a slow rise of demand for film rolls... as well as ebay seeing a number of sell/buy of old used film cameras. It's looking like Ilford getting some more business in recent year (I don't have numbers to prove it, but I feel like Ilford might be getting some revival, they even released a small 35mm film camera with fixed lens recently, interesting...). There have even been some revival of old film brand (I forgot the name..).

Maybe new film cameras on the horizon, reusing some electronics from digital cameras, bundled with film rolls kits and film development services? Why not all-in-one bundle film SLR camera + film rolls + film development service offered by the same company?
Forum: Pentax K-3 III 02-20-2021, 02:11 AM  
K-3 Mark III reviews in the Japanese press
Posted By JPT
Replies: 49
Views: 9,276
The March issues of a number of Japanese camera magazines were published this Saturday, and they all have reviews of the Pentax K-3 Mark III. The one I bought was Capa. It has the K-3 III on the cover and a four-page review of the camera inside. Here it is a link to the cover. Please control your frustration that that young lady has got her hands on it before you.
??????????????????CAPA?3????????????CaPa+2021??? | CAPA CAMERA WEB

It’s worth mentioning up front that the style of reviews in the Japanese press is quite different from some reviews and discussion you find in English online. They are more interested in what you can do with the camera, rather than pitting one camera against the others or debunking manufacturer claims. Also, the magazines focus more on the JPEG performance. Photos are provided, but often too small to really say that much. Video is not covered at all.

Body and viewfinder
There is not much new to say about this because Pentax has covered this quite thoroughly in their own communications. The body is small and feels very high quality. The viewfinder is the top class in APS-C. Not only is it bigger, but it is also 10% brighter.

AF and continuous shooting
41 of the 101 points are selectable using the 8-way joystick on the back of the camera. AF points go right up close to the sides of the frame allowing focusing more like a mirrorless camera. The real-world speed is 11 fps in AF.C mode and 12 fps in AF.S. They showed a sequence of shots of an approaching train using AF.C taken with the DA* 50-135 at 11 fps. I don’t know how difficult it was for them to get a whole sequence in focus, but it was a clear, in-focus series. It’s interesting that they used the 50-135 because it’s not known as a speedy AF lens. It seems that the advantages of the AF system will be felt whatever lens you are using. The text also mentions that the system is good at keeping eyes in focus for portraits and good at birds in flight.

Image quality
The new sensor is BSI and with PRIME V and the Accelerator II it produces better image quality over the whole range of ISO values.The “fine sharpness” mode is also much improved to improve edge sharpness in in a natural way without emphasizing noise. There is a shot of a cat at ISO 1,600,000, presumably in near complete darkness. While it looks noisy as you would expect, it does not look worse than to top ISO of Pentax cameras in the past. Both. varieties of noise are everywhere, but there is at least some detail in there. It's no worse than my K-5 IIs at 51,200. A shot of bottles at ISO 12,800 looked very clean and with vivid colors. In a different magazine, an enlarged ISO 3,200 shot looked completely noise free to my eyes. The Capa review also mentioned the improved colors and IQ at lower ISOs. Overall, they describe the image quality as highly advanced, with high-sensitivity performance you would normally expect of full frame cameras.

Image stabilization and other features
The 5-axis 5.5-stop image stabilization is very effective. They were able to take 1/4 of a second exposures of a waterfall and commented it was the kind of image you would expect to have been taken with a tripod. Another magazine had a steady, handheld 1 second exposure of car light trails at night. Back to Capa, in this section they also mentioned real resolution and the low-pass simulator, but it seems to be more or less the same as previous models. They talk about the convenience of the new advanced hyper program mode. They said they had found it especially helpful for sports shooting. Finally they talked about using old lenses with the camera. The new function to record aperture in exif is useful, and the viewfinder makes it a lot easier to focus the lenses.

The final comments on the camera are that although Pentax decided to call it “K-3 Mark III”, this is a camera one rank up from what has come before.

So what I took away from this is that the camera is ready and just held up in production. The “character” of the camera is going to be very similar to the K-7/K-5/K-3 cameras, just better in every way. And the happiest thing is that it seems even existing lenses (vintage and current) will benefit from all the improvements. The photos were taken with the DA*50-135, the DA*55, the DA 18-135 and the DA 20-40, current but not even the latest ones.

---------- Post added 02-20-21 at 06:27 PM ----------

Oh. And I forgot to mention that the magazines once again mentioned that the price would be "around 200,000 yen". That is below what the K-1 II sells for, even three years after release.
Forum: Pentax News and Rumors 12-22-2020, 06:17 PM  
D FA 21 Limited is one of the three.
Posted By JPT
Replies: 1,748
Views: 146,775
The FA Limited series was supposed to have the following characteristics when Pentax started with the project. This was information from someone involved in the project who gave a presentation at last year's 100-year anniversary events.

Specification characteristics
- The lens should be ready to shoot, with the hood integrated, as soon as the lens cap is pulled off
- The maximum aperture should be f2 or wider
- The lens should be compact, with a filter diameter of 49mm (obviously they broke this requirement for the 31mm already)

Design process
- The objective of the lens design was defined in descriptive terms, not numerical terms. For example, for the FA 77mm "able to depict the glint of a white button on a white shirt"
- Computer modeling was not used in the design process (this was already the norm back in 2000, so it was an unusual decision)
- Results of design iteration were judged by human evaluation of high quality prints

I've never liked the term "pixie dust", because it seems to imply that Pentax has been selling some kind of snake oil, or perpetuate the myth that the lenses were the unrepeatable work of an individual genius. In fact, they were designed quite rigorously by a team, and some of the people who were involved in that process are still with Ricoh Imaging in one capacity or other.

I was interested by the Pentax Forums review of the DFA 85mm review which compared the new lens to the FA 77mm. Aside from holding its ground overall in IQ against the 85mm, the one area where the FA 77mm held a discernable advantage was showing superior gradation in the bright areas of the image. This struck me because it was exactly what the designers intended with the lens. It was no fluke.

As for the new one, I think they will be targeting f2 for the design. Of course, it's possible that they could change the concept of the FA Limited series for the new DFA Limited lens, but I don't think they will reduce the aperture to f2.8. In this day and age, any prime lens with an aperture not wider than a f2.8 zoom is a going to be a hard sell.
Forum: Pentax News and Rumors 11-22-2020, 06:55 AM  
D FA 21 Limited is one of the three.
Posted By Mistral75
Replies: 1,748
Views: 146,775
As others have pointed out this is very unlikely: in all probability this lens will have a KAF4 mount. With older cameras including film cameras, you'll only be able to use it at full aperture. Note in particular that the prototypes which were presented in May lacked the aperture coupling lever.

However, nobody forbids you to dream. :)
Forum: Pentax News and Rumors 11-14-2020, 04:55 PM  
Laowa 100mm F2.8 2:1 Macro lens for k-mount
Posted By Doundounba
Replies: 439
Views: 53,828
OK, a few thoughts and shots from my upcoming write-up.

- The lens has some handling quirks. For example, there's no pin to lock the A position in place and the aperture ring clicks are very, very low friction. So it's super easy to knock the lens out of the A position while trying to compose and focus a shot in the field. Then the camera doesn't fire at all, which is pretty annoying. But once you know the risk, you can adjust the way you hold the lens.

- The mount aperture control is definitely at the KA level rather than KAF. If you look at this wonderful PF page on the evolution of the K-mount, you'll find the "Digital information contact" which was added with the KAF mount in 1989. AFAIK, this is the contact which a lens uses to communicate its focal length to the body, and it's definitely not present on the Laowa (see image below, or the one posted previously by Mistral75). And as mentioned previously, your K-Mount body will prompt you for a focal length when you turn it on with the Laowa 100mm 2X mounted.

- Optically, after just a few tests, I believe this lens doesn't take many prisoners. I need to retest at 2:1, where it's exceedingly difficult to control for correct focus if you don't have a good focus rail. (For example, when shooting a penny you can find once you review your shots that the bottom of the penny is in focus, but the top of the engraved letters on the penny are not! In the field, if the eyes are not in focus, the shot is just left on the cutting room floor so to speak, but in testing, you need to nail it.) But otherwise, testing against the D-FA 100mm WR and looking both at portrait-type shots shooting very open at around 1m distance, and at 1:1 macro shots shot very closed, I am very impressed.

- I shot about 400 frames in the field over three outings, and have published nine images as a result of those outings. You can have a look at all of them in this Flickr album. Now it definitely will no longer be possible to shoot bugs until the spring...






Forum: Pentax News and Rumors 04-07-2018, 05:03 PM  
Pentax K-1 Mark II - Sample Shots (RAW)
Posted By OoKU
Replies: 56
Views: 13,845
K1 II & DA* 300mm. Mode APSC, AF.C, 1/800, F5.6 , 1600Iso.
shot by Yan Nick



Forum: Lens Clubs 01-16-2017, 04:28 AM  
Tokina Bokina AT-X 90mm f 2.5 Macro and More
Posted By ivanvernon
Replies: 72
Views: 13,615
This club is dedicated to a single great lens, the Tokina AT-X 90mm f 2.5 macro (1:2). The AT-X 90/2.5 is an A-type lens with excellent build quality, and it couples well with Pentax cameras even though it lacks AF. This is a very sharp lens with excellent rendering for macro but for much more including portraiture and landscape. All photographs with this lens are welcome for posting here. As for macro, the AT-X 90 has 1:2 capability, but an attachment is available to take the lens to 1:1. Macro photos using the attachment are especially welcome. This lens has the nickname of the Bokina because of the excellent background blur or bokeh that it produces, and photos showing off its bokeh capabilities are welcome as well. Postings on the history and development of the lens will also be welcome.
Forum: Pentax News and Rumors 02-21-2017, 06:06 PM  
DFA*50 1.4 coming
Posted By OoKU
Replies: 3,156
Views: 352,956
Forum: Pentax SLR Lens Discussion 12-19-2016, 01:16 PM  
ZY Optics 20mm f/2 with 4.5:1 macro ratio...
Posted By bertwert
Replies: 18
Views: 3,043
Looks interesting for $200.
It'll be interesting to see the quality of this lens.

Nice to see more lenses in PK mount :)

Petapixel article: ZY Optics Unveils 20mm f/2 4.5x, a Super Affordable 'Super Macro Lens'
ZY Optics: Mitakon 20mm f/2 4.5X Super Macro Lens - Mitakon - ZY Optics (Shenyang Zhongyi Optics )
Forum: Pentax News and Rumors 12-16-2016, 02:16 PM  
rumored Pentax mirrorless camera - something between K1000 and K-01
Posted By asahi man
Replies: 480
Views: 54,853
Really big seller?
For Pentax conditions yes,but not in pure numbers of sales.
And in Europe and America,it was a flop.

---------- Post added 16-12-16 at 22:31 ----------

And at last,Marc Newton design was a study.
The 01 was not a big deal to produce.
Only the plastic outer body was new,all other parts are made in current production for current models of K Line.
The current design team in Tokyo is absolutely highest grade,look to our loved big one,K-1.
It was designed by a mix of the new team,comes from Ricoh and the old current stuff of Pentax old team.
Great job,also new lenses.
A good mix of both teams done these great jobs of the current lens line.
All ranges,highest quality.
And if....if we will see a new camera line,it will also be a mix of both teams.
Cause they are working as one team.
February a new fullframe mirrorless?
Nothing as fact,but something as speculation.
But still only a fistful of speculations.
Best regards
Forum: Pentax News and Rumors 03-12-2016, 01:24 PM  
HD D FA* 70-200mm f/2.8 -April, May, June, 2016, 2017, 2018
Posted By kenspo
Replies: 206
Views: 36,209
This pic is taken almost one year ago. With a pre product version of the lens. Its bloody amazing!!! Even at a dark metal concert, the focus was waaaaay better on a K-3 then any other lens.
Forum: Pentax SLR Lens Discussion 02-02-2016, 06:26 AM  
Why isn't the Sigma 35mm F1.4 DG HSM More Popular with Pentaxians?
Posted By Rondec
Replies: 53
Views: 8,346
I know where the price was at -- I bought mine for 950 about 3 years ago and thought I was getting a really good deal. I don't regret it either, it is a very nice lens.

But I thought the thread was addressed at the current state of affairs. Pentax has gotten pretty aggressive with their pricing and the FA 31 is priced cheaper than the Sigma 35, the FA 77 is priced at 750, while the Sigma 85mm is at 1000 (B and H pricing). If the lenses were priced the same, I still would probably choose the Pentax models, since I like the builds/small size and the half stop difference in max aperture doesn't make that much difference to me, but with Pentax pricing them 150 less than the Sigma glass, I would definitely go with the Pentax.

I think the pricing in the United States is a lot better than in other places in the world, but currently it feels like the FA and DA limiteds are really low priced currently, particularly when they are on sale.
Forum: Pentax News and Rumors 01-27-2016, 11:11 AM  
Final Countdown to Feb 25th 2016 (CP+ 2016)
Posted By btnapa
Replies: 1,653
Views: 206,485
I know but can't talk. Did not sign an NDA but made a gentleman's agreement to keep my mouth shut. The wait will not be long. Be patient the rewards are well worth it.
Forum: Pentax News and Rumors 01-17-2016, 01:56 PM  
CES Pentax K-1 Rumor or Fact?
Posted By Rondec
Replies: 286
Views: 49,437
I own the lens. My wife is a wedding photographer and wanted a 200mm f2.8 lens. She tried out the Sigma 70-200 f2.8 by renting it, but said it was too heavy for her to use and so we got the DA *200. It is a very nice lens -- smaller than any 70-200 I have tried and quite sharp.

Bird by Vincent1825, on Flickr

White Bird by Vincent1825, on Flickr
Forum: Pentax Forums Giveaways 01-16-2016, 07:35 AM  
READ ME! Pentax Tips from the Community (55-300mm Giveaway)
Posted By BigMackCam
Replies: 773
Views: 111,828
I have two tips that I consider to be the most useful:

(1) Get the shot regardless of ISO, and deal with the noise later

Shutter speed and aperture are both essential technical and creative elements in capturing a subject or scene in the way you intended. If the shutter is too slow, you can't freeze a subject's movement or control the amount of motion blur, and you may risk camera-shake-induced blur into the bargain. If the aperture is too wide, you may lose the required depth of field to keep certain areas of your image sharp enough, or you might find the lens is operating outside its optimal performance limits (especially wide open). All too often, we photographers reduce our shutter speed or open up the aperture to let in more light, allowing us to keep the ISO low and avoid noise, but this is at the expense of our creative control over the captured image. My tip is to shoot with the optimal shutter speed and aperture relative to your subject and the effect you are trying to achieve, and accept whatever ISO is necessary to support that. Noise reduction facilities in freeware and paid applications (GIMP, Photoshop, Lightroom and Pentax's own Digital Camera Utility) have improved so much over the years; we can now shoot confidently at ISO 6400 or higher and achieve fantastic, low-noise results with just a tiny amount of post-processing (I have captured useable images right up to the K3's limit of ISO 51200). My point is, it is better to get the shot you wanted and have to deal with some noise (which can easily be remedied), than to compromise your creative control over that shot. Either shoot in TAv mode, setting the shutter speed and aperture as required and letting the camera decide on ISO, or shoot in M mode, setting the shutter speed and aperture *first*, then adjusting the ISO to obtain the correct exposure.

(2) Stop pixel-peeping!

We digital photographers have become obsessed with sharpness, detail and noise in our images. We view and edit our images at 100% reproduction on our high resolution computer monitors, and agonise over the slightest imperfections. But this isn't how others view our images, and it's not how we would look at someone else's images either. My tip is to stop pixel-peeping and accept that the equipment we use, and our techniques, have limitations. Many of our captured images will have numerous imperfections, but what's important is how the images look overall when viewed at a realistic size, from a realistic distance. If a photo looks good viewed at full-screen size from a couple of feet away, it really doesn't matter what you can see when viewing it in your image editor at 100%. If an image looks good at a realistic size, viewed from a realistic distance, it's a GOOD image, and it doesn't need another hour of effort in post-processing. Once you start to appreciate your images in this way, you'll get much greater enjoyment from your photography and the equipment you use.
Forum: Pentax Forums Giveaways 01-16-2016, 07:16 AM  
READ ME! Pentax Tips from the Community (55-300mm Giveaway)
Posted By marinb
Replies: 773
Views: 111,828
Hi, guys.
I like a lot shooting portraits. As a reference i take photographers like Joey L, Peter Hurley, Joe McNally, Sue Brice and David Hobby. It is very hard to start doing it, because you free models like your kids or wife are not always the best one behaving so to help you. To take this picture kind of picture you will need a 60x60cm softbox with grids, one flash and a way to high speed sync (a cable, wireless, pocketwizard etc). I used a DIY cable. Some instructions:
1. The subject needs to be or a quite young one (because of a very clean face) or and old one when you want to emphasize the skin texture.
2. For middle age models i recommend using some Photoshop filters like Imagenomic Portaiture to soften the skin and wrinkles.
3. Camera settings should start from: lowest ISO possible (mine 80), f/2, 1/4000s shutter speed (f/5.6 for 1/640s), 50mm and more, RAW file format, Flash white balance.
4. When shooting more than 1 person, a smaller aperture is needed.
5. Always focus on the closest to the camera eye.
6. Turn the face a little bit to the softbox so to have some catch lights in the eyes.
6. A lot of patience with kids. A lot...

The fantastic thing is you can shoot it in the middle of the day (even better and easier to focus). No real night needed. Success.
Forum: Pentax Forums Giveaways 01-15-2016, 01:25 PM  
READ ME! Pentax Tips from the Community (55-300mm Giveaway)
Posted By pathdoc
Replies: 773
Views: 111,828
1. At the end of the day, if you put your mind to it there is not much you can't do with an entry-level Pentax WR body-and-two-zoom bundle.
2. A K-3 with a DA50 kit lens beats a K3-ii with a body cap.
3. If at all possible, factor an extra battery and two SD cards into the price of the camera (you will certainly need one).
4. Try to own at least one film-era normal prime and a set of extension tubes - macro can be fun, and this is a cheap way to do it.
5. Digital is free to experiment - take lots of pictures and do not be afraid to fail.
6. You will eventually buy a tripod. Trust me; you will. Start saving for one as soon as you have your camera.
7. Buying lenses is pointless unless you put them on the bloody camera. There is something to be said for putting any new lens through a single-in challenge as soon as you can, as well as any lens you haven't shot with in over three months. After that you'll certainly know whether you ought to keep it or not. If you haven't shot it in over a year, consider selling it on.
8. When asking what lens(es) you should buy, work out what you want it/them for first. People are far more able to help you then.
9. When upgrading to a better camera, ask yourself what you're really gaining - are you replacing the dead, filling a capability gap, or just stroking your ego?
10. Photo editing software can only do so much before things start looking unnatural. "You cannot make a chicken sandwich out of chicken s**t." Try to take the best pictures you can and leave the manipulation for when the composition is near perfect but the exposure or the edges or the horizon orientation or whatever could use a bit of rescuing.
11. When changing things in post, admit what you have done - yes, the film darkroom had its own fancy tricks, but the digital darkroom is capable of so many radical changes that there comes a point beyond which you are no longer presenting photographs but art. Be honest with your viewers as to which of these you are showing them; you don't want to crush the souls of beginners when for the life of them they cannot work out why their new DSLR cannot produce JPEGs like the things you spent hours making in Photoshop.
12. If you are filthy rich and you win a competition like this, offer your prize to someone you know would be grateful for it. The corollary - GET TO KNOW YOUR FELLOW FORUM MEMBERS.
Forum: Pentax Forums Giveaways 01-15-2016, 04:24 AM  
READ ME! Pentax Tips from the Community (55-300mm Giveaway)
Posted By Rondec
Replies: 773
Views: 111,828
I mostly take landscape photos and the number one tip I could think of to give is to use the golden hours. The quality of light is so important to making a photo work and if you can struggle out of bed before sunrise or be out at sunset, your photos will turn out a whole lot better.

Oh and use a tripod and low iso too. My Dad was trying to figure out why some early evening photos weren't turning out for him on his K30 and I looked at the EXIF and the iso was set to 6400.

Dawn at Patoka Lake by Vincent1825, on Flickr
Forum: Pentax News and Rumors 01-13-2016, 05:39 AM  
LAOWA STF 105mm F2.0 (T3.2)
Posted By Class A
Replies: 71
Views: 23,146
Great news!

It puzzles me why not more lenses using an apodisation filter are offered.

The existence of an apodisation filter should not necessarily cause a lens to be manual focus only, the latter obviously reducing market appeal.

Perhaps Ricoh can use their controllable glass patent one day, to build a lens that can switch an apodisation filter in and out, as desired.

Perhaps Ricoh -- but now I'm seriously fantasising -- can provide an apodisation filter simulator as a camera option that would allow the STF principle to be used with any existing K-mount lens (by dynamically changing the aperture during exposure). I've proposed the latter many times at a number of places, but the safest assumption is that the respective posts just diffused into the internet ether.
Forum: Pentax SLR Lens Discussion 12-24-2015, 04:05 AM  
DA 18-135 WR, Show us what it can do
Posted By pepperberry farm
Replies: 4,717
Views: 744,742
Forum: Pentax News and Rumors 10-08-2015, 03:52 AM  
Do we need a countdown to Oct 6th?
Posted By Rondec
Replies: 792
Views: 88,853
I guess it is the internet, but I don't know that anyone is lying. Certainly Kenpo and Asahiman are just kindly sharing the information that was passed on to them.

Maybe this info was overly optimistic. Maybe there was a problem with some hardware or firmware issue with the upcoming camera, but it still is coming and patience probably is indicated for those who can deal with APS-C for another few months.
Forum: Lens Clubs 06-14-2015, 06:10 AM  
The Bokeh Club for Macro Photography
Posted By Kerrowdown
Replies: 176
Views: 22,292
New growth Holly, well sort flower ish, nature plant for sure, but real smooth bokeh. :D
Forum: Mini-Challenges, Games, and Photo Stories 07-23-2015, 10:43 PM  
Thematic The Macro Flower Club
Posted By Weevil
Replies: 2,242
Views: 186,707
First participation in that thread... Macro-like photo with a Telephoto, forgive me for the insect... ;-)



Bourdon / Bumble Bee [Bombus sp.]
by Sylvain Cote, sur Flickr
Forum: Mini-Challenges, Games, and Photo Stories 07-26-2015, 01:10 AM  
Thematic The Macro Flower Club
Posted By esrandall
Replies: 2,242
Views: 186,707
Quick snaps with my new Tamron 70-200 (right outside the UPS depot, a couple minutes after I picked the lens up :))
Forum: Mini-Challenges, Games, and Photo Stories 08-23-2015, 01:37 AM  
Thematic The Macro Flower Club
Posted By esrandall
Replies: 2,242
Views: 186,707
A few from the Chase Garden in Graham, WA. Pentax 100 WR.
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