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Forum: Film SLRs and Compact Film Cameras 02-15-2024, 12:50 PM  
Meet The Gang [Pz-1p] - Film Score
Posted By A Modest Mouse
Replies: 8
Views: 829
Deleted.
Forum: Film SLRs and Compact Film Cameras 01-11-2024, 09:49 PM  
The Camera Rescue Club
Posted By lotech
Replies: 3
Views: 894
I came across this on Youtube, I believe it is the world's rarest and largest organization doing this.
















You Tube



Forum: Troubleshooting and Beginner Help 12-22-2023, 12:17 PM  
Vivitar 70-150 P/K mount lens compatibility problem with Pentax K7
Posted By Crooski
Replies: 17
Views: 611
Remove the protective edge from the aperture lever
by unscrewing it, it is not necessary
Forum: Troubleshooting and Beginner Help 12-22-2023, 12:01 PM  
Vivitar 70-150 P/K mount lens compatibility problem with Pentax K7
Posted By niceshot
Replies: 17
Views: 611
I think you are correct
Forum: Troubleshooting and Beginner Help 12-22-2023, 12:00 PM  
Vivitar 70-150 P/K mount lens compatibility problem with Pentax K7
Posted By TaoMaas
Replies: 17
Views: 611
You're right, 35mmflmfan...it looks like the guard to me, too. It's not an un-common problem. I have an older Vivitar Series 1 90-180mm zoom that had this same issue. Some people cut down the guard, but I opted to simply remove it. It was pretty easy as I remember. I'm no handyman so if I can do it, ANYBODY can do it. :lol:
Forum: General Photography 12-15-2023, 03:28 AM  
Pentax in the Movies and Media
Posted By superpowerpinger
Replies: 647
Views: 155,183
Present From the Past | Toyota

I guess it signifies that some brands are made to last.

















You Tube



Forum: General Photography 10-04-2023, 07:33 AM  
Ring of FIre Solar Eclipse Oct 14, 2023 Photo Op
Posted By Not a Number
Replies: 19
Views: 1,173
A photo op of the Oct 14, 2023 Solar Eclipse in the US, Mexico and South America is coming up. Be sure to use the proper precautions when viewing and photographing the sun directly.

Will YOU see this month's 'ring of fire' solar eclipse? Interactive map reveals the areas where skygazers will have the best view of the rare astronomical event | Daily Mail Online

I'd have to travel quite a bit for the best location. And it is guaranteed to be overcast or raining if I do. :lol:
Forum: Ricoh GR 06-30-2023, 01:49 AM  
Rollins with the Ricoh
Posted By BruceBanner
Replies: 9
Views: 1,550


Rollins with the Ricoh

Thanks for looking.
Forum: Photographic Technique 01-04-2023, 10:41 AM  
Large-format camera movements
Posted By tuco
Replies: 12
Views: 1,152
I think I'm one of the few PF members who actively posts sheet film shots from a view camera. It takes me a long time to focus for these setups. But I find them fun to do on rainy days when I'm itching to take some pictures.

The rear standard movement on a view camera is the most significant at geometry correction and other effects. The front rise on a tilt/sift lens mounted on say a SLR/DSLR to correct vertical convergence is a special case and not adaptable to as many situations as a view camera with rear standard movements.

Here are three examples of employing movements of the Schempflug effect to get deep DOF in a closeup shot.


Using a Caltar-S II MC 210mm lens:


Tools
by tuco, on Flickr


Schneider Symmar-S 180mm f5.6


Repeated Listening @ 33 1/3 RPM
by tuco, on Flickr


One rule of the Schempflug setup is taller objects need to be in the back of the scene because the DOF tapers from 'thin' in front to increasingly 'thicker' with distance.
CM Fujinon W 135/5.6


DIY
by tuco, on Flickr





Here, the rear standard was tilted to correct for vertical divergent lines and the front standard was rotated/tilted to match the front of the subject giving more effective DOF for only f8 on a 210mm lens (≈58mm on a FF) this close.


Mamiya C3
by tuco, on Flickr


And again here using the same movements as above from a recent post:
Rodenstock apo-macro-sironar 180mm


Corkscrew
by tuco, on Flickr


Here the plane of focus was twisted until I got three parts of the scene in focus.


Apple Peeler
by tuco, on Flickr


Basic front tilt and rotation enough to encompass the shoes.
CM Fujinon W 135/5.6


Legs and Feet
by tuco, on Flickr


And an easy one to focus
Caltar-S II MC 210mm


AKG Perception 200
by tuco, on Flickr
Forum: Pentax Medium Format 08-04-2022, 09:55 PM  
Pentax 67II Issue- Cold/ Wet Weather Conditions- Is Yours Ok?
Posted By Ed Hurst
Replies: 17
Views: 1,818
I used to own two 67iis and used them in cold conditions, including photographing trains in Inner Mongolia in temperatures down to -30 Celsius (about -22 Fahrenheit). Often, I'd be outside all day in extreme temperatures.

I did have some problems, but never a shutter issue. I had one lens where the aperture blades buckled because they had frozen and then got damaged when they tried to move. I had to work hard to avoid condensation. Various other issues. But never did I have a single shutter issue or mis-exposed frame. I am talking about a total of three trips, each for about 2 weeks, with lots of extended use in those conditions. So I find it hard to believe that there was a problem with the design. Unless it's something that shows up with age. This was the best part of 20 years ago and the cameras were both pretty new.

Here's an example of the type of shot I got. P67ii with 105mm lens and Velvia 100F.
Jing Peng Pass-600 dpiStep10SSsRGBUKRP by Ed Hurst, on Flickr
Forum: Pentax Medium Format 08-05-2022, 03:09 AM  
Pentax 67II Issue- Cold/ Wet Weather Conditions- Is Yours Ok?
Posted By Ed Hurst
Replies: 17
Views: 1,818
Okey dokes! Well, here goes...

To passionate followers of steam, the Jing Peng Pass in China's Inner Mongolia was something of an historical miracle. In the 1990s, when the rest of the world had largely finished with steam (setting aside little pockets at the time, like Cuba's sugar railways and North Korea), China decided to build a massive new railway - primarily to transport coal - and operate it with steam. Think about that! It's approaching the 21st century, and there's a new, long distance railway line operated exclusively with giants of steam! And not just any railway. Mountains. Great plains. Huge expanses of dramatic countryside. Winter temperatures so cold it would punch the air out of your lungs. I once saw a videographer up there with part of his face missing because he'd shot a long sequence and his camera had frozen to his face. The only place I have ever gone where a steam train would pass you and, within moments, the water that had seconds before been superheated steam would fall around you as fresh crystals of ice with a scattered, soft noise half padding, half tinkling. The only place I've ever been where teary eyes would start to freeze shut and nostril hairs would crunch if you wiped your nose. Where the time you needed to worry about your toes was when they stopped hurting.

It was truly a wonderful, harsh, bleak, awe-inspiring place.

But this crazy new heaven of steam was to be short-lived. By the winter of 2004/5, we all knew that this would be the last winter of steam and diesels' global march of tedious dominance would come here too.

So, I did one last trip back to experience it one last time.

Which brings me to this specific picture. Why is it that the best pictures always have some special, particular factors designed by malicious fate to make them the hardest to get? This location is known as Tunnel 4, after the tunnel from which you can see the train emerging. To get to the position, you have to scramble up a mountainside. When you get there, you realise that in the winter, the sun starts the day behind the hills and it's in shadow. About 30 minutes after it pops over the hill, it has moved to a position where the light angle is all wrong, and there's no decent light on the side of the train. 30 minutes a day with the light right, and that's it. But these trains don't run to a timetable - these are freights and they run as needed at different times each day. So you try to work out if a train is approaching in the right window, and go for it if you fancy your chances. Thing is - there were lots of wonderful vantage points that were easy to do, near the road; you could chase the train and blaze off loads of them. Or you could climb up here - which takes time - and try just for this. You really had to want it, and hope nothing would go wrong.

Which brings me to the biggest problem. The prevailing wind. It's from the west here which puts it directly at odds with that 30-minute window of morning light. If the wind blows from the west, the steam would blow down and hide the train in white mess. The picture would be ruined. My friends and I had tried this shot quite a few times and always - always - something had gone wrong. We would sacrifice all those easy shots near the road, several per train, try this, and get nothing. The train would come too soon and be in shadow. Or too late and be lit from behind. Or the light would be perfect but the steam would blow down. Or a cloud would hide the sunlight entirely. Something. Every. Single. Infuriating. Time.

In fact, we'd had our last go at it. If we were to see all the other places on our trip, we had to wave goodbye to the Jing Peng Pass for the last time. There would be no further visits after the steam had finished. We'd valiantly tried, and failed.

BUT THEN
My friend Ian's knee asserted itself.
We were sharing a room and one evening, I heard a clatter then an agonised roar. I rushed into our en suite bathroom and found that water had found its way down the back of the bath and onto the floor, turning it as slippery as an ice rink. As Ian got out of the bath, it tipped (not fixed very well in these rural places) and he was propelled onto the treacherous floor. He lost control, twisted and dislocated his kneecap. Imagine the poor chap's predicament. Several days' drive away from civilisation, in a rural location, with a dislocated knee. We got help. A local doctor came, by which time he had put the knee back himself. The doc gave him drugs unknown to western science that - shall we say - stopped him caring about the pain. We had to get the village carpenter to knock up some crutches for him, for the day when he could move (which would not be that day or the day after). Any crutches in the area - if there were any - had not been built for a man over 6 foot tall.

So the poor guy had to spend some time in bed until the pain/swelling/drugs wore off enough for him to be moved. There was nothing for it - we had to have a couple of extra days on the Jing Peng Pass.

And so it was that we had one last try at Tunnel 4. I persuaded the group to do it rather than go for lots of those easy shots. The gamble was on me... Quite a responsibility, as we all knew it was sacrificing many other shots. As we climbed up the hill, one last time, it was all in shadow. Not only from the hills, but from a bank of cloud - while the other side of the valley, where we might have gone, was bathed in light. We saw a train approaching miles away, perhaps half an hour off. It still seemed hopeless. Can you believe that as the sun rose over the hills, the cloud sank too? It was still there, but the sun rested just over the cloud - just high enough to light the scene. The train stormed out of the tunnel, just as the wind dropped, and - miracle of miracles - the steam stayed up! We had done it! On a day when we should have been driving back home, we had nailed Tunnel 4! On the last day when we could ever have tried it before steam finished there. Somehow, the efforts had paid off.

But not for poor Ian. At the bottom of the valley, in a bed, he was lying there resting his knee slightly deliriously. I suppose he was never going to get the shot. If he had been well enough to have joined us, we wouldn't have been there, but off home anyway. So it wasn't his fate. But i do feel for him and did at the time, even as we stood on the windswept mountainside, hundreds of miles from anything really, whooping and jumping and punching the air and hugging each other that we had achieved the shot of a lifetime.

And that's the story of the shot!

I did warn you it was a digression...

I call it The Ballad of Ian's Knee.
Forum: Film Processing, Scanning, and Darkroom 11-16-2017, 11:56 AM  
As slow as it comes? 6 ASA 35mm B&W film.
Posted By Alex645
Replies: 27
Views: 2,851
I don't know why Kodak would make a movie film stock without the rem jet unless it's a special batch in manufacture. If that's true, then yes, no worries with C-41, but I'd err on the side of caution on the first roll and with a good lupe, check the negs after drying on a light table.

HOWEVER, the web site for the OPʻs film does explain there is rem jet that needs to be filtered out:
https://filmphotographystore.com/collections/darkroom-supplies/products/dark...nt-kit-1-liter
Forum: Film Processing, Scanning, and Darkroom 11-16-2017, 11:07 AM  
As slow as it comes? 6 ASA 35mm B&W film.
Posted By smigol
Replies: 27
Views: 2,851
The FPP store has 1.6 ASA color film in a bulk roll.

I've been doing C41 at home and this looks like a fun emulsion to try.

https://filmphotographystore.com/collections/bulk-film-35mm-100ft-rolls/prod...uper-low-speed
Forum: Post Your Photos! 11-16-2017, 03:27 PM  
People Pike Place Market at night with Maddy - Film, K1000 + 50mm 1.4
Posted By alan_smithee_photos
Replies: 7
Views: 1,187
Walking around the Pike Place Market after work one night earlier this month with Maddy.

All photos shot on Cinestill 800T (tungsten balanced, pushed 1-stop) with the classic setup: a K1000 + M 50mm 1.4.

















Forum: Post Your Photos! 11-20-2016, 10:38 PM  
Landscape Yukon
Posted By ozwald
Replies: 16
Views: 1,419
Fall colours adding interest to the landscape in the Yukon.
Forum: Pentax DSLR Discussion 11-16-2016, 07:35 PM  
The Great JPEG Shootout! (Canon, Nikon, Sony, Fuji, iPhone, Pentax, Olympus, Panasoni
Posted By stevebrot
Replies: 90
Views: 12,456
I seldom shoot JPEG, but when I have, that has not been my experience.



Seeing the full spread of images on the video, I was surprised at how close the cameras were to each other. As mentioned above, I generally shoot RAW, but in one specific situation, the in-camera JPEG was superior to what I could do with the RAW in Lightroom. See below from the K10D:



No out-of-camera processing.



Steve
Forum: Pentax DSLR Discussion 11-16-2016, 05:08 PM  
The Great JPEG Shootout! (Canon, Nikon, Sony, Fuji, iPhone, Pentax, Olympus, Panasoni
Posted By wildman
Replies: 90
Views: 12,456
For what it's worth - I always shoot RAW but I'm retired and have the time.

Basic primary workflow:

1. Get the tone you want in ACR
2. Get the WB you want in Photoshop doing a full manual white balance - Photoshop is particularly powerful for this purpose.
3. Get the balance between dark and light tones the way you want.
5. Finish off the file with whatever else that it might need that is peculiar to that file.
6. It's a finished file when Photoshop tells me it's finished.

I can't imagine trying to get the results I want with the limited control that the camera body provides. The camera does allow more or less accurate control of overall exposure but little else. Given the final results I want, shooting RAW, is the simple easy way.
Forum: Post Your Photos! 11-16-2016, 02:58 PM  
Landscape Denali
Posted By ozwald
Replies: 10
Views: 861
Privileged to be one of (apparently) only 30% of visitors to see Denali almost in its entirety, i.e. without it being completely covered in cloud. Formerly named Mt. McKinley, Denali is the tallest mountain in North America at just over 20,000 ft (apologies to Americans who obviously already know this).
Forum: Post Your Photos! 08-07-2016, 05:47 PM  
Landscape A 77 Year Old Camera Heads to the Mountains
Posted By Colorado CJ
Replies: 4
Views: 860
Earlier today I shared some photos of my trip to Rocky Mountain National Park. I went there to test out a new, to me, camera, a Kodak Medalist I. Well, now I have the rolls developed and scanned in so here they are.

I wish there was a way to display these images like they are displayed on my calibrated screen, large and full of tones, the down res image displayed on the internet color palate doesn't let you see the full qualities of these images.

Anyway, saying that, here they are.

These were shot on a 77 year old Kodak Medalist I that I received a couple of days ago. These are my first rolls and my first shots taken with this old camera, so I really didn't know what to expect. The first images were shot with trough a minus blue filter on Neopan Acros 100 film rated at 50 ISO and developed in Rodinal at 50:1 for 9 minutes. After they dried, I scanned them in using an Epson V750 pro.

Kodak Medalist 1 - Test 1 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 2 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 3 by Andrew Marjama, on Flickr


These next few were taken between 11,500 ft and 12,000 ft altitude. It was raining on and off, but it made for some good photo taking.

Kodak Medalist 1 - Test 4 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 5 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 6 by Andrew Marjama, on Flickr


These last images were using the same film and shot through the same filter, but I used Pyrocat MC at 1:1:100 to develop them. The negatives were a little thick at 15 minutes development time, so next time I'm going to develop for 12 minutes.

Kodak Medalist 1 - Test 7 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 8 by Andrew Marjama, on Flickr

Kodak Medalist 1 - Test 9 by Andrew Marjama, on Flickr


Thats it for now. I have a few other photos (I shot 3 rolls, so 24 exposures total), but they weren't as interesting, or were doubles of these.

Next weekend I am going to take this camera, along with my 4x5 large format camera and my D600 to Black Canyon of the Gunnison National Park for some more photography and camping.
Forum: Post Your Photos! 07-15-2016, 12:18 AM  
Nature Red near the Little Susitna River
Posted By GRB
Replies: 2
Views: 669
This was actually shot at 1/1600.
Forum: Post Your Photos! 07-10-2016, 07:56 PM  
Macro Big game in Alaska
Posted By Quartermaster James
Replies: 3
Views: 880
Captured these Alaskan big game today ... all are cropped, some more heavily than the others ...
Forum: Post Your Photos! 06-17-2016, 08:31 AM  
Black & White Haines Harbor Alaska
Posted By nomadkng
Replies: 7
Views: 868
While driving around Haines early in the morning, came across their small boat harbor. Thought it was an iconic Alaska shot.

Sigma 24-60, CPL and a 2 stop GND filter

Forum: Post Your Photos! 06-17-2016, 10:14 PM  
Nature The moose are loose!
Posted By Quartermaster James
Replies: 4
Views: 920
Eagle River, Alaska
Forum: Pentax Lens Articles 08-12-2010, 04:24 AM  
Sticky: How to use/meter Manual & M42 Lenses on all Pentax DSLRs (K-1, K-3, K-5, K-30, etc)
Posted By Adam
Replies: 358
Views: 416,896
Many Pentax DSLR owners want to use M42 screwmount (Takumar) lenses, or M or K manual lenses, on their cameras because of the low cost and relatively high image quality of these lenses.


If you're wondering whether or not these lenses can be used with Pentax DSLRs (or the K-01), then the answer is yes! Pentax as well as third-party manual and screwmount lenses can easily be mounted on any Pentax DSLR (such as the K-1 series, KP, K-3 series, K-70, K-S2, K-S1, K-50, K-500, K-30, K-5 series, K-r, K-x, K-7, K10D, K100D, K200D, *ist D, etc.) Just follow this guide!



Modern Pentax DSLRs use the Pentax "K-mount", which employs a bayonet and therefore differs significantly from the M42 screw mount. The older manual M and K (SMC Pentax-M, SMC Pentax) lenses actually use the bayonet, so they will not need an adapter - you can skip straight to the lower portion of this article (starting at "Important!") for information on how to meter with those lenses. Screwmount lenses usually have "Takumar" in their names, and in order to mount screwmount lenses on your k-mount body, you'll need a Pentax k to m42 adapter. Pictured above is the genuine Pentax adapter, which is ideally the one you want to get. Similar third-party adapters are also available. Caution: Many third-party adapters, such as this one, have a protruding flange which will prevent you from focusing all the way to infinity. If you want to buy a third-party adapter (they're generally cheaper), make sure that they don't have this flange. Here's an example of a good third-party adapter.

Once you have your adapter, the next step is to install it on your camera (it can easily be put on and removed on-the-fly). Check out the m42 to k adapter manual.


After you've installed the adapter, you'll want to mount the lens. This is done by screwing it into the camera until the lens feels firmly attached. The focusing window and lens ring should line up with the camera just like any other lens. Now that your lens is mounted, let's talk about how to take photos with it.

Important! The hard part is to get the camera to actually fire when a manual lens is mounted. In order to accomplish this, enter your camera's custom function menu, select the "Using Aperture Ring" setting (usually at the end of the menu, #21 on the K-7, #27 on the K-5, #27 on the K-3, #26 on the K-1), and set it to 2 (allowed). Once you do this, the shutter will at least fire, as it wouldn't have with this setting disabled (you would simply have seen an F-- indication on the top LCD/info screen). The setting description should read: 'Shutter will release when aperture ring is not set to the "A" position' when "allowed" is selected. Also note that the mount on the lens must be conductive for electrical current so that it shorts the electrical contacts on the camera body. All Pentax manufactured lenses have a conductive mount, but some third party lenses do not in which case the area of the mount touching the contacts must be sanded down.

K-30, K-50, K-500, K-70, K-S1, K-S2 and K-01 users: make sure you also set your green button "action in M/TAv Mode" to Tv SHIFT. This is found under the button customization menu (page 3 of the main menu) on the K-01 or as a custom function on the K-30, K-50 and K-500. On the K-S2 and K-70, look under the e-dial programming sub-menu under button customization in the record menu.

Finally, ensure that auto ISO is disabled.

At startup, if your camera asks you for the focal length, enter the actual focal length as labeled on the lens. This will ensure optimal Shake Reduction performance. For zooms, you can use the lower end of the zoom range (this ensures that there will be no over-compensation), or the focal length that you shoot at most often.

Now, let's discuss metering. Since manual lenses don't feed aperture data to the camera, the only way for the camera to check how much light is being passed through the lens is to measure the light while the lens is stopped down. Follow this procedure to properly meter with a screwmount, M, or K lens:

___0. Ensure that the "Using Aperture Ring" custom function is set to "2 (allowed)" (K-30/50/500/01 users must also ensure that the green button is configured to Tv Shift in M/TAv Mode) as described above
  1. Set your camera to M mode using the mode dial (your camera won't fire in other modes*)

  2. Compose and focus your image.

  3. Using the aperture ring (the ring at the very back of your lens; it will have numbers such as 2.8, 4, 5.6, 8 written on it), select your desired aperture setting. Note that the smaller the aperture number is, the more light passes through the lens, and the blurrier the out of focus areas of your photograph will be (and vice-versa). Note your lens will not stop down until step 5.

  4. [Screwmount lenses only] Switch the diaphragm clutch on your lens to "Manual" (you can leave it on Auto when composing and focusing if you don't want a dark viewfinder).

  5. Measure the light by either pressing the "Green Button" (older bodies may use the Av button), or pushing your power button to DOF preview mode (only available on high-end bodies). Your camera will automatically set the shutter speed for you.

All that's left now is for you to press the shutter release button to take your photo. Congratulations- you've now learned how to use M42 and M & K manual lenses with Pentax DSLRs!

*Screwmount lenses may also be used in Av mode since they are always stopped down to the aperture you will be shooting at (unlike M&K lenses, which are stopped down only when the shutter is released or when you meter as described above).

Note: if your aperture ring has an "A" on it, instead of doing stop-down metering as per this guide, you'll want to set the ring to "A" and use the camera's scrollweel to adjust the aperture via Av mode.

Click here if you found this article helpful!

Video version:















You Tube



Forum: Canon, Nikon, Sony, and Other Camera Brands 05-31-2016, 05:27 AM  
Not your usual camera damage!
Posted By Wild Mark
Replies: 9
Views: 1,427
Unsure myself, but, it would not surprise me.

---------- Post added 05-31-16 at 10:29 PM ----------

Perhaps raptors just hate technology

http://www.newsweek.com/police-train-eagles-take-out-rogue-drones-422030
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