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S-M-C/Super/Auto Takumar 35mm F3.5 Review RSS Feed

S-M-C/Super/Auto Takumar 35mm F3.5

Sharpness 
 9.1
Aberrations 
 8.9
Bokeh 
 7.5
Handling 
 9.0
Value 
 9.3
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Recommended By Average Price Average User Rating
96% of reviewers $52.17 8.99
S-M-C/Super/Auto Takumar 35mm F3.5

S-M-C/Super/Auto Takumar 35mm F3.5
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S-M-C/Super/Auto Takumar 35mm F3.5
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S-M-C/Super/Auto Takumar 35mm F3.5
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S-M-C/Super/Auto Takumar 35mm F3.5 S-M-C/Super/Auto Takumar 35mm F3.5
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S-M-C/Super/Auto Takumar 35mm F3.5
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Description:
The 35mm F3.5 M42 screwmount lens was introduced in 1959 as an Auto-Takumar and the optical design remained unchanged all the way to a K-mount version!

The Auto-Takumar was followed by the Super-Takumar which came in three variants. Finally the 35mm F3.5 was released in a Super-Multi-Coated version.

The 35mm F3.5 thus came in a total of five M42 versions plus the K-mount version!

The three Super-Takumar versions can easily be distinguished from each other:

First version: Smallest F-stop is F22.
Second version: Smallest F-stop is F16 and the distance scale has no "window".
Third version: The distance scale has a "window".

The photos above are (left to right): Super-Takumar second version, Super-Takumar third version, Auto-Takumar, and Super-Multi-Coated Takumar.

Auto-Takumar (third photo above):
Auto-Takumar 35mm F3.5
© www.pentaxforums.com, sharable with attribution
Image Format
Full-frame / 35mm film
Lens Mount
M42
Aperture Ring
Yes
Diaphragm
Semi-automatic, 5 blades
Optics
5 elements, 4 groups
Mount Variant
M42 Stop-down Pin
Check camera compatibility
Max. Aperture
F3.5
Min. Aperture
F22
Focusing
Manual
Min. Focus
45 cm
Max. Magnification
0.09x
Filter Size
46 mm
Internal Focus
No
Field of View (Diag. / Horiz.)

APS-C: 45 ° / 38 °
Full frame: 63 ° / 54 °
Hood
Case
Lens Cap
Coating
Weather Sealing
No
Other Features
Diam x Length
Weight
147 g
Production Years
1959 to 1962
Engraved Name
Auto-Takumar 1:3.5/35
Product Code
336, 43360
Reviews
User reviews
Notes
The optical formula remained unchanged into the K-series lenses
Variants

1: Auto-Takumar (this lens)
2: Super Takumar first variant: Bottoms out at F22 and has fine ribs on aperture ring
3: Super Takumar second variant: Bottoms out at F16, has coarse ribs on aperture ring and no distance scale window
4: Super Takumar variant 3: Bottoms out at F16, has coarse ribs on aperture ring and a distance scale window
5: Super-Multi-Coated Takumar



Super-Takumar, first (early) version, the smallest F-stop is F22:
Super-Takumar 35mm F3.5 (i)
© www.pentaxforums.com, sharable with attribution
Image Format
Full-frame / 35mm film
Lens Mount
M42
Aperture Ring
Yes
Diaphragm
Automatic, 5 blades
Optics
5 elements, 4 groups
Mount Variant
M42 Stop-down Pin
Check camera compatibility
Max. Aperture
F3.5
Min. Aperture
F22
Focusing
Manual
Min. Focus
45 cm
Max. Magnification
0.09x
Filter Size
49 mm
Internal Focus
No
Field of View (Diag. / Horiz.)

APS-C: 45 ° / 38 °
Full frame: 63 ° / 54 °
Hood
Case
Lens Cap
Coating
Weather Sealing
No
Other Features
Diam x Length
57 x 34 mm
Weight
152 g
Production Years
1962 to 1964
Engraved Name
Super-Takumar 1:3.5/35
Product Code
357
Reviews
User reviews
Notes
The aperture of the early variant of the Super-Takumar goes to F22 and the aperture ring has fine ribs.
Variants

1: Auto-Takumar
2: Super Takumar first variant: Bottoms out at F22 and has fine ribs on aperture ring (this lens)
3: Super Takumar second variant: Bottoms out at F16, has coarse ribs on aperture ring and no distance scale window
4: Super Takumar variant 3: Bottoms out at F16, has coarse ribs on aperture ring and a distance scale window
5: Super-Multi-Coated Takumar



Super-Takumar, second version, the smallest F-stop is F16 (see leftmost photo above):
Super-Takumar 35mm F3.5 (ii)
© www.pentaxforums.com, sharable with attribution
Image Format
Full-frame / 35mm film
Lens Mount
M42
Aperture Ring
Yes
Diaphragm
Automatic, 5 blades
Optics
5 elements, 4 groups
Mount Variant
M42 Stop-down Pin
Check camera compatibility
Max. Aperture
F3.5
Min. Aperture
F16
Focusing
Manual
Min. Focus
45 cm
Max. Magnification
0.09x
Filter Size
49 mm
Internal Focus
No
Field of View (Diag. / Horiz.)

APS-C: 45 ° / 38 °
Full frame: 63 ° / 54 °
Hood
Case
Lens Cap
Coating
Weather Sealing
No
Other Features
Diam x Length
Weight
152 g
Production Years
1964 to 1966
Engraved Name
Super-Takumar 1:3.5/35
Product Code
357
Reviews
User reviews
Notes
The aperture of the second variant of the Super-Takumar goes to F16 only and the aperture ring has coarse ribs.
Variants

1: Auto-Takumar
2: Super Takumar first variant: Bottoms out at F22 and has fine ribs on aperture ring
3: Super Takumar second variant: Bottoms out at F16, has coarse ribs on aperture ring and no distance scale window (this lens)
4: Super Takumar variant 3: Bottoms out at F16, has coarse ribs on aperture ring and a distance scale window
5: Super-Multi-Coated Takumar



Super-Takumar, third (late) version, has a distance scale "window" (second photo above):
Super-Takumar 35mm F3.5 (iii)
© www.pentaxforums.com, sharable with attribution
Image Format
Full-frame / 35mm film
Lens Mount
M42
Aperture Ring
Yes
Diaphragm
Automatic, 5 blades
Optics
5 elements, 4 groups
Mount Variant
M42 Stop-down Pin
Check camera compatibility
Max. Aperture
F3.5
Min. Aperture
F16
Focusing
Manual
Min. Focus
45 cm
Max. Magnification
0.09x
Filter Size
49 mm
Internal Focus
No
Field of View (Diag. / Horiz.)

APS-C: 45 ° / 38 °
Full frame: 63 ° / 54 °
Hood
Case
Lens Cap
Coating
Weather Sealing
No
Other Features
Diam x Length
56.5 x 34 mm
Weight
152 g
Production Years
1966 to 1971
Engraved Name
Super-Takumar 1:3.5/35
Product Code
43571
Reviews
User reviews
Notes
The third variant of the Super Takumar is distinguished from the earlier variants by having a distance scale "window".
Variants

1: Auto-Takumar
2: Super Takumar first variant: Bottoms out at F22 and has fine ribs on aperture ring
3: Super Takumar second variant: Bottoms out at F16, has coarse ribs on aperture ring and no distance scale window
4: Super Takumar variant 3: Bottoms out at F16, has coarse ribs on aperture ring and a distance scale window (this lens)
5: Super-Multi-Coated Takumar



Super-Multi-Coated Takumar (last two photos):
Super-Multi-Coated Takumar 35mm F3.5
© www.pentaxforums.com, sharable with attribution
Image Format
Full-frame / 35mm film
Lens Mount
M42
Aperture Ring
Yes
Diaphragm
Automatic, 5 blades
Optics
5 elements, 4 groups
Mount Variant
M42 Stop-down Pin
Check camera compatibility
Max. Aperture
F3.5
Min. Aperture
F16
Focusing
Manual
Min. Focus
45 cm
Max. Magnification
0.095x
Filter Size
49 mm
Internal Focus
No
Field of View (Diag. / Horiz.)

APS-C: 45 ° / 38 °
Full frame: 63 ° / 54 °
Hood
Case
Lens Cap
Coating
SMC
Weather Sealing
No
Other Features
Diam x Length
56.5 x 34 mm
Weight
149 g
Production Years
1971 (start of production)
Engraved Name
Super-Multi-Coated TAKUMAR 1:3.5/35
Product Code
43572
Reviews
User reviews
Variants

1: Auto-Takumar
2: Super Takumar first variant: Bottoms out at F22 and has fine ribs on aperture ring
3: Super Takumar second variant: Bottoms out at F16, has coarse ribs on aperture ring and no distance scale window
4: Super Takumar variant 3: Bottoms out at F16, has coarse ribs on aperture ring and a distance scale window
5: Super-Multi-Coated Takumar (this lens)

Features:
Manual FocusAperture RingFull-Frame SupportAdapter needed for DSLRsDiscontinued
Price History:



Add Review of S-M-C/Super/Auto Takumar 35mm F3.5
Author:
Sort Reviews by: Date | Author | Rating | Recommendation | Likes (Descending) Showing Reviews 46-60 of 75
Pentaxian

Registered: April, 2011
Posts: 8,743

2 users found this helpful
Review Date: November 21, 2012 Recommended | Price: $46.00 | Rating: 7 

 
Pros: Can give good pictures
Cons: Poor performance in bright light
Sharpness: 9    Aberrations: 9    Bokeh: 8    Handling: 7    Value: 8    Camera Used: K100DS   

This review is for Auto Takumar 35mm f3.5

The lens can produce good pictures under the right lighting conditions. Into bright light or where there is bright light in the image there is loss of contrast and a vague haziness to images.

The rear surface of the ATak version is smooth, shiny metal (unlike the SMC version which is painted matte black). The effect is that light can reflect from the sensor in DSLR to the rear surface and back to the sensor, resulting in the hazy low contrast effect when there is plenty of light present. I have improved things by using low exposure with this lens compared with other STaks, but still the results were not pleasing because of the unpredictability of when this effect would bite and what it would do to the image. I conclude that a digital sensor must be much more reflective than film emulsion.

My particualr copy had heavier focusing action than on all my STaks, but they may be just age of the lubricants. I also found the AutoTak lever mechanism not as good as the Auto/Man switch on the later STaks. That could be just a matter of familiarity.

I recently obtained S-M-CTak which I also review.

The S-M-C veresion has matte black paint at the back surface which stops the reflection problem reported above for the ATak. The effect is that there is no probelm using the lens under a broader range of light conditions. The difference is not just the coatings. The S-M-C gives much more predictable image results and so is more satisfying. I prefer the handling of the S-M-C becasue I have become falimilar with the STak operation. The S-M-C cost about USD45, and I would increase the handling rating to 8, value to 9 and overall rating to 9.
   
Forum Member

Registered: September, 2009
Location: Kyoto
Posts: 72
Review Date: September 24, 2012 Recommended | Price: $40.00 | Rating: 8 

 
Pros: small, convenient, easy to use
Cons: slow, vignettes on full frame
Sharpness: 7    Aberrations: 9    Bokeh: 7    Handling: 10    Value: 10    Camera Used: Pentax K10D, Spotmatic SP500   

I like this lens more than my numerical evaluation might suggest. From a completely objective standpoint, I'd have to admit that it is sharp but not razor sharp, even well stopped down. The lens is quite prone to flare and loss of contrast from light scattering. (Use a hood!) And on full frame, the dark corners from vignetting are quite noticeable.

Still, it is one of my favorite Pentax lenses. Physically it is the most "Leica-like" of Takumars I've owned. So petite, and a total dream to handle.

It is a "fair weather lens" of course, only f/3.5, and works best at f/5.6 and up, but you can get some nice effects wide open too so long as absolute sharpness is not so important. Distortions, especially CA and barrel, are extremely well controlled. The rendering can be achingly beautiful. A slightly vintage look, but strong colors and, in the right light, excellent contrast too.

Bokeh is nothing to write home about, but in typical use does not distract, either.
   
Veteran Member

Registered: March, 2007
Location: St Louis, Missouri U S A
Posts: 2,464
Review Date: June 24, 2012 Recommended | Price: $31.00 | Rating: 10 

 
Pros: Sharpness, color, contrast, great Takumar build quality.
Cons: None that I can think of.
Sharpness: 10    Aberrations: 10    Bokeh: 7    Handling: 10    Value: 10    Camera Used: K10D, Spotmatics   

I have two versions of this lens, the Super Tak version, and the all metal S-M-C version ( with the metal focusing ring )

I have not used the S-M-C version as much, but both are incredibly sharp, with great colors. Nice and compact, with that buttery smooth focusing ring typical of Takumars. It just oozes quality.

I got the S-M-C version with an SP II my father picked up at Goodwill for less than $10.00, and both of mmine are in practically mint condition..

   
Veteran Member

Registered: December, 2009
Location: Ontario
Posts: 550
Review Date: June 14, 2012 Recommended | Price: $50.00 | Rating: 8 

 
Pros: Physically small, Sharp
Cons: Slow at F3.5
Sharpness: 7    Bokeh: 6    Handling: 8    Value: 8    Camera Used: Pentax Km   

I bought this lens along with a Super Takumar 200mm F4 for $100 together so I posted this as $50.

My version is a Super Takumar 35mm F3.5

The lens is quite small not quite a pancake but definitely small enough that I could fit this and my Pentax M 50mm F1.4 in a small pouch without weighing me down. It is metal construction so it is extremely durable.

As for the lens itself, I also have the new DA35 F2.4 and I found that this lens is not as good as the DA35 in terms of sharpness and bokeh.

However, it is still quite good and I would recommend this for others that would like more of the classic feel of the lens. It still produces sharp images and good colour reproduction. There are occasions when the colour is a little bit dull. For example the third image but in most cases it does alright.

Samples
(Non working links removed)
   
Forum Member

Registered: December, 2011
Location: Citrus Hills, Fl
Posts: 50

1 user found this helpful
Review Date: December 14, 2011 Recommended | Price: $70.00 | Rating: 9 

 
Pros:
Cons:
Sharpness: 10    Aberrations: 8    Bokeh: 6    Handling: 10    Value: 10   

Just recieved mine today, already taken a dozen or so pics with it. I LOVE this lens, I think its my favorite lens to date! Mine is the s-m-c version in EXCELLENT condition

Of course one person has to go against the grain, guess its me on this one. I actually find this lens easier to focus than the others that I have. I have a split screen from an me super right now, and it helps alot.

a shot to show it off:


100% crop:
   
New Member

Registered: November, 2011
Posts: 2
Review Date: December 5, 2011 Recommended | Rating: 8 

 
Pros: light but sturdy, small, good contrast...
Cons: hard to focus, min f/16, dark lens...
Sharpness: 8    Aberrations: 9    Bokeh: 6    Handling: 9    Value: 8   

This lens was given to me by my uncle, it is in perfect state, the focus ring is smooth as hell, it's sharp if you can obtain focus, but obtaining focus is a tad difficult even in low apertures, what is a shame, if not for this problem the lens would be a very nice one.

Even in bright daylight and wide open, it gives dark colors, making everything look gloomy, but has a very nice contrast even in the shadows.
I don't like the bokeh at all, probably because it only have 5 blades, the out of focus isn't smooth and almost all the shiny spots are cut in half or distorted.

My version only have f/16 as minimal, it is very small and light, the use of tripod is recommended if you tend to shake.
   
Pentaxian

Registered: October, 2010
Posts: 6,242

2 users found this helpful
Review Date: October 23, 2011 Recommended | Price: $50.00 | Rating: 9 

 
Pros: Compact, color rendering, sharpness.
Cons: Can't make starbursts...if that's a con.?
Sharpness: 9    Aberrations: 9    Bokeh: 8    Handling: 9    Value: 10   

Really nice lens. My copy is Super-takumar. Beaten up body, but optics is superb, no scratches nothing. Also it is still easy to focus, smooth as butter, as it should be.

I have taken this lens in many kind a shooting and It just keeps surprising me. Time after time. Nice FL to shoot, cheap. At dark scenes it makes some noise to picture though compared to my other lenses. So not so much for lo light beast, but you would not wait it from lens like this either

Colors must be brought up once again. It is just incredible that how rich color you can have with this lens. Thinking that it is just Super, not SMC about 50+ years old! WOW.

I Think that you can buy this lens for cheaper that I did, but even for more money it is worth it.

Here is some pictures made with it.

   
Site Supporter

Registered: November, 2010
Location: California
Posts: 2,223

2 users found this helpful
Review Date: August 28, 2011 Recommended | Price: $99.00 | Rating: 10 

 
Pros: Sharp, neat, small, user friendly, nice bokeh, easy to focus
Cons: It is not superfast
Sharpness: 10    Aberrations: 10    Bokeh: 10    Handling: 10    Value: 10   

This lens is a small little gem that I carry around and does all kind of photos. One of the best Super Takumars ever. I have the Super Takumar, not the SMC and I do not miss the SMC, this lens does not have a problem with sun light at all.

Here are some of the photos taken with it. I will post more later.



Vito by Palenquero, on Flickr




Flores by Palenquero, on Flickr




Salvia by Palenquero, on Flickr




Pinkies by Palenquero, on Flickr
   
Site Supporter

Registered: April, 2010
Location: Adelaide, South Australia
Posts: 813
Review Date: July 22, 2011 Recommended | Price: $90.00 | Rating: 9 

 
Pros: Compact, sharp, contrasty, beautiful colours
Cons: all manual

I bought this to use with my ancient Spotmatic, and I'm not disappointed at all.
With the M42 adapter it is just as good on my digital cameras.
Centre is sharp at f3.5, edges sharp at 5.6, critically sharp all areas at F8.

Safe to develop 6x4 and 10x8 at F3.5-5.6, can develop 11x16 at F8

I have a few 40year old Takumar lenses, and I'm confident they will see out my life expectancy of another 30 years.

Highly recommended.
   
New Member

Registered: June, 2009
Location: Sydney, Australia
Posts: 4
Review Date: July 11, 2011 Recommended | Price: $35.00 | Rating: 10 

 
Pros: Sharp and Compact
Cons: None that I can think of

I tried this lens on Canon 5d and I thought it was an ok lens but the result turns out to be really sharp. I am quite surprise that this lens is really sharp even at its widest opening on full frame camera. I really recommend this lens for somebody who don't want to spend a lot of money on 35mm auto focus lens and want sharp lens.
   
Inactive Account

Registered: June, 2009
Posts: 35
Review Date: April 2, 2011 Recommended | Price: $70.00 | Rating: 9 

 
Pros: Very sharp, excelent construction, low CAs
Cons: lack of auto anything

I have the last version of this lens, multicoated. Till a couple of days ago I wasn't able to get my hands on a good adapter to use it with my K5.
Finally got the original Pentax adapter, and the fit camera/adapter/lens is perfect. Feels like a Limited. I use it with a small metal 50mm hood, and the whole thing is perfect.
The lens is sharp but dreamy wide open. at 5,6 it's very sharp, and at 8/11 there's no difference with the m50/1.7. Not that there isn't any, it's just both lenses on a tripod at those apertures top the sensor, I think.
What's awesome about this lens, which I think is common to other 3.5 max aperture lenses, is what others already mentioned: a very even exposure. at good aperures exposition and sharpness are sweet and even all over, corner to corner. Low CAs, for landscapes it seems to be a winner.
One intangible quality: some lenses, like the kit lens, seem quite sharp, but I think it has to do with contrast, very contrasty lenses look sharp. This is quite the opposite, it looks creamy, but when you zoom in there are tons of subdued detail. This, for demanding applications like landscape, (when speed isn't really an issue anyway) produces very PS-friendly files. You can upres them and sharpen them A LOT. On the other side, very contrasty lenses react in very diverse ways, you get ugly stuff and artifacts, evident mushy corners, etc. This 35 with proper use produces window-like images, there's no local deterioration anywhere. And I'm starting to think in this era of feasible high ISOs the big aperture lenses produce too much unevenness in exposure and aberrations to compensate for an extra stop (let alone weight!)
The lens is a 10, or a 6, depending on how much you rely on auto settings.
One bad, one good thing: hard to switch lenses in the field, it works great in Av with the stop down switch, you open, focus, close down, shoot, and the red focus confirmation light is quite reliable, at least in my outfit.
This photo and the cropped corner sampled illustrate most aspects I'm talking about here.

(Non working link removed)
   
Giveaway winner!

Registered: December, 2007
Location: beantown
Posts: 944
Review Date: February 1, 2011 Recommended | Price: $7.50 | Rating: 10 

 
Pros: Sharp, all metal
Cons: only in M42, sharper than DA 16-45 at 35
Sharpness: 10    Aberrations: 10    Bokeh: 9    Handling: 10    Value: 10   

I got it cheap.

On a film camera the lens is crisp and contrasty. The edge sharpness in my version seems a little soft when wide open, but hard to notice really. When shot with Ektar or Portra it is wonderful.

On my K20D it seems to be a sharp lens and for a Super-Takumar, it is a very well behaved lens in bright light. Some expected contrast loss was evident in a bright side lights and thanks to its good contrast, it is hard to see right away. The issue with glare was easy to control enough by using a hand to shield and then the slight loss cleared up. So a side to side test against my DA 16-45mm set at 35mm@f4 and the images looked sharper and cleaner with the Sup-Tak 35mm@f4. At 5.6, things start to get even better. I am very happy with this lens so far.

The film test also yielded super results![/FONT]
   
New Member

Registered: March, 2009
Review Date: October 18, 2010 Recommended | Rating: 9 

 
Pros: sharpness, low CA, contrast, small, build
Cons:

S-M-C Takumar 35/3.5

Probably the most ballanced 35mm Asahi-made M42 lens. Contrasty, sharp, low-CA.

On APS-C optical quality is quite comparable to good copy of Carl Zeiss Jena Flektogon 35/2.4. Bokeh is a bit less smooth, but that's not a real problem for wide-open lens, which was designed for landscape photography.


Auto Takumar 35/3.5

I'd say, that Super/S-M-C Takumar is based on recalculated optical formula of the Auto Takumar. The earlier Auto Takumar performs slightly different. I'd say, that lateral CA is slightly lower, but sharpness in corners too.

Both f/3.5 Takumars don't contain radioactive elements (f/2 models do).
   
Veteran Member

Registered: January, 2010
Location: Southern England
Posts: 623
Review Date: July 13, 2010 Recommended | Rating: 10 

 
Pros: Very, very sharp and is TINY!
Cons: At this focal length, accurate focusing is tricky.

(My copy is the S-M-C version.)

Superbly sharp lens - almost the sharpest I own (the Rikenon 50mm/f2 just about beats it). An absolute joy to have on the camera, because it's so small and light - almost pancake-like.

At 35mm focal length, accurate focusing is a real problem. If my experience with my K-m (K2000) is anything to go by, DSLR focus-assist facilities are (much) worse than useless, so be prepared for some very careful manual focusing. Best solution is to use a focusing screen with a focus aid (like a split-prism).
   
Veteran Member

Registered: February, 2009
Location: Arlington, VA
Posts: 3,757

1 user found this helpful
Review Date: June 15, 2010 Recommended | Price: $50.00 | Rating: 10 

 
Pros: very sharp, colors, small, sturdy, goooood-looking
Cons:
Sharpness: 10    Aberrations: 10    Bokeh: 7    Handling: 9    Value: 10   

I can't believe this lens received grades of 6 and 7. For the price, it's a 10. I have the non-SMC version, and, as someone else said, from f5.6 it's as sharp as can be (and I mainly use it at 5.6 and 8) for street shots. But it's very sharp wide open, too, with just a bit of border softness. Beautiful colors. Bokeh isn't great, though. Haven't noticed a lot of flare--perhaps mine is one of the later Super Taks, which are said to have some SMC even if not mentioned on the front ring.










Add Review of S-M-C/Super/Auto Takumar 35mm F3.5



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