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HD Pentax-DA* 11-18mm F2.8 ED DC AW Review RSS Feed

HD Pentax-DA* 11-18mm F2.8 ED DC AW

Sharpness 
 10.0
Aberrations 
 9.0
Bokeh 
 9.3
Autofocus 
 9.7
Handling 
 10.0
Value 
 9.8
Reviews Views Date of last review
4 19,067 Thu May 9, 2019
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Recommended By Average Price Average User Rating
100% of reviewers $1,546.25 10.00
HD Pentax-DA* 11-18mm F2.8 ED DC AW

HD Pentax-DA* 11-18mm F2.8 ED DC AW
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HD Pentax-DA* 11-18mm F2.8 ED DC AW
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HD Pentax-DA* 11-18mm F2.8 ED DC AW
supersize
HD Pentax-DA* 11-18mm F2.8 ED DC AW
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Description:

This is a high end ultra-wide angle zoom lens for the APS-C format with a large maximum aperture for a wide angle zoom of F2.8. It complements the DA* 16-50mm F2.8 and DA* 50-135mm lenses as a weather sealed trio of F2.8 high performance lenses for the APS-C format. 

The 11-18mm zoom is weather sealed and features a focus clamp intended to prevent accidental change of focus e.g. when the lens is used for astro-photography.

The lens is cold-resistant to -10 degrees centigrade. The exterior is designed with a lens heater groove to prevent dew condensation. To facilitate the installation of the heater, the lens is shaped fairly level, without a bump between the lens barrel and the focus and zoom rings. The lens barrel has been constructed with metallic components for effective transmission of the heat generated by the heater.

Case, caps and lens hood are included with the lens. The lens hood features a removable door which allows for rotating a polarizing filter should one be attached.

This new lens is scheduled to be released on February 22, 2019.


HD Pentax-DA* 11-18mm F2.8 ED DC AW
© www.pentaxforums.com, sharable with attribution
Image Format
APS-C
Lens Mount
Pentax K
Aperture Ring
No
Diaphragm
Automatic, 9 blades (rounded)
Optics
16 elements, 11 groups
Mount Variant
KAF3
Check camera compatibility
Max. Aperture
F2.8
Min. Aperture
F22
Focusing
AF (in-lens motor)
DC
Quick-shift
Yes
Min. Focus
30 cm
Max. Magnification
0.1x
Filter Size
82 mm
Internal Focus
Yes
Field of View (Diag. / Horiz.)

APS-C: 104-76 ° / 94-66 °
Hood
PH-RDF82
Case
S120-150
Lens Cap
O-LC82
Coating
HD,SP
Weather Sealing
Yes (AW)
Other Features
AF/MF Switch,Focus Clamp
Diam x Length
90 x 100 mm (3.54 x 3.94 in.)
Weight
704 g (24.8 oz.)
w/ Hood: +35g
Production Years
2019 to present (in production)
Pricing
$1296 USD current price
$1399 USD at launch
Engraved Name
HD Pentax-DA* 1:2.8 11-18mm ED DC AW
Reviews
User reviews
Notes
Compatible teleconverter: A 2x-S

Features:
Supersonic AutofocusQuick ShiftWeather SealedInternal FocusingAutomatic ApertureAPS-C Digital Only
Purchase: Buy the HD Pentax-DA* 11-18mm F2.8 ED DC AW



Add Review of HD Pentax-DA* 11-18mm F2.8 ED DC AW Buy the HD Pentax-DA* 11-18mm F2.8 ED DC AW
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Sort Reviews by: Date | Author | Rating | Recommendation | Likes (Descending) Showing Reviews 1-4 of 4
Site Supporter

Registered: January, 2011
Location: Munich, Germany
Posts: 1,752

4 users found this helpful
Lens Review Date: May 9, 2019 I can recommend this lens: Yes | Price: $1,525.00 | Rating: 10 

 
Pros:
Cons:
Value: 10    New or Used: New    Camera Used: K-1, KP   

I don't have any complaints about this lens. It meets all my expectations and surpasses them in some points. I'd give it a 9.5 but since this is not possible it gets a 10.

Here are my generel observations ...
  • great build quality, weather resistant
  • 82mm filter thread may let you use filters you already have for other lenses like the DFA24-70
  • very good color rendering
  • sharp from border to border (much better than the DA15)
  • for such a lens not much distortion
  • in extreme lighting it can show flare (examples, KP shots) and slight fringing, but I guess at least not worse than the best other UWA lenses
  • compared to the DFA15-30 significantly more lightweight and less bulky

Most important thing for me: attached to the K-1 it works very well from 15 to 18mm in FF mode! If you like to work in K-1 FF square mode you can go down to 12mm! - Angle of view / MegaPixel ratios you can't get with the existing APS-C cameras.

At 15mm you have to remove the lens hood. I have no problem to deal with the existing vignetting in post processing (Capture One Pro). Unfortunately 15mm is not reported in exif meta data - it's shown as 16 or 14mm.

Additional highlights for me:
  • 15@FF (99° x 76°, 36 MP) is wider than 11@APS-C (94° x 71°, 24MP)
  • Very well balanced on the K-1, wonderful to work with this combo. I clearly prefer it compared to the KP / DA*11-18 combo.

If you want an image like one with the angle of view of a 20, 21 or 24mm lens just shoot at 18 mm and crop. Of course that's like using sensors with a crop factor down to APS-C dimensions.

Here's a table that shows cropping dimensions to get these angles ...

| Virtural FL | width px | height px | Megapixel | APS-C equivalent
___________________________________________________
| __20mm_ |___6624 |____4421 |_____29.28 |_________13mm
| __21mm_ |___6309 |____4210 |_____26.56 |_________14mm
| __24mm_ |___5520 |____3684 |_____20.34 |_________16mm
| __27.5mm | __4817 |____3215 |_____15.49 |_________18mm

So, in the meantime if you are waiting for a new 20mm, 24mm FF prime lens or 18-28mm Pentax and always post process your raw files, you could use these crop dimensions as virtual f/2.8-lens substitutes.

What I learnt using this ultra wide angle lens is that I have to carefully consider light distribution within the whole frame, keep the horizon in balance and be aware of the extreme impact on perspective when tilting the camera. If cropping is ok for you, you can apply pseudo tilt shift to get architecture photographs that preserve proper verticals - especially when shooting K-1 in FF mode.

My overall Conclusion: A great lens to use with K-1 in FF / Square mode and APS-C cameras like the KP.


K-1 • FF mode • 18mm (89° x 66°) • f/11


K-1 • FF mode • 18mm (89° x 66°) • f/8


K-1 • FF mode • 16mm (96° x 73°) • f/11


K-1 • FF mode • 15mm (99° x 76°) • w/o hood • f/8


K-1 • FF Square mode • 11mm (96° x 96°) • w/o hood • f/11 (vignetting clearly visible)


K-1 • FF mode • 18mm (89° x 66°) • f/8 • step-up ring 82-86 • PLC 86mm slim filter (4mm) • w/o hood


K-1 • FF Square Mode • 14mm • f/8 • step-up ring 82-86 • PLC 86mm slim filter (4mm) • w/o hood


K-1 • FF mode • 18mm • ISO 100 • f/11 • 20s (82 Haida 10 stop + StepUp 82-86 + 86 B&W CLP => yielding strong vignetting, so I had to crop to roughly 20mm angle of view) • w/o hood


KP (APS-C) • 18mm (66° x 47°) • f/2.8


KP (APS-C) • 11mm (94° x 71°) • f/2.8

A lot more images you can find in the K-1 thread.

Change History

12.08.2019
- FF mode long time exposure image added. Crop to roughly 20mm lens angle. Reason: 2 filters installed.

06.08.2019
- Image taken in FF Square Mode at 14mm, step-up ring 82-86 and 86 PLC slim filter (4mm) added. No problem with corners.

06.07.2019
- Test with step-up ring 82-86mm and attached PLC slim filter (4mm), hood had to be detached, K-1 FF mode Result: 18mm works. 16mm shows too much vignetting in the corners that can't be eliminated. 18mm peony image included. 16mm should work in (FF) Square mode. Didn't test APS-C mode. Guess it will completely work without too much vignetting.

05.11.2019
- added positive property 82mm filter thread
- angle of view based equivalent lens crop table for 18mm@FF shots added
- three more image links added
- paragraph "what I learnt using ultra wide angles" added
   
Junior Member

Registered: February, 2018
Location: Hιrouville Saint Clair, Normandy, France
Posts: 28
Lens Review Date: April 15, 2019 I can recommend this lens: Yes | Price: $1,580.00 | Rating: 10 

 
Pros: Build quality, filter-friendly, quiet, weather resistant
Cons: Heavy
Sharpness: 10    Aberrations: 8    Bokeh: 9    Autofocus: 10    Handling: 10    Value: 10    New or Used: New    Camera Used: KP   

I've waited so many years for this lens !
Samyang 8, Pentax 10-17, Sigma 8-16, Pentax 15 LTD, ... And now the search is over. This is the best lens I've ever had.

This lens is built like a tank, nothing moves, every moving part is smooth, every clamp is strong, no loose part.
Autofocus is quiet and fast. Really soft bokeh.
And the sharpness... Oh the sharpness ! Incredibly sharp, even wide open ! At F8, it is amazing.
I've done some pretty nice portraits at 18mm.
No barrel distorsion, no strange flare.
And it's weather resistant ! Is it a dream ?!

Cons ?...
Really light smoothness and fringe on the sides, nothing compared with other ultra-wide lenses.
The hood is big.
Small vignetting at F2.8.

My first week with this lens : https://flic.kr/s/aHskTLYbUJ







   
Moderator
Site Supporter

Registered: February, 2012
Location: Adelaide Hills, South Australia
Posts: 7,893

2 users found this helpful
Lens Review Date: March 31, 2019 I can recommend this lens: Yes | Price: $1,500.00 | Rating: 10 

 
Pros: Compact, filters, build quality, handling
Cons: Nothing serious
Sharpness: 10    Aberrations: 9    Bokeh: 9    Autofocus: 10    Handling: 10    Value: 9    New or Used: New    Camera Used: KP   

Leading up to its release I was not enthusiastic about this lens. I've been very happy with the DFA15-30 on full frame, and saw the limitations of the smaller focal range more than the potential advantages. Of the latter, there are many. I'm very glad I decided to pre-order one.

Compared to the DFA15-30, it is tiny. It is nowhere near as front heavy. It takes normal 82mm filters. It has AW sealing rather than WR. It has a AF/MF switch and a focus lock. The hood is better. Flare resistance is better. For the serious astrophotographer, it has been designed to accept a front element warmer. The difference in build quality is marked - it really feels like a Pentax Star lens. I initially thought it was an internal zoom design, but although the filter thread does not move, the front element actually retracts slightly from 11mm to 16mm, only to extend infinitesimally back out to 18mm.

Optically it is pretty hard to fault, accepting the limitations of ultra-wide lenses. It is very sharp from wide open over most of the frame, but it does take f/8.0 or so to really crisp up the corners. There is some purple and green fringing in the peripheries in high contrast situations, but it's easily corrected in PP. Distortion is negligible. Looking really critically, I think my copy might be very slightly de-centred, but probably not enough to be worth the hassle of getting it adjusted.

In reality I'd probably rate it 9.5, but I'll round it up to a ten. I might keep the 15-30 for serious stuff locally, but when I'm packing for travel the 11-18 will be an easy choice.

I used it every day for the month of March 2019 - the (still growing) album can be viewed HERE
   
New Member

Registered: December, 2012
Location: Czech Republic
Posts: 20

4 users found this helpful
Lens Review Date: March 21, 2019 I can recommend this lens: Yes | Price: $1,580.00 | Rating: 10 

 
Pros: well built, sharp, nice bokeh, absent CA, overall an incredible lens
Cons: a bit expensive :-)
Sharpness: 10    Aberrations: 10    Bokeh: 10    Autofocus: 9    Handling: 10    Value: 10    New or Used: New    Camera Used: K3II   

I have this lens for more than a week. I have used it several times outdoors. Sadly, due to lack of time and cloudy nights, I could not shoot starry night to evaluate capabilities of this lens in that particular field of photography. Lens is not so big when used, but quiet heavy comparing to my other lenses (DA* 300 included – I know that this one is heavier, but thanks to a larger barrel it does not feel like it). Autofocus is fine and quiet – surprisingly on my K3II is also a precise one in most situations. Sometimes with close-ups (around minimum focusing distance) it needed a bit of help. What blew my mind was a sharpness of the lens (see attached photo of my colleague) – and I am used to an excellent sharpness of photos from my favorite DA*300 or e.g. DA 35 Macro Ltd! Also, CA is very well corrected. Almost none (you have to really try hard to find some on the photo) in all situations even when I tried to produce some in situations like branches against a sky or white flowers on a sunny day etc. I am looking forward to use it further for landscape as well as wide-angle details of e.g. wild orchids or frogs in their habitat.

ISO 400; 11 mm, f2.8, 1/60 s - jpeg straight out of camera - no postprocessing, no sharpening, no nothing (just assembly of collage)
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